Author: United States Information Agency
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 20

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Book Description

Author: United States. Congress. Senate. Committee on Foreign Relations. Subcommittee Under Senate Resolution 74 on Overseas Information Programs of the United States
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1374

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Book Description

Author: United States. Congress. Senate. Committee on Foreign Relations
Publisher:
ISBN:
Category : Educational exchanges
Languages : en
Pages : 1372

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Book Description

Author: United States. Congress. Senate. Committee on Foreign Relations. Subcommittee Under S. Res. 74 on Overseas Information Programs of the U.S.
Publisher:
ISBN:
Category : Educational exchanges
Languages : en
Pages : 1692

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Book Description

Author: Angus Finney
Publisher: Routledge
ISBN: 1136295038
Category : Performing Arts
Languages : en
Pages : 303

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Book Description
The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

Author: United States Information Agency
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 24

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Book Description

Author: United States. Dept. of State
Publisher:
ISBN:
Category :
Languages : en
Pages : 114

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Book Description

Author: Thomas L. McPhail
Publisher: John Wiley & Sons
ISBN: 1444358103
Category : Social Science
Languages : en
Pages : 417

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Book Description
Global Communication is the most definitive text on multi-national communication and media conglomerates, exploring how global media, particularly CNN, the BBC, Euronews, and Al Jazeera, influence audiences and policy makers alike. Includes four completely new chapters on Asian media, Euromedia, the Middle East, and public diplomacy from a post 9/11 perspective Updates the story of arab media with a section on "Arab Media and the Al Jazeera Effect" by Middle East-based expert Lawrence Pintak Covers the global war on terrorism and the substantial US investment in Iraqi media Provides updated accounts and overviews of the largest and most important media corporations from around the world, from MTV and CNN to Bollywood Incorporates discussions of Hulu, YouTube, Myspace, and the Twitter phenomenon as well as new stakeholders in global online media

Author: Angus Finney
Publisher: Routledge
ISBN: 113629502X
Category : Performing Arts
Languages : en
Pages : 360

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Book Description
The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

Author: Aa. Vv.
Publisher: Mimesis
ISBN: 8869770869
Category : Performing Arts
Languages : en
Pages : 169

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Book Description
For a long time, comparisons of cinema and photography have been predominantly a question of contrast, both of their forms and their ways of seeing. This special issue of Cinéma & Cie reverses the perspective, by addressing some of the fundamental spaces of convergence and coexistence between the two languages. While they have alwaysbeen somewhat present in the history of the two arts (not only in chronophotography, but also astronomic photography, photographic series, and still photography), the photocinematic forms have become particularlyrelevant in the archaeology of post-media culture that has characterised much scholarship lately. What tools should we employ to study these confluences today?Is it possible to perceive overlapping images also in strictly cinematic or photographic works? From this perspective, the special issue deals with borderline authors, such as Jeff Wall; post-filmic aesthetics, such as the cinematic tableau vivant and innovative examples of contemporary, experimental audiovisual production.