Author: Chris Baldick
Publisher: OUP Oxford
ISBN: 0191537128
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.
The Oxford English Literary History: Volume 10: 1910-1940: The Modern Movement
Author: Chris Baldick
Publisher: OUP Oxford
ISBN: 0191537128
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.
Publisher: OUP Oxford
ISBN: 0191537128
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.
The Modern Movement
Author: Chris Baldick
Publisher: Oxford University Press
ISBN: 0198183100
Category : English literature
Languages : en
Pages : 496
Book Description
A major new survey of literature in England during the first half of the twentieth century, Chris Baldick places modernist with non-modernist writings, high art with low entertainment. The Modern Movement ranges broadly covering psychological novels, war poems, detective stories, satires, children's books, and other literary forms evolving in response to the new anxieties and exhilarations of twentieth-century life.
Publisher: Oxford University Press
ISBN: 0198183100
Category : English literature
Languages : en
Pages : 496
Book Description
A major new survey of literature in England during the first half of the twentieth century, Chris Baldick places modernist with non-modernist writings, high art with low entertainment. The Modern Movement ranges broadly covering psychological novels, war poems, detective stories, satires, children's books, and other literary forms evolving in response to the new anxieties and exhilarations of twentieth-century life.
Theorising the Popular
Author: Michael Brennan
Publisher: Cambridge Scholars Publishing
ISBN: 1443893714
Category : Social Science
Languages : en
Pages : 190
Book Description
While chiefly a site of popular pleasure and merriment, popular culture also offers a profound sense of meaning-making, where it functions as a site and source through which identities are inhabited, brokered and contested. As a significant domain within contemporary society, popular culture is both shaped by and has the capacity to shape developments occurring at the wider social, cultural and political levels of human life. Taking popular culture seriously – as an arena of everyday life that has merit in its own right – the contributors to this wide-ranging collection of essays offer unique insight into various elements of contemporary popular culture. Drawn from across the humanities and social sciences, as well as the performing arts and creative industries, this volume offers theoretical reflections on the significance of particular elements of popular culture: from the performative effects of interactive and immersive theatre, through developments in the shifting cultural landscape of a post-television age, to contemporary popular literature of various sorts and its basis for identity and fandom. Above all else, what these essays demonstrate is the radically porous nature of popular culture, and the ways in which it continually defies attempts at neat categorisation by transcending traditional boundaries and genres.
Publisher: Cambridge Scholars Publishing
ISBN: 1443893714
Category : Social Science
Languages : en
Pages : 190
Book Description
While chiefly a site of popular pleasure and merriment, popular culture also offers a profound sense of meaning-making, where it functions as a site and source through which identities are inhabited, brokered and contested. As a significant domain within contemporary society, popular culture is both shaped by and has the capacity to shape developments occurring at the wider social, cultural and political levels of human life. Taking popular culture seriously – as an arena of everyday life that has merit in its own right – the contributors to this wide-ranging collection of essays offer unique insight into various elements of contemporary popular culture. Drawn from across the humanities and social sciences, as well as the performing arts and creative industries, this volume offers theoretical reflections on the significance of particular elements of popular culture: from the performative effects of interactive and immersive theatre, through developments in the shifting cultural landscape of a post-television age, to contemporary popular literature of various sorts and its basis for identity and fandom. Above all else, what these essays demonstrate is the radically porous nature of popular culture, and the ways in which it continually defies attempts at neat categorisation by transcending traditional boundaries and genres.
Two English-Language Translators of Jin Ping Mei
Author: Shuangjin Xiao
Publisher: Taylor & Francis
ISBN: 1040085326
Category : Foreign Language Study
Languages : en
Pages : 239
Book Description
Two English-Language Translators of Jin Ping Mei examines English translations of the Ming novel Jin Ping Mei by translators from different historical periods within the Anglophone world. Drawing upon theoretical insights from translation studies, literary criticism, and cultural studies, the book explores the treatment of salient features of the novel in translation, including cultural representation, narratological elements, gender-specific motifs, and (homo)sexual themes. Through literary re-imagining and artistic re-creation, Egerton transforms a complex and sprawling narrative into a popular modern middlebrow novel, making it readily accessible within Western genres. Roy’s interlinear and annotated translation transcends the mere retelling of a vivid story for its unwavering emphasis on every single detail of the original, becoming a portal to the Ming past. It stands as a testament to the significance of translation as a medium for understanding the legacy of the late Ming and the socio-cultural dynamics shaping that period in Chinese history. This book will be a useful reference for scholars and research students within the fields of literary translation studies and translated Chinese literature, particularly Ming- Qing fiction. The book will also appeal to students and researchers studying Jin Ping Mei’s translation and reception in the West.
Publisher: Taylor & Francis
ISBN: 1040085326
Category : Foreign Language Study
Languages : en
Pages : 239
Book Description
Two English-Language Translators of Jin Ping Mei examines English translations of the Ming novel Jin Ping Mei by translators from different historical periods within the Anglophone world. Drawing upon theoretical insights from translation studies, literary criticism, and cultural studies, the book explores the treatment of salient features of the novel in translation, including cultural representation, narratological elements, gender-specific motifs, and (homo)sexual themes. Through literary re-imagining and artistic re-creation, Egerton transforms a complex and sprawling narrative into a popular modern middlebrow novel, making it readily accessible within Western genres. Roy’s interlinear and annotated translation transcends the mere retelling of a vivid story for its unwavering emphasis on every single detail of the original, becoming a portal to the Ming past. It stands as a testament to the significance of translation as a medium for understanding the legacy of the late Ming and the socio-cultural dynamics shaping that period in Chinese history. This book will be a useful reference for scholars and research students within the fields of literary translation studies and translated Chinese literature, particularly Ming- Qing fiction. The book will also appeal to students and researchers studying Jin Ping Mei’s translation and reception in the West.
Writing disenchantment
Author: Andrew Frayn
Publisher: Manchester University Press
ISBN: 1526103184
Category : History
Languages : en
Pages : 322
Book Description
It has become axiomatic that First World War literature was disenchanted, or disillusioned, and returning combatants were unable to process or communicate that experience. In Writing disenchantment, Andrew Frayn argues that this was not just about the war: non-combatants were just as disenchanted as those who fought, and writers such as D. H. Lawrence and Virginia Woolf produced some of the sharpest criticisms. Its language already existed in contemporary sociological and historical accounts of the problems of mass culture and the modern city, whose structures contained the conflict and were strengthened during it. Archival material, sales data and reviews are used to chart disenchantment in a wide range of early twentieth-century war literature from novels about fears of invasion and pacifism, through the modernist novels of the 1920s to its dominance in the War Books Boom of 1928–30. This book will appeal to scholars and students of English literature, social and cultural history, and gender studies.
Publisher: Manchester University Press
ISBN: 1526103184
Category : History
Languages : en
Pages : 322
Book Description
It has become axiomatic that First World War literature was disenchanted, or disillusioned, and returning combatants were unable to process or communicate that experience. In Writing disenchantment, Andrew Frayn argues that this was not just about the war: non-combatants were just as disenchanted as those who fought, and writers such as D. H. Lawrence and Virginia Woolf produced some of the sharpest criticisms. Its language already existed in contemporary sociological and historical accounts of the problems of mass culture and the modern city, whose structures contained the conflict and were strengthened during it. Archival material, sales data and reviews are used to chart disenchantment in a wide range of early twentieth-century war literature from novels about fears of invasion and pacifism, through the modernist novels of the 1920s to its dominance in the War Books Boom of 1928–30. This book will appeal to scholars and students of English literature, social and cultural history, and gender studies.
The Politics of 1930s British Literature
Author: Natasha Periyan
Publisher: Bloomsbury Publishing
ISBN: 1350019860
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Winner of the 2018 International Standing Conference for the History of Education's First Book Award Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.
Publisher: Bloomsbury Publishing
ISBN: 1350019860
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Winner of the 2018 International Standing Conference for the History of Education's First Book Award Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.
Henry Green
Author: Nick Shepley
Publisher: Oxford University Press
ISBN: 0198734751
Category : History
Languages : en
Pages : 208
Book Description
Henry Green: Class, Style, and the Everyday combines biography, social-historical context, and close readings of all of Green's novels to provide a clearer vantage-point from which to see into the challenges and pleasures awaiting the reader of Green's fiction.
Publisher: Oxford University Press
ISBN: 0198734751
Category : History
Languages : en
Pages : 208
Book Description
Henry Green: Class, Style, and the Everyday combines biography, social-historical context, and close readings of all of Green's novels to provide a clearer vantage-point from which to see into the challenges and pleasures awaiting the reader of Green's fiction.
Clemence Dane
Author: Louise McDonald
Publisher: Routledge
ISBN: 1000206076
Category : Literary Criticism
Languages : en
Pages : 389
Book Description
This feminist investigation of the works of Clemence Dane joins the growing body of research into the relationship of female-authored texts to the ideology and cultural hegemony of the Edwardian and inter-war period. An amalgam of single-author study and thematic period analysis, through sustained cultural engagement, this book explores Dane’s journalism, drama and fiction to interrogate a range of issues: inter-war women’s writing, the Middlebrow, feminism, (homo) sexuality, liberal politics, domesticity, and concepts of the spinster. It examines form and a range of fictional genres: drama, bildungsroman, detective fiction, historical saga and gothic fiction. It relates back to the genre writing of comparable authors. These include Rosamond Lehmann, Vita Sackville-West, Ivy Compton-Burnett, Dorothy Strachey, Dodie Smith, Rachel Ferguson, May Sinclair, Sylvia Townsend Warner, Daphne Du Maurier, G.B.Stern, and detective writers: Dorothy L. Sayers, Agatha Christie, Gladys Mitchell, Marjorie Allingham and Ngaio Marsh. Offering a picture of an era, focalised through Dane and contextualised through her journalism and the work of her female peers, it argues that Dane is often markedly more radically feminist than these contemporaries. She engages with broad issues of social justice irrespective of gender and her humanity is demonstrated through her sympathetic representations of marginalised characters of both sexes. However, she most specifically evidences a gender politics consistent with the fragmented and multifarious essentialist feminism that emerged following the Great War, which esteemed ‘womanly’ qualities of care and mothering but simultaneously valued female autonomy, single status and professionalism. Adopting the critical paradigms of domestic modernism and women‘s liminality, the book will particularly focus on the trajectories of Dane’s extraordinary modern heroines, who possess qualities of altruism, candour, integrity, imagination, intuition, resilience and rebelliousness. Over the course of her work, these fictional women increasingly challenge oppressive normative forms of domesticity, traversing physical thresholds to create alternative domesticities in self-defining living and working spaces.
Publisher: Routledge
ISBN: 1000206076
Category : Literary Criticism
Languages : en
Pages : 389
Book Description
This feminist investigation of the works of Clemence Dane joins the growing body of research into the relationship of female-authored texts to the ideology and cultural hegemony of the Edwardian and inter-war period. An amalgam of single-author study and thematic period analysis, through sustained cultural engagement, this book explores Dane’s journalism, drama and fiction to interrogate a range of issues: inter-war women’s writing, the Middlebrow, feminism, (homo) sexuality, liberal politics, domesticity, and concepts of the spinster. It examines form and a range of fictional genres: drama, bildungsroman, detective fiction, historical saga and gothic fiction. It relates back to the genre writing of comparable authors. These include Rosamond Lehmann, Vita Sackville-West, Ivy Compton-Burnett, Dorothy Strachey, Dodie Smith, Rachel Ferguson, May Sinclair, Sylvia Townsend Warner, Daphne Du Maurier, G.B.Stern, and detective writers: Dorothy L. Sayers, Agatha Christie, Gladys Mitchell, Marjorie Allingham and Ngaio Marsh. Offering a picture of an era, focalised through Dane and contextualised through her journalism and the work of her female peers, it argues that Dane is often markedly more radically feminist than these contemporaries. She engages with broad issues of social justice irrespective of gender and her humanity is demonstrated through her sympathetic representations of marginalised characters of both sexes. However, she most specifically evidences a gender politics consistent with the fragmented and multifarious essentialist feminism that emerged following the Great War, which esteemed ‘womanly’ qualities of care and mothering but simultaneously valued female autonomy, single status and professionalism. Adopting the critical paradigms of domestic modernism and women‘s liminality, the book will particularly focus on the trajectories of Dane’s extraordinary modern heroines, who possess qualities of altruism, candour, integrity, imagination, intuition, resilience and rebelliousness. Over the course of her work, these fictional women increasingly challenge oppressive normative forms of domesticity, traversing physical thresholds to create alternative domesticities in self-defining living and working spaces.
Reading F.T. Prince
Author: William May
Publisher: Oxford University Press
ISBN: 1781383332
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
F. T. Prince (1912-2003) is now emerging as one of the most distinctive voices of twentieth-century Anglophone poetry. Born in South Africa, he came to England in the 1930s, where he studied alongside Stephen Spender and W. H. Auden. First published by T. S. Eliot, and celebrated in his day by poets as various as Siegfried Sassoon and John Ashbery, his poems have long intrigued readers with their formal experiments, Baroque influences, and intellectual puzzles. During his own lifetime, he found fame with the war poem 'Soldiers Bathing' (1942), and was known chiefly as a Milton scholar. However, this collection of specially commissioned essays sheds new light on his achievements and reveals his central place in the story of modern poetry. Enthralled by the canon, yet embraced by the avant-garde, he has influenced poets from Geoffrey Hill to Susan Howe, a unique conduit between the modernism and the Movement, British regionalism and American cosmopolitanism. Yet his poetry is not merely of interest for its continuing influence on wider tradition. Subtle, original, and various, F. T. Prince's poetry asks important questions about power, responsibility, and collective memory.
Publisher: Oxford University Press
ISBN: 1781383332
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
F. T. Prince (1912-2003) is now emerging as one of the most distinctive voices of twentieth-century Anglophone poetry. Born in South Africa, he came to England in the 1930s, where he studied alongside Stephen Spender and W. H. Auden. First published by T. S. Eliot, and celebrated in his day by poets as various as Siegfried Sassoon and John Ashbery, his poems have long intrigued readers with their formal experiments, Baroque influences, and intellectual puzzles. During his own lifetime, he found fame with the war poem 'Soldiers Bathing' (1942), and was known chiefly as a Milton scholar. However, this collection of specially commissioned essays sheds new light on his achievements and reveals his central place in the story of modern poetry. Enthralled by the canon, yet embraced by the avant-garde, he has influenced poets from Geoffrey Hill to Susan Howe, a unique conduit between the modernism and the Movement, British regionalism and American cosmopolitanism. Yet his poetry is not merely of interest for its continuing influence on wider tradition. Subtle, original, and various, F. T. Prince's poetry asks important questions about power, responsibility, and collective memory.
Literature of the 1920s
Author: Chris Baldick
Publisher: Edinburgh University Press
ISBN: 0748674578
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
The first general account of Twenties literature in Britain
Publisher: Edinburgh University Press
ISBN: 0748674578
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
The first general account of Twenties literature in Britain