Author: Chris Beyers
Publisher: University of Arkansas Press
ISBN: 9781557287021
Category : Poetry
Languages : en
Pages : 300
Book Description
This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.
A History of Free Verse
Author: Chris Beyers
Publisher: University of Arkansas Press
ISBN: 9781557287021
Category : Poetry
Languages : en
Pages : 300
Book Description
This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.
Publisher: University of Arkansas Press
ISBN: 9781557287021
Category : Poetry
Languages : en
Pages : 300
Book Description
This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.
The Origins of Free Verse
Author: Henry Tompkins Kirby-Smith
Publisher: University of Michigan Press
ISBN: 9780472085651
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Argues that free verse has deep historical roots, and traces them, from Milton to contemporary poetry
Publisher: University of Michigan Press
ISBN: 9780472085651
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Argues that free verse has deep historical roots, and traces them, from Milton to contemporary poetry
Rhetoric, the Bible, and the origins of free verse
Author: Katrin M. Kohl
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110873133
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110873133
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
A Poet's Glossary
Author: Edward Hirsch
Publisher: HarperCollins
ISBN: 0547737467
Category : Poetry
Languages : en
Pages : 683
Book Description
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Publisher: HarperCollins
ISBN: 0547737467
Category : Poetry
Languages : en
Pages : 683
Book Description
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Song of Myself
Author: Walt Whitman
Publisher: Gildan Media LLC aka G&D Media
ISBN: 1722525053
Category : Philosophy
Languages : en
Pages : 68
Book Description
One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
Publisher: Gildan Media LLC aka G&D Media
ISBN: 1722525053
Category : Philosophy
Languages : en
Pages : 68
Book Description
One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
Derniers vers
Author: Jules Laforgue
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 128
Book Description
Rhetoric, the Bible, and the Origins of Free Verse
Author: Katrin Maria Kohl
Publisher: de Gruyter
ISBN: 9783110119992
Category :
Languages : en
Pages : 346
Book Description
Kohl's revised doctoral thesis (U. of London, 1988) analyzes Klopstock's poems and shows their rhetorical structure and the biblical foundations of language, imagery and free-verse form. Includes appendices containing the text of poems in free verse (in German), biblical material in five early hymns, and a collation of selected editions of Klopstock's works. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: de Gruyter
ISBN: 9783110119992
Category :
Languages : en
Pages : 346
Book Description
Kohl's revised doctoral thesis (U. of London, 1988) analyzes Klopstock's poems and shows their rhetorical structure and the biblical foundations of language, imagery and free-verse form. Includes appendices containing the text of poems in free verse (in German), biblical material in five early hymns, and a collation of selected editions of Klopstock's works. Annotation copyrighted by Book News, Inc., Portland, OR
Leaves of Grass
Author: Walt Whitman
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
Free Verse
Author: Charles O. Hartman
Publisher: Northwestern University Press
ISBN: 9780810113169
Category : Literary Collections
Languages : en
Pages : 220
Book Description
To make sense of "free verse" in theory or in practice, the study of prosody - the function of rhythm in poetry - must be revised and rethought. In Free Verse: An Essay on Prosody, Charles Hartman develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry. Hartman examines nonmetrical verse, discusses the conventions that have emerged in the absence of meter, and shows how these conventions can work prosodically. By analyzing the work of Williams and Eliot - the prosodic masters among the early modernists - Hartman traces their influence on more contemporary poets. In his exploration of the means by which a poet controls the reader's temporal experience of poetry. Hartman presents an invaluable treatment of the concept of verse.
Publisher: Northwestern University Press
ISBN: 9780810113169
Category : Literary Collections
Languages : en
Pages : 220
Book Description
To make sense of "free verse" in theory or in practice, the study of prosody - the function of rhythm in poetry - must be revised and rethought. In Free Verse: An Essay on Prosody, Charles Hartman develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry. Hartman examines nonmetrical verse, discusses the conventions that have emerged in the absence of meter, and shows how these conventions can work prosodically. By analyzing the work of Williams and Eliot - the prosodic masters among the early modernists - Hartman traces their influence on more contemporary poets. In his exploration of the means by which a poet controls the reader's temporal experience of poetry. Hartman presents an invaluable treatment of the concept of verse.
Façade [an Entertainment with Poems by Dame Edith Sitwell].
Author: Edith Sitwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description