The Original Cadenzas in the Piano Concertos of Beethoven PDF Download
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Author: Richard Friedman
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 330
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Book Description
Author: Richard Friedman
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 330
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457454356
Category : Music
Languages : en
Pages : 156
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Book Description
Many of Mozart's own cadenzas are preserved, but many more that he improvised in performance were never written down. In that spirit, famed pianist Lili Kraus sensed an obligation and a challenge to follow the tradition of using her own cadenzas where no original was available. This collection, then contains Mozart's original cadenzas as well as editorial versions by Ms. Kraus for Concertos 1-27.
Author: Ludwig van Beethoven
Publisher: Eulenburg
ISBN: 3795714117
Category : Music
Languages : en
Pages : 139
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Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author: Leon Plantinga
Publisher: W. W. Norton & Company
ISBN: 9780393046915
Category : Music
Languages : en
Pages : 424
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Book Description
Accompanied by a booklet of music examples (108 p.: ill.; 21 cm.).
Author: Charles E. Bouwsma
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 162
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Book Description
Author: David Hurwitz
Publisher: Continuum
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
"Brahms was a famously complex character: an irascible curmudgeon, and a famously learned composer who took tremendous pride in composing tuneful, expressive melodies of great popular appeal. This accounts at least in part for the enduring esteem that his symphonies enjoy among musicians, scholars, and the listening public alike. This duality between the learned and the popular sides of Brahms' musical personality has made his music as difficult to analyze and discuss as was his singularly complex and mysterious personal life. This book attempts to aid the general listener in bridging the gap between these two seemingly irreconcilable aspects of Brahms' character, aspects that are particularly in evidence, and balanced with particular poise, in his four symphonies. First, author David Hurwitz examines Brahms' place in the German symphonic tradition, his obsessive preoccupation with his place in the grand line of classical composers stretching back to Bach, and proceeding through Haydn, Mozart, Beethoven, and Schumann. Despite his ongoing struggle to master orchestral writing, Hurwitz argues that Brahms did achieve a unique symphonic style, one found nowhere else in his (or anyone else's) works in symphonic form. Finally, each symphony is described from two perspectives: in the most helpful musical context, and then also in movement by movement descriptions of Brahms' expressive argument. Finally, a list of recommended recordings concludes a discussion that shows today's music lovers that the riches contained in these perennially attractive works do not hide beneath the surface, but in fact lie liberally scattered in plain view, just waiting to be savored." --Back cover.
Author: Neal Zaslaw
Publisher: University of Michigan Press
ISBN: 9780472103140
Category : Music
Languages : en
Pages : 502
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Book Description
A celebration and exploration of a monumental achievement
Author: Tilman Skowroneck
Publisher: Cambridge University Press
ISBN: 0521119596
Category : Music
Languages : en
Pages : 285
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Book Description
This book offers an insight into Beethoven's career, showing in well-documented detail the rise and decline of his powers as a performer.
Author: Philip Whitmore
Publisher: Oxford University Press, USA
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 256
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Book Description
This book is a history of the cadenza in the Classical keyboard concerto. Whitmore focuses attention on the changing relations between performer and composer and between performer and audience in the course of the Classical period. The greater part of the book consists of an attempt to situate the concertos and cadenzas produced during the period within the broad historical development outlined in the first few chapters, placing particular emphasis on the contributions of C.P.E. Bach, Mozart, and Beethoven.
Author: Wayne M. Senner
Publisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296
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Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
