Author: Mohammad Asaduddin
Publisher: Penguin Global
ISBN:
Category : Fiction
Languages : en
Pages : 328
Book Description
Though Barely A Hundred Years Old, The Urdu Short Story, Or Afsana', Has Established Itself At The Forefront Of Urdu Literature. Emerging As A Discrete Narrative Genre With Munshi Premchand, It Gained Momentum With The Progressive Writers' Movement In The 1930S. The Partition Of The Subcontinent In 1947 Introduced New Dynamics Into The Genre As Writers Grappled With Emerging Trends Of Modernism And Symbolism As Well As With A Depleted Readership In India And The Challenge Of Establishing A New Literary Tradition Commensurate With A New Nationhood In Pakistan. The Penguin Book Of Classic Urdu Stories Brings Together Sixteen Memorable Tales That Have Influenced Generations Of Readers. From Saadat Hasan Manto'S Immortal Partition Narrative Toba Tek Singh' And The Harrowing Realism Of Premchand'S The Shroud' To The Whimsical Strains Of Qurratulain Hyder'S Confessions Of St Flora Of Georgia' And The Daring Experimentation Of Khalida Husain'S Millipede', This Definitive Collection Represents The Best Of Short Fiction In Urdu. In The Process, It Provides A Glimpse Of The Works Of Acclaimed Masters On Both Sides Of The Border Ismat Chughtai And Ashfaq Ahmad, Rajinder Singh Bedi And Intizar Husain, Krishan Chander And Hasan Manzar, Naiyer Masud And Ikramullah.
The Penguin Book of Classic Urdu Stories
Author: Mohammad Asaduddin
Publisher: Penguin Global
ISBN:
Category : Fiction
Languages : en
Pages : 328
Book Description
Though Barely A Hundred Years Old, The Urdu Short Story, Or Afsana', Has Established Itself At The Forefront Of Urdu Literature. Emerging As A Discrete Narrative Genre With Munshi Premchand, It Gained Momentum With The Progressive Writers' Movement In The 1930S. The Partition Of The Subcontinent In 1947 Introduced New Dynamics Into The Genre As Writers Grappled With Emerging Trends Of Modernism And Symbolism As Well As With A Depleted Readership In India And The Challenge Of Establishing A New Literary Tradition Commensurate With A New Nationhood In Pakistan. The Penguin Book Of Classic Urdu Stories Brings Together Sixteen Memorable Tales That Have Influenced Generations Of Readers. From Saadat Hasan Manto'S Immortal Partition Narrative Toba Tek Singh' And The Harrowing Realism Of Premchand'S The Shroud' To The Whimsical Strains Of Qurratulain Hyder'S Confessions Of St Flora Of Georgia' And The Daring Experimentation Of Khalida Husain'S Millipede', This Definitive Collection Represents The Best Of Short Fiction In Urdu. In The Process, It Provides A Glimpse Of The Works Of Acclaimed Masters On Both Sides Of The Border Ismat Chughtai And Ashfaq Ahmad, Rajinder Singh Bedi And Intizar Husain, Krishan Chander And Hasan Manzar, Naiyer Masud And Ikramullah.
Publisher: Penguin Global
ISBN:
Category : Fiction
Languages : en
Pages : 328
Book Description
Though Barely A Hundred Years Old, The Urdu Short Story, Or Afsana', Has Established Itself At The Forefront Of Urdu Literature. Emerging As A Discrete Narrative Genre With Munshi Premchand, It Gained Momentum With The Progressive Writers' Movement In The 1930S. The Partition Of The Subcontinent In 1947 Introduced New Dynamics Into The Genre As Writers Grappled With Emerging Trends Of Modernism And Symbolism As Well As With A Depleted Readership In India And The Challenge Of Establishing A New Literary Tradition Commensurate With A New Nationhood In Pakistan. The Penguin Book Of Classic Urdu Stories Brings Together Sixteen Memorable Tales That Have Influenced Generations Of Readers. From Saadat Hasan Manto'S Immortal Partition Narrative Toba Tek Singh' And The Harrowing Realism Of Premchand'S The Shroud' To The Whimsical Strains Of Qurratulain Hyder'S Confessions Of St Flora Of Georgia' And The Daring Experimentation Of Khalida Husain'S Millipede', This Definitive Collection Represents The Best Of Short Fiction In Urdu. In The Process, It Provides A Glimpse Of The Works Of Acclaimed Masters On Both Sides Of The Border Ismat Chughtai And Ashfaq Ahmad, Rajinder Singh Bedi And Intizar Husain, Krishan Chander And Hasan Manzar, Naiyer Masud And Ikramullah.
The Penguin Book of Modern Indian Short Stories
Author: Stephen Alter
Publisher: Penguin UK
ISBN: 9351183335
Category : Fiction
Languages : en
Pages : 372
Book Description
Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.
Publisher: Penguin UK
ISBN: 9351183335
Category : Fiction
Languages : en
Pages : 372
Book Description
Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.
A Life in Words
Author: Ismat Chugtai
Publisher: Penguin UK
ISBN: 8184759401
Category : Biography & Autobiography
Languages : en
Pages : 361
Book Description
A Life in Words, the first complete translation of Ismat Chughtais celebrated memoir Kaghazi hai Pairahan, provides a delightful account of several crucial years of her life. Alongside vivid descriptions of her childhood years are the conflicted experiences of growing up in a large Muslim family during the early decades of the twentieth century. Chughtai is searingly honest about her fight to get an education and the struggle to find her own voice as a writer. The result is a compellingly readable memoir by one of the most significant Urdu writers of all time.
Publisher: Penguin UK
ISBN: 8184759401
Category : Biography & Autobiography
Languages : en
Pages : 361
Book Description
A Life in Words, the first complete translation of Ismat Chughtais celebrated memoir Kaghazi hai Pairahan, provides a delightful account of several crucial years of her life. Alongside vivid descriptions of her childhood years are the conflicted experiences of growing up in a large Muslim family during the early decades of the twentieth century. Chughtai is searingly honest about her fight to get an education and the struggle to find her own voice as a writer. The result is a compellingly readable memoir by one of the most significant Urdu writers of all time.
Cosmopolitan Dreams
Author: Jennifer Dubrow
Publisher: University of Hawaii Press
ISBN: 0824876695
Category : History
Languages : en
Pages : 194
Book Description
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
Publisher: University of Hawaii Press
ISBN: 0824876695
Category : History
Languages : en
Pages : 194
Book Description
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
The Oxford Handbook of Modern Indian Literatures
Author: Ulka Anjaria
Publisher: Oxford University Press
ISBN: 019764791X
Category : Language Arts & Disciplines
Languages : en
Pages : 745
Book Description
"The Oxford Handbook of Modern Indian Literatures is a compilation of scholarship on Indian literature from the 19th century to the present in a range of Indian languages. On one hand, because of reasons associated with national academic structures, publishing resources, and global visibility, English writing gets privileged over all the other linguistic traditions in the scholarship on Indian literatures. On the other hand, within the scholarship on regional language literary productions (in Hindi, Marathi, Bengali, etc.), the critical works and the surveys focus only on that particular language and therefore frequently suffer from a lack of comparative breadth and/or global access. Both reflect the paradigm of monolingualism within which much literary scholarship on Indian literature takes place. This handbook instead focuses on the multilingual pathways through which modern Indian literature gets constituted. It features cutting-edge literary criticism from at least seventeen languages, and on traditional literary genres as well as more recent ones like graphic novels. It shows the deep connections and collaborations across genres, languages, nations, and regions that produce a literature of diverse contact zones, generating innovations on form, aesthetics, and technique. Foregrounding themes such as modernity and modernism, gender, caste, diaspora, and political resistance, the book collects an array of perspectives on this vast topic"--
Publisher: Oxford University Press
ISBN: 019764791X
Category : Language Arts & Disciplines
Languages : en
Pages : 745
Book Description
"The Oxford Handbook of Modern Indian Literatures is a compilation of scholarship on Indian literature from the 19th century to the present in a range of Indian languages. On one hand, because of reasons associated with national academic structures, publishing resources, and global visibility, English writing gets privileged over all the other linguistic traditions in the scholarship on Indian literatures. On the other hand, within the scholarship on regional language literary productions (in Hindi, Marathi, Bengali, etc.), the critical works and the surveys focus only on that particular language and therefore frequently suffer from a lack of comparative breadth and/or global access. Both reflect the paradigm of monolingualism within which much literary scholarship on Indian literature takes place. This handbook instead focuses on the multilingual pathways through which modern Indian literature gets constituted. It features cutting-edge literary criticism from at least seventeen languages, and on traditional literary genres as well as more recent ones like graphic novels. It shows the deep connections and collaborations across genres, languages, nations, and regions that produce a literature of diverse contact zones, generating innovations on form, aesthetics, and technique. Foregrounding themes such as modernity and modernism, gender, caste, diaspora, and political resistance, the book collects an array of perspectives on this vast topic"--
National Identities in Pakistan
Author: Cara Cilano
Publisher: Routledge
ISBN: 1135225060
Category : Political Science
Languages : en
Pages : 187
Book Description
In 1971, a war which took place in Pakistan that resulted in the establishment of two separate countries; East Pakistan became Bangladesh, leaving the remaining four western provinces to comprise a truncated Pakistan. This book examines how literature by those who remained Pakistanis acts as a cultural response to the threat the war posed to a nationalist identity. It provides an analysis of the writing by Pakistani authors in their attempt to deal with the radical shock of the war and shows how fiction about the war helps readers imagine what the paring down of the country means for any abiding articulation of a Pakistani group identification. The author discusses English-and Urdu-language fictions in the context of the historical debate about Pakistani nationalism, including how such nationalism informs literary culture, and in the contemporary interest in official apologies for the past. The author organises the literary analysis around four key issues: the domestic sphere and the family; the territorial limits of citizenship; multiculturalism, class, and nationalist history; and diasporic imaginings of the nation. These issues resonate across the fictions in both languages and the author's analysis of them traces how these works grapple with changing notions of what it means to be Pakistani after the civil war and offers an interesting discussion to studies in South Asia.
Publisher: Routledge
ISBN: 1135225060
Category : Political Science
Languages : en
Pages : 187
Book Description
In 1971, a war which took place in Pakistan that resulted in the establishment of two separate countries; East Pakistan became Bangladesh, leaving the remaining four western provinces to comprise a truncated Pakistan. This book examines how literature by those who remained Pakistanis acts as a cultural response to the threat the war posed to a nationalist identity. It provides an analysis of the writing by Pakistani authors in their attempt to deal with the radical shock of the war and shows how fiction about the war helps readers imagine what the paring down of the country means for any abiding articulation of a Pakistani group identification. The author discusses English-and Urdu-language fictions in the context of the historical debate about Pakistani nationalism, including how such nationalism informs literary culture, and in the contemporary interest in official apologies for the past. The author organises the literary analysis around four key issues: the domestic sphere and the family; the territorial limits of citizenship; multiculturalism, class, and nationalist history; and diasporic imaginings of the nation. These issues resonate across the fictions in both languages and the author's analysis of them traces how these works grapple with changing notions of what it means to be Pakistani after the civil war and offers an interesting discussion to studies in South Asia.
From Canon to Covid
Author: Angelie Multani
Publisher: Taylor & Francis
ISBN: 1000892204
Category : Literary Collections
Languages : en
Pages : 200
Book Description
This multi-genre collection of chapters presents the dramatic transformation of English Studies in India since the early 1990s. It showcases the shift from the study of mainly British literature and language to a more versatile terrain of multilingualism, culture, performance, theory, and the literary Global South. Tracing this transition, the volume discusses themes like Indian literary history, postcolonial theory, post-pandemic challenges to literary studies, the state of Indian English drama, vernacular literature in English Studies and pedagogy, translations of feminist writers from South Asia, caste, and othering in literature, among other key themes. The volume, with contributions from eminent English Studies scholars, not only reflects the altered terrain of English Language and Literature in India but also invites readers to think about the transformative potential of the present juncture for both literary imagination and literary studies. This timely book, in honour of Professor GJV Prasad, will be of interest to scholars and researchers of English Studies, cultural studies, literature, comparative literature, translation studies, postcolonial studies, and critical theory.
Publisher: Taylor & Francis
ISBN: 1000892204
Category : Literary Collections
Languages : en
Pages : 200
Book Description
This multi-genre collection of chapters presents the dramatic transformation of English Studies in India since the early 1990s. It showcases the shift from the study of mainly British literature and language to a more versatile terrain of multilingualism, culture, performance, theory, and the literary Global South. Tracing this transition, the volume discusses themes like Indian literary history, postcolonial theory, post-pandemic challenges to literary studies, the state of Indian English drama, vernacular literature in English Studies and pedagogy, translations of feminist writers from South Asia, caste, and othering in literature, among other key themes. The volume, with contributions from eminent English Studies scholars, not only reflects the altered terrain of English Language and Literature in India but also invites readers to think about the transformative potential of the present juncture for both literary imagination and literary studies. This timely book, in honour of Professor GJV Prasad, will be of interest to scholars and researchers of English Studies, cultural studies, literature, comparative literature, translation studies, postcolonial studies, and critical theory.
The Oxford India Anthology of Modern Urdu Literature
Author: Mehr Afshan Farooqi
Publisher: Oxford University Press, USA
ISBN:
Category : Fiction
Languages : en
Pages : 394
Book Description
The `Fiction` volume includes both short stories and extracts from novels and novellas. Beginning with Muhammad Hadi Ruswa (1857-1931), it moves on to Premchand, Ghulam Abbas, Krishan Chander, Rajender singh Bedi, Intizar Husain, Qurratulain Hyder, Abdullah Hussein, and Naiyer Masud among others, and finally, Syed Muhammad Ashraf.
Publisher: Oxford University Press, USA
ISBN:
Category : Fiction
Languages : en
Pages : 394
Book Description
The `Fiction` volume includes both short stories and extracts from novels and novellas. Beginning with Muhammad Hadi Ruswa (1857-1931), it moves on to Premchand, Ghulam Abbas, Krishan Chander, Rajender singh Bedi, Intizar Husain, Qurratulain Hyder, Abdullah Hussein, and Naiyer Masud among others, and finally, Syed Muhammad Ashraf.
The Herald
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
Book Description
Manto: Selected Stories Penguin Premium Classic Edition
Author: Sadat Hasan Manto
Publisher: Penguin Random House India Private Limited
ISBN: 935492963X
Category : Fiction
Languages : en
Pages : 269
Book Description
Saadat Hasan Manto's first collection of stories was published in the 1940s, but his stories have an enduring relevance. Now read by more people than ever before, the simple clarity of his stories about arginalized people, his astute understanding of the complexity of human nature and the poignancy of his stories on Partition transcend spatial and temporal boundaries many of his characters are legendary and his taut narratives are a great source of insight into the human condition. Widely regarded as one of the greatest short-story writers of the Subcontinent, Manto is now, a hundred years after his birth, also acknowledged as one of the most powerful voices of his time. An enigma in his lifetime, and plagued by financial troubles, alcoholism and legal persecution in the last years of his life, he draws a posthumous wave of near-universal admiration. Aatish Taseer's sensitive translation captures the lyricism and power of Manto's voice. Manto, Selected Stories, with two new stories, is a collection to be savoured by new readers and old fans of Manto alike.
Publisher: Penguin Random House India Private Limited
ISBN: 935492963X
Category : Fiction
Languages : en
Pages : 269
Book Description
Saadat Hasan Manto's first collection of stories was published in the 1940s, but his stories have an enduring relevance. Now read by more people than ever before, the simple clarity of his stories about arginalized people, his astute understanding of the complexity of human nature and the poignancy of his stories on Partition transcend spatial and temporal boundaries many of his characters are legendary and his taut narratives are a great source of insight into the human condition. Widely regarded as one of the greatest short-story writers of the Subcontinent, Manto is now, a hundred years after his birth, also acknowledged as one of the most powerful voices of his time. An enigma in his lifetime, and plagued by financial troubles, alcoholism and legal persecution in the last years of his life, he draws a posthumous wave of near-universal admiration. Aatish Taseer's sensitive translation captures the lyricism and power of Manto's voice. Manto, Selected Stories, with two new stories, is a collection to be savoured by new readers and old fans of Manto alike.