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Author: Charis Cotter
Publisher: Tundra Books
ISBN: 0735263213
Category : Juvenile Fiction
Languages : en
Pages : 290
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Book Description
A haunting, beautiful middle-grade novel about fractured relationships, loss, ghosts, friendship and art. Annie and her mother don't see eye to eye. When Annie finds a painting of a lonely lighthouse in their home, she is immediately drawn to it--and her mother wishes it would stay banished in the attic. To her, art has no interest, but Annie loves drawing and painting. When Annie's mother slips into a coma following a car accident, strange things begin to happen to Annie. She finds herself falling into the painting and meeting Claire, a girl her own age living at the lighthouse. Claire's mother Maisie is the artist behind the painting, and like Annie, Claire's relationship with her mother is fraught. Annie thinks she can help them find their way back to each other, and in so doing, help mend her relationship with her own mother. But who IS Claire? Why can Annie travel through the painting? And can Annie help her mother wake up from her coma? The Painting is a touching, evocative story with a hint of mystery and suspense to keep readers hooked.
Author: Charis Cotter
Publisher: Tundra Books
ISBN: 0735263213
Category : Juvenile Fiction
Languages : en
Pages : 290
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Book Description
A haunting, beautiful middle-grade novel about fractured relationships, loss, ghosts, friendship and art. Annie and her mother don't see eye to eye. When Annie finds a painting of a lonely lighthouse in their home, she is immediately drawn to it--and her mother wishes it would stay banished in the attic. To her, art has no interest, but Annie loves drawing and painting. When Annie's mother slips into a coma following a car accident, strange things begin to happen to Annie. She finds herself falling into the painting and meeting Claire, a girl her own age living at the lighthouse. Claire's mother Maisie is the artist behind the painting, and like Annie, Claire's relationship with her mother is fraught. Annie thinks she can help them find their way back to each other, and in so doing, help mend her relationship with her own mother. But who IS Claire? Why can Annie travel through the painting? And can Annie help her mother wake up from her coma? The Painting is a touching, evocative story with a hint of mystery and suspense to keep readers hooked.
Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415921138
Category : Art
Languages : en
Pages : 284
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Book Description
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
Author: Nina Schuyler
Publisher: Algonquin Books
ISBN: 1565128818
Category : Fiction
Languages : en
Pages : 312
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Book Description
In 1869 Japan, a young woman escapes the confines of her arranged marriage by painting memories of her lover on mulberry paper. She secretly wraps the painting around a ceramic pot that's bound for Europe. In France, a disenchanted young man works as a clerk at an import shop. When he opens the box from Japan, he discovers the brilliant watercolor of two lovers locked in an embrace under a plum tree. He steals the painting and hides it in his room. With each viewing, he sees something different, and gradually the painting transforms him. Set outside the new capital of Tokyo during the Meiji Restoration and in Paris during the Franco-Prussian War, The Painting is a richly imagined story of four characters whose lives are delicately and powerfully entwined: Ayoshi, the painter, pines for her lover as she dutifully attends to her husband; Ayoshi's husband, Hayashi, a government official who's been disfigured in a deadly fire, has his own well of secret yearnings; Jorgen, wounded by the war and by life, buries himself in work at the Paris shop; and the shop owner's sister, Natalia, who shows Jorgen the true message of the painting. Exquisitely written and utterly spellbinding, The Painting reveals the enduring effect of art in ordinary life and marks the debut of a skilled stylist and first-rate storyteller.
Author: Carol Marine
Publisher: Watson-Guptill
ISBN: 0770435343
Category : Art
Languages : en
Pages : 194
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Book Description
A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world
Author:
Publisher: Laurence King Publishing
ISBN: 9781780679365
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Can you give the gorilla a jungle to hide in? Can you create some honeycomb for the bees? And can you mix up some delicious flavors of ice cream? Create paint masterpieces with nothing more than your poster paints and Anna Rumsby's entertaining activity pages. A great big book of painting fun! Also contains an introduction to mixing colors and simple, easy-to-copy painting techniques.
Author: Tea Cooper
Publisher: HarperCollins
ISBN: 1489270701
Category : Fiction
Languages : en
Pages : 299
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Book Description
For readers of The True Story of Maddie Bright, The Woman in the Green Dress and The Birdman's Wife comes this atmospheric and richly detailed Australian historical mystery from a bestselling Australian author. Maitland 1913 Miss Elizabeth Quinn is something of an institution in Maitland Town. For longer than anyone could remember she and her brother, businessman Michael, have lived in the impressive two-storey stone house next to the church. When she is discovered cowering in the corner of the exhibition gallery at the Technical College the entire town knows something strange has come to pass. Was it the prehistoric remains or perhaps the taxidermy exhibition that had reduced the whale-boned encased pillar of society to a quivering mess? Or is there something odd about a striking painting on loan from the National Gallery? Mathematical savant Jane Piper is determined to find out. Deposited on the doorstep of the local orphanage as a baby, she owes her life and education to the Quinns' philanthropic ventures and Elizabeth has no one else to turn to. As the past and the present converge, Elizabeth's grip on reality loosens. Can Jane, with her logical brain and penchant for puzzles, unravel Elizabeth's story before it is too late? Ranging from the gritty reality of the Australian goldfields to the grand institutions of Sydney, the bucolic English countryside to the charm of Maitland Town, this compelling historical mystery in the company of an eccentric and original heroine is rich with atmosphere and detail. PRAISE FOR TEA COOPER 'Boasts strong female protagonists, an infectious fascination with the past, and the narrative skill to weave multiple timelines into a satisfying whole...smartly edited, cleanly written...easy to devour.' - Sydney Morning Herald on The Woman in the Green Dress 'Cooper is a welcome inclusion to the rising ranks of female-centred historical Australian novels.' - The Herald Sun on The Naturalist's Daughter
Author: Dominic Smith
Publisher: Sarah Crichton Books
ISBN: 0374714045
Category : Fiction
Languages : en
Pages : 305
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Book Description
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
Author: T.J. Clark
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636
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Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Author: Liz Chaderton
Publisher: The Crowood Press
ISBN: 1785009923
Category : Crafts & Hobbies
Languages : en
Pages : 292
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Book Description
Line and wash is an exciting combination. This practical book shows you how to exploit the strength of ink with the transparency of watercolour to produce powerful and dynamic paintings. With over 170 illustrations, it covers a wide range of styles and subjects, before exploring mixed media, new surfaces and other ways to take your line and wash work to another level. Includes advice on choosing materials; exercises to hone your drawing and painting skills; gives inspiration for new approaches to line and wash and, finally, step-by-step demonstrations of ideas and projects. This book is a visual treat and an essential guide for all artists who want to try this exciting technique.
Author: Anne De Coursey Clapp
Publisher: University of Chicago Press
ISBN: 9780226106991
Category : Art
Languages : en
Pages : 340
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Book Description
+This richly illustrated volume documents the art and fully examines the career of the sixteenth-century Chinese master T'ang Yin. One of the four great painters of the middle Ming period, the ambitious T'ang Yin rose above the merchant class into which he was born to become a member of the elite scholarly circle in the city of Suchou. Deprived by accident of his academic degrees and so forced to paint for a living, T'ang Yin became a social anomaly whose style of life cut across the conventions of his time. His experiences throw into sharp relief the realities faced by a Chinese painter who was both elite Confucian scholar and professional painter. Anne De Coursey Clapp's work also explores larger issues of Ming painting raised by the artist's turbulent career. She describes the social and intellectual values exalted in Ming Suchou, its system of patronage, the contrast between the professional and amateur artist, and the formative influence of twelfth-century Sung dynasty styles on Suchou painters. Clapp shows how T'ang Yin's artistic inventions were made in the course of leading the revival of Sung dynasty styles in Suchou: tracing T'ang Yin's early studies of ancient and contemporary masters, she describes how he reworked an antique style, converting it into a vehicle of expression that reached fruition in a long series of fresh and powerful paintings of landscapes and birds-and-flowers. In the process, she revises the distorted version of middle Ming painting written by later Chinese art theorists to justify their own social and artistic values, noting especially the role of art patrons and their effect on artistic production. Clapp analyzes the increasing currency of painting as a means of social exchange in ancient China. In particular, she identifies commemorative painting as a major genre of the later dynasties and explores the role it played in the oeuvres of professional masters with its humanistic implications for the Chinese view of the ideal scholarly man. Her broad view of T'ang Yin's career shows him divided between the professional and amateur camps of his time: in landscape and figural subjects he was aligned with the professionals; in flower subjects with the amateurs. Clap argues that the uneven distribution of styles and genres between this master who was subject to the market, and those who were independent of it, suggests that T'ang deliberately tried to expand the range of his paintings in order to appeal to buyers in the lower educational and social strata. Illustrated by some of T'ang Yin's most celebrated paintings and by some which are published for the first time, her work is of tremendous importance to art, literary, and cultural historians of Ming China. "In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes which have distorted our understanding of Chinese painting since the seventeenth century. Marked by analytical clarity and scrupulous scholarship, her work is a welcome addition to the few works in English on individual Chinese artists."—Louise Yuhas, Occidental College
