The Panoramic View of the Palace and Gardens of Versailles Painted by John Vanderlyn PDF Download
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Author: John Vanderlyn
Publisher:
ISBN:
Category : Parc de Versailles (Versailles, France)
Languages : en
Pages : 26
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Book Description
Author: John Vanderlyn
Publisher:
ISBN:
Category : Parc de Versailles (Versailles, France)
Languages : en
Pages : 26
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Book Description
Author: Kevin J. Avery
Publisher: Metropolitan Museum of Art
ISBN: 0870995367
Category : Château de Versailles (Versailles, France)
Languages : en
Pages : 58
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Book Description
Author: John Vanderlyn
Publisher:
ISBN:
Category : Château de Versailles (Versailles, France) in art
Languages : en
Pages : 16
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Book Description
Author: Laurie Garrison
Publisher: Taylor & Francis
ISBN: 1040128963
Category : History
Languages : en
Pages : 415
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Book Description
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.
Author: Corinna Jacobs
Publisher: Springer Science & Business Media
ISBN: 3642186653
Category : Computers
Languages : en
Pages : 249
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Book Description
Explores the range of techniques for the production of digital interactive panoramas and object movies Details of all the necessary steps involved in panoramic photography Professional tips and tricks from a professional photographer and web designer
Author: Katie Trumpener
Publisher: Yale University Press
ISBN: 0300184794
Category : Art
Languages : en
Pages : 325
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Book Description
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.
Author: S. Tenneriello
Publisher: Springer
ISBN: 1137360623
Category : Performing Arts
Languages : en
Pages : 458
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Book Description
Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon various systems of commercial, institutional and public spectacle that intersect with scenic stages of the national landscape, Tenneriello examines how spectacle is entrenched in the formation of national identity.
Author: Laurie Garrison
Publisher: Taylor & Francis
ISBN: 1040128971
Category : History
Languages : en
Pages : 513
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Book Description
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.
Author: Annabel Jane Wharton
Publisher: University of Chicago Press
ISBN: 0226894223
Category : Architecture
Languages : en
Pages : 285
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Book Description
'Selling Jerusalem' offers an introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture.
Author: Thomas Gaehtgens
Publisher: Getty Publications
ISBN: 0892362464
Category : Art
Languages : en
Pages : 374
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Book Description
American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art.
