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Author: Hans Tischler
Publisher: Pendragon Press
ISBN: 9780918728890
Category : Juvenile Nonfiction
Languages : en
Pages : 704
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Book Description
This edition, for the first time, presents a complete modern rendering of an extensive repertoire of works crucial to the development of polyphonic Western music, the organa at Notre Dame cathedral of Paris ca.1165-1225. The two chief composers, Leonin and Perotin, devised the first musical notation to indicate pitch and rhythm, and formulated several musical styles and types of composition which were sung throughout Europe for approximately two centuries. Hans Tischler's edition explores the evolution of compositional methods for both composers, examining the individual styles of organum purum, discant, copula, and pseudo-discant. A second evolutionary factor considered is the selected use of melodic formulae and the recurrence of whole phrases and sections which interrelate numerous organa. A third consideration of the analysis is the increasing complexity of the rhythmic treatment in the tenors of discant clausulae, from Leonin's creation of modal notation, to Perotin's invention of additional rhythmic patterns and their notational symbols. The repertoire comprises settings of well over one hundred chants, the majority of them in two or three versions; and each setting is comprised of several independent and exchangeable sections, totaling approximately 1,500. Only portions of this vast repertoire have been previously published, however, this edition includes all relevant extant material, drawn from sixteen manuscripts, several of which contain two or more collections of organal works . It also refers to related compositions in seven additional collections and to chant sources in eight medieval and eight modem codices.
Author: Hans Tischler
Publisher: Pendragon Press
ISBN: 9780918728890
Category : Juvenile Nonfiction
Languages : en
Pages : 704
Get Book Here
Book Description
This edition, for the first time, presents a complete modern rendering of an extensive repertoire of works crucial to the development of polyphonic Western music, the organa at Notre Dame cathedral of Paris ca.1165-1225. The two chief composers, Leonin and Perotin, devised the first musical notation to indicate pitch and rhythm, and formulated several musical styles and types of composition which were sung throughout Europe for approximately two centuries. Hans Tischler's edition explores the evolution of compositional methods for both composers, examining the individual styles of organum purum, discant, copula, and pseudo-discant. A second evolutionary factor considered is the selected use of melodic formulae and the recurrence of whole phrases and sections which interrelate numerous organa. A third consideration of the analysis is the increasing complexity of the rhythmic treatment in the tenors of discant clausulae, from Leonin's creation of modal notation, to Perotin's invention of additional rhythmic patterns and their notational symbols. The repertoire comprises settings of well over one hundred chants, the majority of them in two or three versions; and each setting is comprised of several independent and exchangeable sections, totaling approximately 1,500. Only portions of this vast repertoire have been previously published, however, this edition includes all relevant extant material, drawn from sixteen manuscripts, several of which contain two or more collections of organal works . It also refers to related compositions in seven additional collections and to chant sources in eight medieval and eight modem codices.
Author: Catherine A. Bradley
Publisher: Cambridge University Press
ISBN: 1108311180
Category : Music
Languages : en
Pages : 301
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Book Description
Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.
Author: Hans Tischler
Publisher:
ISBN:
Category : Organa
Languages : en
Pages : 0
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Book Description
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Perotin (Perotinus)
Publisher: Alfred Music
ISBN: 9781457468773
Category : Music
Languages : en
Pages : 76
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Book Description
Perotin (Latin Perotinus) was a most gifted composer of the Notre Dame school, which, during the late twelfth and early thirteenth centuries, was the first school to produce polyphony of international acclaim. Four of the works included in this collection are organa. A Perotin organum consists of a liturgical chant melody and text, which forms the tenor or cantus firmus. Its rhythm is altered. In approximately the same vocal range, the composer added one, two or three other voices, the duplum, triplum and quadruplum, all of them in one of the six rhythmic patterns known as modi. Seven of the works included in this collection are motets. These originated throug the tradition of troping, which consisted of the addition of a text to a melismatic piece of music. In motets, it was the duplum of an organum or clausula which was troped. When this happend the duplum was called motetus, and this name was adapted for the entire composition.
Author: Anna Maria Busse Berger
Publisher: University of California Press
ISBN: 0520314271
Category : Music
Languages : en
Pages : 304
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Book Description
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Author: EdwardH. Roesner
Publisher: Routledge
ISBN: 1351575821
Category : Music
Languages : en
Pages : 586
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Book Description
The ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern "art", an ars nova. It was understood by those who coined the notion to be rooted in the musical practices outlined in the Ars musica of Lambertus and, especially, the Ars cantus mensurabilis of Franco of Cologne. Directly or indirectly the essays collected in this volume all address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre; the evolution of the polyphonic idiom; the workings of the creative process including the role of oral process and notation and the continuum between these extremes; questions about how this music was used and understood; and of how it fits into the intellectual life of the twelfth and thirteenth centuries. Some of the essays ask new questions or approach long-standing ones from fresh perspectives. All, however, are rooted in a line of scholarship that produced a body of writing of continuing relevance.
Author: Paul E. Szarmach
Publisher: Routledge
ISBN: 1351666363
Category : History
Languages : en
Pages : 2402
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Book Description
First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.
Author: David Mason Greene
Publisher: Reproducing Piano Roll Fnd.
ISBN: 0385142781
Category : Composers
Languages : en
Pages : 1548
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Book Description
Author: Jan W. A. Vollaerts
Publisher: Brill Archive
ISBN:
Category : Gregorian chants
Languages : en
Pages : 286
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Book Description
"A summary of the various writings, original musical compositions, and arrangements, by the late Dr. J. Vollaerts, S.J." : p.237-240.
