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Author: Richard Taruskin
Publisher: Oxford University Press, USA
ISBN: 9780190600228
Category : Music
Languages : en
Pages : 874
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Book Description
Takes students beyond the "who, what, and when," exploring the "how and why" behind the story of Western MusicNow in its second edition, this text immerses students in the engaging story of the Western musical tradition. By emphasizing the connections among works, both within cultural eras and across time and place, the text goes beyond a basic retelling of the music's history to build students' ability tolisten critically to key works. The Oxford History of Western Music, College Edition is a complete program for building students' understanding and appreciation of the classical canon.
Author: Richard Taruskin
Publisher: Oxford University Press, USA
ISBN: 9780190600228
Category : Music
Languages : en
Pages : 874
Get Book
Book Description
Takes students beyond the "who, what, and when," exploring the "how and why" behind the story of Western MusicNow in its second edition, this text immerses students in the engaging story of the Western musical tradition. By emphasizing the connections among works, both within cultural eras and across time and place, the text goes beyond a basic retelling of the music's history to build students' ability tolisten critically to key works. The Oxford History of Western Music, College Edition is a complete program for building students' understanding and appreciation of the classical canon.
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0195384830
Category : Music
Languages : en
Pages : 840
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Book Description
The universally acclaimed and award-winning Oxford History of Western Music is a magisterial five-volume survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time, Richard Taruskin.Now this renowned work is available in paperback - both as a set and (for the first time) individually. This volume examines the music of the nineteenth century, ranging from Schubert and Berlioz to Wagner, Verdi, and Brahms. Taking a critical perspective, Taruskin sets the details of music, thechronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. He combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporariesheard and understood it. He also describes how the context of each stylistic period - key cultural, historical, social, economic, and scientific events - influenced and directed compositional choices.Attractively illustrated and laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this volume is essential reading for anyone who wishes to understand nineteenth-centurymusic.
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796017
Category : Music
Languages : en
Pages : 881
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Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
Author: Richard Taruskin
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 908
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Book Description
Intends to illuminate, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective that challenges the wisdom of the field, the author sets the details of music--the chronological sweep of figures, works, and musical ideas-- within the larger context of world affairs and cultural history.
Author: Gerald Abraham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 968
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Book Description
Author: Martin Kemp
Publisher:
ISBN: 0198600127
Category : Art
Languages : en
Pages : 578
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Book Description
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
Author: Richard Taruskin
Publisher:
ISBN: 9780195169799
Category : Music
Languages : en
Pages : 360
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Book Description
Author: Paul Watt
Publisher: Oxford University Press
ISBN: 0190616938
Category : Music
Languages : en
Pages : 752
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Book Description
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Author: Sir Anthony Kenny
Publisher: Oxford University Press, UK
ISBN: 9780191590399
Category : History
Languages : en
Pages : 490
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Book Description
Written by a team of distinguished scholars, this is an authoritative and comprehensive history of Western philosophy from its earliest beginnings to the present day. The book is illustrated with over 150 colour and black-and-white pictures, chosen to illuminate and complement the text. Now in paperback, this lively and readable volume is an ideal introduction to philosophy for anyone interested in the history of ideas. An outstanding team of contributors... Stephen. R. L. Clark on Ancient Philosophy Paul Vincent Spade on Medieval Philosophy Anthony Kenny on Descartes to Kant Roger Scruton on Continental Philosophy from Fichte to Sartre David Pears and Anthony Kenny on Mill to Wittgenstein Anthony Quinton on Political Philosophy - ;Written by a team of distinguished scholars, this is an authoritative and comprehensive history of Western philosophy from its earliest beginnings to the present day. The book is illustrated with over 150 colour and black-and-white pictures, chosen to illuminate and complement the text. Lively and readable, this is an ideal introduction to philosophy for anyone interested in the history of ideas. `a wonderfully lucid exposition of difficult ideas' Tablet `Anthony Kenny, the editor of this courageously erudite compendium, reminds us that philosophy has always been fascinated by the interweaving of words and images, while artists have played upon philosophic concepts.' Observer - ;Preface; Ancient Philosophy; Medieval Philosophy; Descartes to Kant; Continental Philosophy from Fichte to Sartre; Mill to Wittgenstein; Political Philosophy; Conclusion: Contemporary Philosophy. - ;a wonderfully lucid exposition of difficult ideas - Tablet;Anthony Kenny, the editor of this courageously erudite compendium, reminds us that philosophy has always been fascinated by the interweaving of words and images, while artists have played upon philosophic concepts. - Observer
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199813698
Category : Music
Languages : en
Pages : 3856
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Book Description
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
