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Author: Roland John Wiley
Publisher:
ISBN: 9781839990762
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The Petersburg Noverre is an account of Marius Petipa's career in Russia that focuses on the description and reception of his ballets.
Author: Roland John Wiley
Publisher:
ISBN: 9781839990762
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The Petersburg Noverre is an account of Marius Petipa's career in Russia that focuses on the description and reception of his ballets.
Author: F. G Naerebout
Publisher: BRILL
ISBN: 9004674853
Category : History
Languages : en
Pages : 471
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Book Description
This book is not another history of the dance in ancient Greece, but wants to lay the groundwork on which such a history should properly be build. The three preliminary studies offered here are, first, an extensive historiography of the subject which seeks to illuminate where we stand at present in reference to the large amount of work done on ancient Greek dance for the past 500 years. Secondly, an exercise in source criticism, embracing both texts and imagery, in order to establish the limits to which we can push any investigation, and thirdly, an attempt at model building to provide an explicit theoretical framework for future research. This is the first time that some of the approaches of the new dance scholarship which has arisen during the past few decades have been systematically applied to the dancing of the ancient world.
Author: Marion Kant
Publisher: Cambridge University Press
ISBN: 9780521539869
Category : Music
Languages : en
Pages : 406
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Book Description
A collection of essays by international writers on the evolution of ballet.
Author: Lorenzo Bianconi
Publisher: University of Chicago Press
ISBN: 0226045919
Category : Music
Languages : en
Pages : 449
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Book Description
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Author: Floyd Kersey Grave
Publisher: A-R Editions, Inc.
ISBN: 089579330X
Category : Music
Languages : en
Pages : 198
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Book Description
"This edition presents for the first time most of the surviving ballet music performed at Mannheim in the 1760s and 1770s. Each ballet is complete and newly engraved in full score and includes an introduction to the music, translations of scenarios, and information on the sources, composers, ballet masters and other pertinent historical background"--Pref.
Author: Roland John Wiley
Publisher:
ISBN: 9781839984167
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
The Petersburg Noverre is an account of Marius Petipa's career in Russia that focuses on the description and reception of his ballets.
Author: Lynn Brooks
Publisher: Univ of Wisconsin Press
ISBN: 029922533X
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author: Rebecca Harris-Warrick
Publisher: Univ of Wisconsin Press
ISBN: 9780299203542
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 460
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Book Description
