The Oxford Book of Nineteenth-century English Verse. Chosen by John Hayward PDF Download
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Author: John Davy HAYWARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 969
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Book Description
Author: John Davy HAYWARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 969
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Book Description
Author: John Hayward
Publisher: Oxford University Press, USA
ISBN:
Category : Poetry
Languages : en
Pages : 1022
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Book Description
This fine anthology covers both the Romantic and Victorian periods.
Author: John Hayward
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1018
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Book Description
Anthology of some six hundred poems and excerpts by eighty-five poets.
Author: Brian Martin
Publisher: Bloomsbury Publishing
ISBN: 1349201596
Category : Literary Criticism
Languages : en
Pages : 666
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Book Description
The 19th century volume demonstrates the variety of English literature in an age of social, intellectual, religious and scientific ferment. The shift to Romanticism is portrayed with extracts from major figures such as Blake, Wordsworth and Coleridge and the contribution of women writers is fully recognised, with selections from Jane Austen, the Bronte sisters, and Elizabeth Gaskell. The anthology concludes with selections of Victorian poetry and extracts from Wilde and Stevenson and altogether offers a comprehensive sample of the vast treasure-house of 19th century literature.
Author: John Hayward
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 969
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Book Description
Author: T. S. Eliot
Publisher: Yale University Press
ISBN: 0300176864
Category : Literary Collections
Languages : en
Pages : 914
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Book Description
Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War. Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor.
Author: T. S. Eliot
Publisher: Faber & Faber
ISBN: 0571316352
Category : Biography & Autobiography
Languages : en
Pages : 874
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Book Description
Despairing of his volatile, unstable wife, T. S. Eliot, at 44, resolves to put an end to the torture of his eighteen-year marriage.He breaks free from September 1932 by becoming Norton Lecturer at Harvard. His lectures will be published as The Use of Poetry and the Use of Criticism (1933). He also delivers the Page-Barbour Lectures at Virginia (After Strange Gods, 1934). At Christmas he visits Emily Hale, to whom he is 'obviously devoted'. He gives talks all over - New York, California, Missouri, Minnesota, Chicago - and the letters describing encounters with F. Scott Fitzgerald, Edmund Wilson and Marianne Moore ('a real Gillette blade') brim with gossip. High points include the première at Vassar College of his comic melodrama Sweeney Agonistes (1932). The year 'was the happiest I can ever remember in my life . . . successful and amusing.'Returning home, he hides out in the country while making known to Vivien his decision to leave her. But he is exasperated when she buries herself in denial: she will not accept a Deed of Separation. The close of 1933 is lifted when Eliot 'breaks into Show Business'. He is commissioned to write a 'mammoth Pageant': The Rock. This collaborative enterprise will be the proving-ground for the choric triumph of Murder in the Cathedral (1935).
Author: John Haffenden
Publisher: OUP Oxford
ISBN: 0191569429
Category : Literary Collections
Languages : en
Pages : 792
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Book Description
This edited collection of letters by William Empson (1906-1984), one of the foremost writers and literary critics of the twentieth century, ranges across the entirety of his career. Parts of the correspondence record the development of ideas that were to come to fruition in seminal texts including Seven Types of Ambiguity, The Structure of Complex Words, and Milton's God. The topics of other letters range from Shakespeare's Dark Lady to Marvell's marriage and Byron's bisexuality. Empson relished correspondence that was combative, if not downright aggressive. As a result, parts of this edition take the form of a serial disputation with other critics of the period, including Frank Kermode, Helen Gardner, Philip Hobsbaum, and I. A. Richards. Other notable correspondents include A. Alvarez, Bonamy Dobrée, Leslie Fiedler, Graham Hough, C. K. Ogden, George Orwell, Kathleen Raine, John Crowe Ransom, Christopher Ricks, Laura Riding, A. L. Rowse, Stephen Spender, E. M. W. Tillyard, Rosemond Tuve, John Wain, and G. Wilson Knight. All readers of literary history and criticism will stand to benefit from this edition. Empson is universally credited as the man who 'invented' modern literary criticism, so that all of his writings make a signal addition to the canon of his works. This selection provides a context for the evaluation of Empson's total literary output; and in many letters Empson seeks to defend his ideas against both published and personal attacks. This volume not only fills in all the missing links, it adds up to a completely new volume of critical writings by Empson.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 552
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Book Description
Author: Peter Scheckner
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633458
Category : Chartism
Languages : en
Pages : 360
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Book Description
Chartist poetry was written by and for workers. In contrast with the portrayal of workers by mainstream Victorian writers, Chartist verse is intellectual, complex, and socially conscious and reflects an international outlook.
