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Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 592
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Book Description
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 592
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Book Description
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
Author: Dennis Kennedy
Publisher: Oxford University Press, USA
ISBN: 0199574197
Category : Performing Arts
Languages : en
Pages : 705
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Book Description
An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.
Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
Theatres of India, edited by Professor Ananda Lal, is a comprehensive and accessible guide to theatre in India. The volume surveys both rural and urban modes of Indian theatre across its history of over 2000 years. The first section brings together entries that discuss theatres of India's linguistic regions. The second section includes entries on specific forms and genres, as well as on topics such as street theatre, music, and Tagore's dramatic oeuvre. The book avoids both the Western scholarship's obsession with traditional Asian forms of performance, as well as Indian city-based theatre workers' view that traditional forms do not even qualify as 'theatre'. 'Theatre' in this volume is defined as any form that contains theatre's fundamental element, acting. Importantly, the entries are accompanied by photographs of performances that allow us to view the 'visual-ness' of India's performance forms. In keeping with the highest standards of international reference publishing, Ananda Lal has compiled and edited material from several contributors so that each entry allows us to tap individual documentation and knowledge. Also included in this pioneering, authoritative, and collective resource are short bibliographies for every entry on the regional theatres. Theatres of India will be useful for general readers, theatre professionals, as well as students and researchers of theatre and performance studies.
Author: Michael Dobson
Publisher: Oxford University Press, USA
ISBN: 0198708734
Category : Literary Criticism
Languages : en
Pages : 605
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Book Description
This is a reference text on Shakespeare's works, times, life, and afterlives. It offers stimulating and authoritative coverage of every aspect of Shakespeare and his writings, including their reinterpretation in the theatre, in criticism, and in film.
Author:
Publisher:
ISBN: 0198117353
Category :
Languages : en
Pages : 573
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Book Description
Author: Vasudha Dalmia
Publisher: Cambridge University Press
ISBN: 0521516250
Category : History
Languages : en
Pages : 327
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Book Description
A wide-ranging and truly interdisciplinary guide to understanding the relationship between India's colonial past and globalized present.
Author: Eric Nicholson
Publisher: Routledge
ISBN: 1317006968
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
Emphasizing a performative and stage-centered approach, this book considers early modern European theater as an international phenomenon. Early modern theater was remarkable both in the ways that it represented material and symbolic exchanges across political, linguistic, and cultural borders (both "national" and "regional") but also in the ways that it enacted them. Contributors study various modalities of exchange, including the material and causal influence of one theater upon another, as in the case of actors traveling beyond their own regional boundaries; generalized and systemic influence, such as the diffused effect of Italian comedy on English drama; the transmission of theoretical and ethical ideas about the theater by humanist vehicles; the implicit dialogue and exchange generated by actors playing "foreign" roles; and polyglot linguistic resonances that evoke circum-Mediterranean "cultural geographies." In analyzing theater as a medium of dialogic communication, the volume emphasizes cultural relationships of exchange and reciprocity more than unilateral encounters of hegemony and domination.
Author: Phyllis Hartnoll (ed)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1004
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Book Description
Author: Ayesha Jalal
Publisher: OUP Pakistan
ISBN: 9780195475784
Category : History
Languages : en
Pages : 0
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Book Description
The Oxford Companion to Pakistani History has attempted to tackle a monumental and difficult task of compiling all aspects of Pakistani history which has been a hotly contested site for historians, students, as well as the general educated populace. The volume contains approximately 900 entries on a wide-range of topics written by well-known contributors possessing expertise in the relevant topic. Attempt has been made to make the Companion as user-friendly as possible.
Author: Ananda Lal
Publisher: Jadavpur University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
The three plays collected in the volume are ‘The Persecuted’ by Krishna Mohan Banerjee, ‘Rizia’ by Michael Madhusudan Dutt, and ‘Kaminee’ (anon.) From the beginning, Indian dramatists who chose to write in English made sociopolitical statements that resonate even today. The unavailability of their plays has resulted in little or no analysis other than secondary references, often inaccurate. For the first time, three of these texts have been unearthed and reprinted in this volume, enhanced by a general introduction, separate introductions to each play, and explanatory notes. Krishna Mohana Banerjea based ‘The Persecuted, or Dramatic Scenes Illustrative of the Present State of Hindoo Society in Calcutta’ (1831), the first Indian drama in English, on his own experience of ostracism after his “Young Bengal” friends flouted the conservative codes at his home. Michael Madhusudan Dutt composed in Madras his first play, ‘Rizia: Empress of Inde’ (1855), a tragedy about the 13th-century Sultana of Delhi who loved her Abyssinian slave. It has been reconstructed with the aid of a recently-discovered manuscript in Dutt’s hand. The anonymously-published ‘Kaminee: The Virgin Widow’ (1874) relates the fate of an accomplished teenage widow in Calcutta when the Hindu Widows’ Remarriage Act has become law yet most people pay no heed to it.
