The Perverse Art of D.H. Lawrence PDF Download
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Author: Kingsley Widmer
Publisher:
ISBN:
Category :
Languages : en
Pages : 914
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Book Description
Author: Kingsley Widmer
Publisher:
ISBN:
Category :
Languages : en
Pages : 914
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Book Description
Author: Kingsley Widmer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Author: Jack Stewart
Publisher: SIU Press
ISBN: 9780809321681
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
D. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent. Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology.
Author: Keith Sagar
Publisher: CUP Archive
ISBN: 9780521061810
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Study of Lawrence's fiction, non-fiction, poetry, and paintings.
Author: Ronald P. Draper
Publisher: Psychology Press
ISBN: 9780415159227
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
Controversial English novelist, notorious for the explicitness of his writings. Writings include: Sons and Lovers, Lady Chatterley's Lover, Women in Love. Volume covers the period 1909-1931 (grouped by novels/poems).
Author:
Publisher:
ISBN: 9780878750429
Category : Reference
Languages : en
Pages : 232
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Book Description
Author: Eugene Goodheart
Publisher: Routledge
ISBN: 1351523775
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The dominant view of D.H. Lawrence's work has long been that of F. R. Leavis, who confined Lawrence within an exclusively ethical and artistic tradition. In D.H. Lawrence: The Utopian Vision, Eugene Goodheart widens the context in which Lawrence should be understood to include European as well as English writers - Blake, Nietzsche, Rilke, and Freud among others. Goodheart shows that the characteristic impulse of Lawrence's principal discovery was the bodily or physical life that he believed man had once possessed in his pre-civilized past and must now fully recover if future civilized life is possible. Goodheart's argument fully engages the paradoxes of Lawrence's writing. He is at once the last great representative of the moral tradition of the English novel and of the English Protestant imagination and a novelist without precedent, a diabolist in the service of the dark gods. He rejects the claims of society, while simultaneously lamenting the thwarting of the societal instinct. The oppositions and paradoxes in the work are the expression of a single, not always coherent, revolutionary imagination. D.H. Lawrence: The Utopian Vision provides a rigorous and critical analysis of the ideological character of Lawrence's novels and essays, in particular the effect of his utopianism on his views of nature, myth, and religious experience, while responding to his aesthetic achievement. Goodheart's Lawrence is a prophetic artist whose vision is at once inspiring and dangerous. In the new introduction to the book, Goodheart reflects upon the vicissitudes of Lawrence's reputation since the sixties when the book first appeared and his relevance to the concerns of our own time.
Author: Marguerite Beede Howe
Publisher: Athens : Ohio University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: Keith Milson Sagar
Publisher:
ISBN:
Category :
Languages : en
Pages : 267
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Book Description
Author: Jack Stewart
Publisher: SIU Press
ISBN: 9780809323883
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
D. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent. Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology.
