Author: William Slattery Lieberman
Publisher: Metropolitan Museum of Art
ISBN: 0810943654
Category : Art
Languages : en
Pages : 130
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Book Description
In the first half of the 20th century, Paris was the undisputed centre of the art world. This book showcases 115 works from that period chosen for an exhibition at New York's Metropolitan Museum of Art.
Author: Katie Trumpener
Publisher: Yale University Press
ISBN: 0300184794
Category : Art
Languages : en
Pages : 325
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Book Description
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.
Author: Bernard Comment
Publisher: Reaktion Books
ISBN: 9781861891235
Category : Architecture
Languages : en
Pages : 282
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Book Description
In this book, Bernard Comment examines the wide variety of panoramas featuring both the old and the new worlds. Included among views of cities are Robert Baker's View of Edinburgh and depictions of Paris, Moscow and Lima.
Author: Stephan Oettermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 432
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Book Description
The significance of panorama painting in the nineteenth century is frequently cited in contemporary debates about visuality and the emergence of the modern spectator. Stephan Oettermann's The Panorama is the first major historical study to appear in English of the rich phenomenon of the panorama, one of the most influential forms of visual entertainment in the nineteenth century. In this richly illustrated book Oettermann gives readers a concrete sense of the structural and experiential reality of the panorama, and the many forms it took throughout Europe and North America--a crucial task given that very few of the original nineteenth-century panoramas survive. At the same time, he outlines the many ways in which these remarkable and often immense 360-degree images were part of a larger transformation of the status of the observer and of popular culture. Thus, the panorama is treated not only as a new kind of image but also as an architectural and informational component of the new urban spaces and media networks.
Author: Bob Aitken
Publisher:
ISBN: 9780958029339
Category : Landscape painting, Australian
Languages : en
Pages : 40
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Book Description
Details the process and the inspiration behind the painting of an Australian landscape panorama in Glenbrook, N.S.W. by artist Falk Kautzner.
Author: Nicholas Serota
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781938922923
Category : Art
Languages : en
Pages : 312
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Book Description
Original edition published 2011 by Tate Publishing.
Author: Erkki Huhtamo
Publisher: MIT Press
ISBN: 0262018519
Category : Social Science
Languages : en
Pages : 461
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Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Author:
Publisher: New Leaf Publishing Group
ISBN: 1683440072
Category : History
Languages : en
Pages : 4
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Book Description
Enjoy this incredible full-color presentation of biblical history in two educational forms: one an unforgettable timeline, and the second, a hand-painted panorama breathtaking in its detail now lost to time. You will be able to trace the genealogy of Jesus from creation to His birth, learning more about the biblical, historical events and the people of God’s Word. Special illustrated panels include “The City of Jerusalem at the time of Christ” and the “Family Descent of Christ from Adam.” On the reverse there is a reproduction of the famous Piglhein Panorama of Jerusalem at the time of the Crucifixion. The massive panorama in Munich was destroyed by fire but a contemporary copy captures the magnificence of Piglhein’s work. Presents a biblical timeline enhanced with informative text and beautiful imagesClarifies details and historical points for a new generation of readersConveniently packaged for both easy display and secure storage!
Author: Miles Orvell
Publisher: UNC Press Books
ISBN: 9780807842461
Category : Social Science
Languages : en
Pages : 412
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Book Description
Examines the relationship between technology and culture around the turn of the century and considers the influence of the age of technology on photography, literature, and material culture
Author: Vance Byrd
Publisher: Bucknell University Press
ISBN: 1611488559
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
A Pedagogy of Observation argues that the fascination with learning about the past and new locations in panoramic form spread far from the traditional sites of popular entertainment and amusement. Although painted panoramas captivated audiences from Hamburg to Leipzig and Berlin to Vienna, relatively few people had direct access to this invention. Instead, most Germans in the early nineteenth century encountered panoramas for the first time through the written word. The panorama experience described inthis book centers on the emergence of a new type of visual language and self-fashioning in material culture adopted by Germans at the turn of the nineteenth century, one that took cues from the pedagogy of observing and interpreting space at panorama shows. By reading about what editors, newspaper correspondents, and writers referred to as “panoramas,” curious Germans learned about a new representational medium and a new way to organize and produce knowledge about the scenes on display, even if they had never seen these marvels in person. Like an audience member standing on a panorama platform at a show, reading about panoramas transported Germans to new worlds in the imagination, while maintaining a safe distance from the actual transformations being portrayed. A Pedagogy of Observation identifies how the German bourgeois intelligentsia created literature as panoramic stages both for self-representation and as a venue for critiquing modern life. These written panoramas, so to speak, helped German readers see before their eyes industrial transformations, urban development, scientific exploration, and new possibilities for social interactions. Through the immersive act of reading, Germans entered an experimental realm that fostered critical engagement with modern life before it was experienced firsthand. Surrounded on all sides by new perspectives into the world, these readers occupied the position of the characters that they read about in panoramic literature. From this vantage point, Germans apprehended changes to their immediate environment and prepared themselves for the ones still to come.
