Author: Charles River Charles River Editors
Publisher:
ISBN: 9781542769297
Category :
Languages : en
Pages : 144
Book Description
*Includes pictures *Includes the actors' quotes about their lives and careers *Includes online resources and a bibliography for further reading It would be no exaggeration to say that James Dean has been more mythologized than any other actor in history, a development due more to his off-screen personality and conduct than the films he actually starred in. Much of Dean's appeal derives from his humble and ordinary origins, and audiences are drawn to the romance of the Indiana farm boy who catapulted to the top of the motion picture industry in a single year - the same year that would see him die. Of course, James Dean remains well-known for being anything but humble and ordinary. As famous as his films are, Dean's story is inextricably tied to his love for racing cars and his death in a high speed car crash. And though Dean was already wildly famous at the time of his death, there is no question that his death only enhanced his fame. One study found evidence of a "James Dean effect," which concluded that a star's popularity benefits if the star dies young instead of living longer and losing luster. By dying young, Dean actually ensured that his name would remain famous, and his appeal has transcended generations. Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting, influencing successors such as Robert De Niro, Al Pacino and even Johnny Depp, but the acting profession on a global scale. His iconic interpretations of characters such as Stanley Kowalski (A Streetcar Named Desire), Terry Malloy (On the Waterfront) and Vito Corleone (The Godfather) have been forever burned into the collective memory of film and theatre aficionados, scholars and critics for their immense passion, rage, love, defiance, vulnerability, cruelty and tenderness - basically, the full spectrum of the human condition. With several Oscars and Golden Globes to his name, Brando's contributions remain the gold standard of the acting craft, and the American Film Institute has listed him as the 4th greatest screen legend in history. In the World War II and post-war era, the figure of the male hero who was previously presented as an invulnerable, single-minded, and to a larger degree monolithic and unknowable warrior, began to develop into a more multi-faceted and intriguing character in the most important Hollywood films. This was to signal, and in a sense impel the same change in American society that has always mirrored itself after its cinematic models. Much like the era of Austen and the Bronte sisters, the American hero softened to resemble the older British one, vulnerable and uncertain, but still passionate and determined. In Edward Montgomery Clift, the public not only discovered an unusually gifted actor, but a persistent and stoical anti-authoritarian, an extreme non-conformist in a conformist age and a personal enigma who has remained the target of prying Hollywood reporting since his death. Described as the first "method" actor in Hollywood, he was to co-create and develop this lonely, unwilling and uncertain American hero, filled with deep personal ambiguities, a conflicting will, vulnerable and sensitive. In his eventual arrival to Hollywood following a lengthy period of resistance, he not only embodied this new male model, but inspired the next generation of fascinating characters who didn't "fit in," such as friends Marlon Brando and James Dean. He added to this screen persona a sexual dualism that, while not apparent on the surface, changed the way leading men were perceived by the late 1940s.
The Original Method Actors
Author: Charles River Charles River Editors
Publisher:
ISBN: 9781542769297
Category :
Languages : en
Pages : 144
Book Description
*Includes pictures *Includes the actors' quotes about their lives and careers *Includes online resources and a bibliography for further reading It would be no exaggeration to say that James Dean has been more mythologized than any other actor in history, a development due more to his off-screen personality and conduct than the films he actually starred in. Much of Dean's appeal derives from his humble and ordinary origins, and audiences are drawn to the romance of the Indiana farm boy who catapulted to the top of the motion picture industry in a single year - the same year that would see him die. Of course, James Dean remains well-known for being anything but humble and ordinary. As famous as his films are, Dean's story is inextricably tied to his love for racing cars and his death in a high speed car crash. And though Dean was already wildly famous at the time of his death, there is no question that his death only enhanced his fame. One study found evidence of a "James Dean effect," which concluded that a star's popularity benefits if the star dies young instead of living longer and losing luster. By dying young, Dean actually ensured that his name would remain famous, and his appeal has transcended generations. Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting, influencing successors such as Robert De Niro, Al Pacino and even Johnny Depp, but the acting profession on a global scale. His iconic interpretations of characters such as Stanley Kowalski (A Streetcar Named Desire), Terry Malloy (On the Waterfront) and Vito Corleone (The Godfather) have been forever burned into the collective memory of film and theatre aficionados, scholars and critics for their immense passion, rage, love, defiance, vulnerability, cruelty and tenderness - basically, the full spectrum of the human condition. With several Oscars and Golden Globes to his name, Brando's contributions remain the gold standard of the acting craft, and the American Film Institute has listed him as the 4th greatest screen legend in history. In the World War II and post-war era, the figure of the male hero who was previously presented as an invulnerable, single-minded, and to a larger degree monolithic and unknowable warrior, began to develop into a more multi-faceted and intriguing character in the most important Hollywood films. This was to signal, and in a sense impel the same change in American society that has always mirrored itself after its cinematic models. Much like the era of Austen and the Bronte sisters, the American hero softened to resemble the older British one, vulnerable and uncertain, but still passionate and determined. In Edward Montgomery Clift, the public not only discovered an unusually gifted actor, but a persistent and stoical anti-authoritarian, an extreme non-conformist in a conformist age and a personal enigma who has remained the target of prying Hollywood reporting since his death. Described as the first "method" actor in Hollywood, he was to co-create and develop this lonely, unwilling and uncertain American hero, filled with deep personal ambiguities, a conflicting will, vulnerable and sensitive. In his eventual arrival to Hollywood following a lengthy period of resistance, he not only embodied this new male model, but inspired the next generation of fascinating characters who didn't "fit in," such as friends Marlon Brando and James Dean. He added to this screen persona a sexual dualism that, while not apparent on the surface, changed the way leading men were perceived by the late 1940s.
Publisher:
ISBN: 9781542769297
Category :
Languages : en
Pages : 144
Book Description
*Includes pictures *Includes the actors' quotes about their lives and careers *Includes online resources and a bibliography for further reading It would be no exaggeration to say that James Dean has been more mythologized than any other actor in history, a development due more to his off-screen personality and conduct than the films he actually starred in. Much of Dean's appeal derives from his humble and ordinary origins, and audiences are drawn to the romance of the Indiana farm boy who catapulted to the top of the motion picture industry in a single year - the same year that would see him die. Of course, James Dean remains well-known for being anything but humble and ordinary. As famous as his films are, Dean's story is inextricably tied to his love for racing cars and his death in a high speed car crash. And though Dean was already wildly famous at the time of his death, there is no question that his death only enhanced his fame. One study found evidence of a "James Dean effect," which concluded that a star's popularity benefits if the star dies young instead of living longer and losing luster. By dying young, Dean actually ensured that his name would remain famous, and his appeal has transcended generations. Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting, influencing successors such as Robert De Niro, Al Pacino and even Johnny Depp, but the acting profession on a global scale. His iconic interpretations of characters such as Stanley Kowalski (A Streetcar Named Desire), Terry Malloy (On the Waterfront) and Vito Corleone (The Godfather) have been forever burned into the collective memory of film and theatre aficionados, scholars and critics for their immense passion, rage, love, defiance, vulnerability, cruelty and tenderness - basically, the full spectrum of the human condition. With several Oscars and Golden Globes to his name, Brando's contributions remain the gold standard of the acting craft, and the American Film Institute has listed him as the 4th greatest screen legend in history. In the World War II and post-war era, the figure of the male hero who was previously presented as an invulnerable, single-minded, and to a larger degree monolithic and unknowable warrior, began to develop into a more multi-faceted and intriguing character in the most important Hollywood films. This was to signal, and in a sense impel the same change in American society that has always mirrored itself after its cinematic models. Much like the era of Austen and the Bronte sisters, the American hero softened to resemble the older British one, vulnerable and uncertain, but still passionate and determined. In Edward Montgomery Clift, the public not only discovered an unusually gifted actor, but a persistent and stoical anti-authoritarian, an extreme non-conformist in a conformist age and a personal enigma who has remained the target of prying Hollywood reporting since his death. Described as the first "method" actor in Hollywood, he was to co-create and develop this lonely, unwilling and uncertain American hero, filled with deep personal ambiguities, a conflicting will, vulnerable and sensitive. In his eventual arrival to Hollywood following a lengthy period of resistance, he not only embodied this new male model, but inspired the next generation of fascinating characters who didn't "fit in," such as friends Marlon Brando and James Dean. He added to this screen persona a sexual dualism that, while not apparent on the surface, changed the way leading men were perceived by the late 1940s.
On Method Acting
Author: Edward Dwight Easty
Publisher: Ivy Books
ISBN: 0804105227
Category : Performing Arts
Languages : en
Pages : 209
Book Description
Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique. On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on: Sense Memory -- the most vital component of Method acting Improvisation -- without it, the most integral part of the Method is lost Animal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a character Creating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the character On Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions.
Publisher: Ivy Books
ISBN: 0804105227
Category : Performing Arts
Languages : en
Pages : 209
Book Description
Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique. On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on: Sense Memory -- the most vital component of Method acting Improvisation -- without it, the most integral part of the Method is lost Animal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a character Creating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the character On Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions.
The Method
Author: Isaac Butler
Publisher: Bloomsbury Publishing USA
ISBN: 1635574781
Category : Performing Arts
Languages : en
Pages : 545
Book Description
National Book Critics Circle Award Winner, Nonfiction NAMED ONE OF THE BEST BOOKS OF 2022 BY THE NEW YORKER, TIME MAGAZINE, SAN FRANCISCO CHRONICLE, VOX, SALON, LIT HUB, AND VANITY FAIR “Entertaining and illuminating.”--The New Yorker * “Compulsively readable.”--New York Times * “Delicious, humane, probing.”--Vulture * “The best and most important book about acting I've ever read.”--Nathan Lane The critically acclaimed cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his “system” remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks--including Stella Adler, Lee Strasberg, and the storied Group Theatre--refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. The Group's feuds and rivalries would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential--and misunderstood--ideas in American culture. Studded with marquee names--from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman--The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film.
Publisher: Bloomsbury Publishing USA
ISBN: 1635574781
Category : Performing Arts
Languages : en
Pages : 545
Book Description
National Book Critics Circle Award Winner, Nonfiction NAMED ONE OF THE BEST BOOKS OF 2022 BY THE NEW YORKER, TIME MAGAZINE, SAN FRANCISCO CHRONICLE, VOX, SALON, LIT HUB, AND VANITY FAIR “Entertaining and illuminating.”--The New Yorker * “Compulsively readable.”--New York Times * “Delicious, humane, probing.”--Vulture * “The best and most important book about acting I've ever read.”--Nathan Lane The critically acclaimed cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his “system” remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks--including Stella Adler, Lee Strasberg, and the storied Group Theatre--refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. The Group's feuds and rivalries would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential--and misunderstood--ideas in American culture. Studded with marquee names--from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman--The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film.
Acting
Author:
Publisher:
ISBN: 9781614276692
Category : Performing Arts
Languages : en
Pages : 226
Book Description
2014 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "A wealth of material on the theory and practice of acting ... a book which may be read, re-read and absorbed by everyone who assumes the directing of actors or that most difficult task, the teaching of acting." --Quarterly Journal of Speech. Contains early contributions on the craft by Stanislavski, I. Rapoport, M.A. Chekhov, Vakhtangov, Giatsintova, Pudovkin, Zakhava and others. Also includes 25 illustrations related to the stage and the art of acting. Contents include: Introduction / Lee Strasberg -- The actor's responsibility / Constantin Stanislavski -- Direction and acting / Constantin Stanislavski -- The work of the actor / I. Rapoport -- The creative process / I. Sudakov -- Stanislavski's method of acting / M.A. Chekhov -- Preparing for the role: from the diary of E. Vakhtangov / E. Vakhtangov -- Case history of a role / A.S. Giatsintova -- From the production plan of Othello / Constantin Stanislavski -- Film acting: two phases / V.I. Pudovkin -- Principles of directing / B.E. Zakhava -- To his players at the first rehearsal of The blue bird / Constantin Stanislavski.
Publisher:
ISBN: 9781614276692
Category : Performing Arts
Languages : en
Pages : 226
Book Description
2014 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "A wealth of material on the theory and practice of acting ... a book which may be read, re-read and absorbed by everyone who assumes the directing of actors or that most difficult task, the teaching of acting." --Quarterly Journal of Speech. Contains early contributions on the craft by Stanislavski, I. Rapoport, M.A. Chekhov, Vakhtangov, Giatsintova, Pudovkin, Zakhava and others. Also includes 25 illustrations related to the stage and the art of acting. Contents include: Introduction / Lee Strasberg -- The actor's responsibility / Constantin Stanislavski -- Direction and acting / Constantin Stanislavski -- The work of the actor / I. Rapoport -- The creative process / I. Sudakov -- Stanislavski's method of acting / M.A. Chekhov -- Preparing for the role: from the diary of E. Vakhtangov / E. Vakhtangov -- Case history of a role / A.S. Giatsintova -- From the production plan of Othello / Constantin Stanislavski -- Film acting: two phases / V.I. Pudovkin -- Principles of directing / B.E. Zakhava -- To his players at the first rehearsal of The blue bird / Constantin Stanislavski.
Women, Method Acting, and the Hollywood Film
Author: Keri Walsh
Publisher: Routledge
ISBN: 1000378683
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Women, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film. While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method—the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning feminist political commitments and developed a style of feminist Method acting. The book examines the complex intersection of Method acting, sexuality, and gender by analyzing performances such as Kim Hunter’s in A Streetcar Named Desire, Julie Harris’s in The Member of the Wedding, Shelley Winters’s in The Big Knife, Geraldine Page’s in Sweet Bird of Youth, and Jane Fonda’s in Coming Home. Challenging the longstanding assumption that Method acting’s approaches were harmful to women and incompatible with feminism, this book argues that some of Hollywood’s most interesting female actors, and leading feminists, emerged from the Actors Studio in the period between the 1950s and the 1970s. Written for students and scholars of Film Studies, Cultural Studies, Theatre and Performance Studies, and Gender Studies, Women, Method Acting, and the Hollywood Film reshapes the way we think of a central strain in American screen acting, and in doing so, allows women a new stake in that tradition.
Publisher: Routledge
ISBN: 1000378683
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Women, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film. While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method—the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning feminist political commitments and developed a style of feminist Method acting. The book examines the complex intersection of Method acting, sexuality, and gender by analyzing performances such as Kim Hunter’s in A Streetcar Named Desire, Julie Harris’s in The Member of the Wedding, Shelley Winters’s in The Big Knife, Geraldine Page’s in Sweet Bird of Youth, and Jane Fonda’s in Coming Home. Challenging the longstanding assumption that Method acting’s approaches were harmful to women and incompatible with feminism, this book argues that some of Hollywood’s most interesting female actors, and leading feminists, emerged from the Actors Studio in the period between the 1950s and the 1970s. Written for students and scholars of Film Studies, Cultural Studies, Theatre and Performance Studies, and Gender Studies, Women, Method Acting, and the Hollywood Film reshapes the way we think of a central strain in American screen acting, and in doing so, allows women a new stake in that tradition.
The Method Acting Exercises Handbook
Author: Lola Cohen
Publisher: Taylor & Francis
ISBN: 1315471485
Category : Performing Arts
Languages : en
Pages : 237
Book Description
The Method Acting Exercises Handbook is a concise and practical guide to the acting exercises originally devised by Lee Strasberg, one of the Method's foremost practitioners. The Method trains the imagination, concentration, senses and emotions to ‘re-create’ – not ‘imitate’ – logical, believable and truthful behavior on stage and in film. Building on nearly 30 years of teaching internationally and at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles, Lola Cohen details a series of specific exercises in order to provide clear instruction and guidance to this preeminent form of actor training. By integrating Strasberg's voice with her own tried and tested style of teaching, Cohen demonstrates what can be gained from the exercises, how they can inform and inspire your learning, and how they might be applied to your acting and directing practice. As a companion to The Lee Strasberg Notes (Routledge 2010), a transcription of Strasberg's own teaching, The Method Acting Exercises Handbook offers an unparalleled and updated guide to this world renowned technique.
Publisher: Taylor & Francis
ISBN: 1315471485
Category : Performing Arts
Languages : en
Pages : 237
Book Description
The Method Acting Exercises Handbook is a concise and practical guide to the acting exercises originally devised by Lee Strasberg, one of the Method's foremost practitioners. The Method trains the imagination, concentration, senses and emotions to ‘re-create’ – not ‘imitate’ – logical, believable and truthful behavior on stage and in film. Building on nearly 30 years of teaching internationally and at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles, Lola Cohen details a series of specific exercises in order to provide clear instruction and guidance to this preeminent form of actor training. By integrating Strasberg's voice with her own tried and tested style of teaching, Cohen demonstrates what can be gained from the exercises, how they can inform and inspire your learning, and how they might be applied to your acting and directing practice. As a companion to The Lee Strasberg Notes (Routledge 2010), a transcription of Strasberg's own teaching, The Method Acting Exercises Handbook offers an unparalleled and updated guide to this world renowned technique.
An Actor's Work
Author: Konstantin Stanislavski
Publisher: Routledge
ISBN: 1315474239
Category : Performing Arts
Languages : en
Pages : 963
Book Description
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Publisher: Routledge
ISBN: 1315474239
Category : Performing Arts
Languages : en
Pages : 963
Book Description
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
The Power of the Actor
Author: Ivana Chubbuck
Publisher: Penguin
ISBN: 9781592401536
Category : Performing Arts
Languages : en
Pages : 404
Book Description
In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field.
Publisher: Penguin
ISBN: 9781592401536
Category : Performing Arts
Languages : en
Pages : 404
Book Description
In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field.
Stanislavski and the Actor
Author: Jean Benedetti
Publisher: Routledge
ISBN: 1136758038
Category : Performing Arts
Languages : en
Pages : 180
Book Description
In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere.
Publisher: Routledge
ISBN: 1136758038
Category : Performing Arts
Languages : en
Pages : 180
Book Description
In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere.
A Dream of Passion
Author: Lee Strasberg
Publisher: Penguin
ISBN: 0452261988
Category : Performing Arts
Languages : en
Pages : 241
Book Description
“The definitive source book on acting.”—Los Angeles Times Marlon Brando, Al Pacino, Paul Newman, Dustin Hoffman, Dennis Hopper, Robert DeNiro, Marilyn Monroe, and Joanne Woodward—these are only a few of the many actors training in “Method” acting by the great and legendary Lee Strasberg. This revolutionary theory of acting—developed by Stanislavski and continued by Strasberg—has been a major influence on the art of acting in our time. During his last decade, Strasberg devoted himself to a work that would explain once and for all what The Method was and how it worked, as well as telling the story of its development and of the people involved with it. The result is a masterpiece of wisdom and guidance for anyone involved with the theater in any way. “A must for young actors—for old ones, too, for that matter.”—Paul Newman “An exploration of the creative process that will reward all who are interested in the nature of inspiration.”—Library Journal “An important cultural document.”—Booklist
Publisher: Penguin
ISBN: 0452261988
Category : Performing Arts
Languages : en
Pages : 241
Book Description
“The definitive source book on acting.”—Los Angeles Times Marlon Brando, Al Pacino, Paul Newman, Dustin Hoffman, Dennis Hopper, Robert DeNiro, Marilyn Monroe, and Joanne Woodward—these are only a few of the many actors training in “Method” acting by the great and legendary Lee Strasberg. This revolutionary theory of acting—developed by Stanislavski and continued by Strasberg—has been a major influence on the art of acting in our time. During his last decade, Strasberg devoted himself to a work that would explain once and for all what The Method was and how it worked, as well as telling the story of its development and of the people involved with it. The result is a masterpiece of wisdom and guidance for anyone involved with the theater in any way. “A must for young actors—for old ones, too, for that matter.”—Paul Newman “An exploration of the creative process that will reward all who are interested in the nature of inspiration.”—Library Journal “An important cultural document.”—Booklist