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Author: Kirsten T. Saxton
Publisher: University Press of Kentucky
ISBN: 081318262X
Category : Biography & Autobiography
Languages : en
Pages : 459
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Book Description
“Will be required reading not just for students of eighteenth-century literature but also for feminist critics and historians of the novel.” —Sandra M. Gilbert, award-winning poet and literary critic The most prolific woman writer of the eighteenth century, Eliza Haywood (1693–1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett. Also one of Augustan England’s most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator, the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her “the Great Arbitress of Passion.” Essays in this collection explore themes such as the connections between Haywood’s early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood’s texts defy traditional schematization.
Author: Kirsten T. Saxton
Publisher: University Press of Kentucky
ISBN: 081318262X
Category : Biography & Autobiography
Languages : en
Pages : 459
Get Book Here
Book Description
“Will be required reading not just for students of eighteenth-century literature but also for feminist critics and historians of the novel.” —Sandra M. Gilbert, award-winning poet and literary critic The most prolific woman writer of the eighteenth century, Eliza Haywood (1693–1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett. Also one of Augustan England’s most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator, the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her “the Great Arbitress of Passion.” Essays in this collection explore themes such as the connections between Haywood’s early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood’s texts defy traditional schematization.
Author: Kirsten T. Saxton, Rebecca P. Bocchicchio
Publisher: University Press of Kentucky
ISBN: 9780813126784
Category : History
Languages : en
Pages : 386
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Book Description
The most prolific woman writer of the eighteenth century, Eliza Haywood (1693-1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett. Also one of Augustan England's most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator , the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her "the Great Arbitress of Passion." Essays in this collection explore themes such as the connections between Haywood's early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood's texts deft traditional schematization.
Author: Eliza Haywood
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 41
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Book Description
The book was written in 1724, yet the twisted storyline, love story, and a good portion of suspense create everything to hook a contemporary reader. The female protagonist is a woman who uses lies, disguises, and treachery to get what she wants – a man she's in love with. As she first meets him, she pretends to be a prostitute. After this intercourse, she wants to meet him again, but not to reveal her real identity. So she dresses up as four different women and organizes continuous dates with her beloved by making him cheat on her with her.
Author: Aleksondra Hultquist
Publisher: Routledge
ISBN: 1000425606
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Eliza Haywood was one of the most prolific English writers in the Age of the Enlightenment. Her career, from Love in Excess (1719) to her last completed project The Invisible Spy (1755) spanned the gamut of genres: novels, plays, advice manuals, periodicals, propaganda, satire, and translations. Haywood’s importance in the development of the novel is now well-known. A Spy on Eliza Haywood links this with her work in the other genres in which she published at least one volume a year throughout her life, demonstrating how she contributed substantially to making women’s writing a locus of debate that had to be taken seriously by contemporary readers, as well as now by current scholars of political, moral, and social enquiries into the eighteenth century. Haywood’s work is essential to the study of eighteenth-century literature and this collection of essays continues the growing scholarship on this most important of women writers.
Author: Eliza Fowler Haywood
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Book Description
Author: Kathryn R King
Publisher: Routledge
ISBN: 1317314808
Category : History
Languages : en
Pages : 280
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Book Description
While under arrest in 1750 on suspicion of producing a seditious pamphlet Eliza Haywood insisted she ‘never wrote any thing in a political way’. This study of the life and works, the first full-length biography of Haywood in nearly a century, takes the measure of her duplicity.
Author: Eliza Haywood
Publisher: Broadview Press
ISBN: 1770480714
Category : Fiction
Languages : en
Pages : 337
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Book Description
Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.
Author: Eliza Haywood
Publisher: University of Toronto Press
ISBN: 1442615877
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
The most important female English novelist of the 1720s, Eliza Haywood is famous for writing scandalous fiction about London society. Fast-moving, controversial, and sometimes disturbing, Haywood's short novels The Masqueraders and The Surprize are valuable sources for the study of eighteenth-century gender and identity, the social history of masquerade, the dangers of courtship and seduction, and conceptions of elite and popular cultures. Despite their common theme of masquerade and seduction, the two short novels are a study in contrasts. The Masqueraders features the whirl of London life, with a libertine anti-hero and his serial seductions of women who believe that they can manipulate the social conventions that are expected to limit them. The Surprize, on the other hand, is an uncharacteristically sentimental story in which a similarly salacious plot ends in rewards for the good and virtuous. Well suited to the teaching of these two texts, this volume contains annotated scholarly editions of both novels, an extensive introduction, and useful appendices that discuss the masquerade's role in eighteenth-century debates on gender, morality, and identity.
Author: Paula R. Backscheider
Publisher: John Wiley & Sons
ISBN: 1405192453
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature
Author: Dr Eric Murphy Selinger
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472431553
Category : Literary Criticism
Languages : en
Pages : 817
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Book Description
Since the 1970s, romance novels have surpassed all other genres in terms of popularity in the United States, accounting for half of all mass market paperbacks sold and driving the digital publishing revolution. Romance Fiction and American Culture brings together scholars from the humanities, social sciences, and publishing to explore American romance fiction from the late eighteenth to the early twenty-first century. Essays on interracial, inspirational, and LGBTQ romance attend to the diversity of the genre, while new areas of inquiry are suggested in contextual and interdisciplinary examinations of romance authorship, readership, and publishing history, of pleasure and respectability in African American romance fiction, and of the dynamic tension between the genre and second wave feminism. As it situates romance fiction among other instances of American love culture, from Civil War diaries to Bob Dylan’s Blood on the Tracks, Romance Fiction and American Culture confirms the complexity and enduring importance of this most contested of genres.
