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Author: Jack Zipes
Publisher: Taylor & Francis
ISBN: 1000910512
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
Originally published in English in 1991 and now reissued with a new Preface by Jack Zipes, this book presents and examines the work of two little-known writers, Oskar Panizza and Mynona (Salomo Friedlaender). In Panizza’s chilling story, The Operated Jew (1893), a turn-of-the- century Jew undergoes a series of disfiguring operations that transform him into a ‘European’. The tale mingles loathing with compassion for its title character. Thirty years later, Panizza’s tale was answered by Mynona, an urbane German Jew who turned the story’s tables in The Operated Goy (1922). In his introduction and essays, Jack Zipes explores some of the myths of modern anti-Semitic thought. He also examines parallels between the rise of anti-Semitism in Europe and the violence of Arabs and Israelis in the Middle East, issues which have an enduring relevance and are as pertinent in the 21st Century as when the book was first published.
Author: Jack Zipes
Publisher: Taylor & Francis
ISBN: 1000910512
Category : Literary Criticism
Languages : en
Pages : 153
Get Book Here
Book Description
Originally published in English in 1991 and now reissued with a new Preface by Jack Zipes, this book presents and examines the work of two little-known writers, Oskar Panizza and Mynona (Salomo Friedlaender). In Panizza’s chilling story, The Operated Jew (1893), a turn-of-the- century Jew undergoes a series of disfiguring operations that transform him into a ‘European’. The tale mingles loathing with compassion for its title character. Thirty years later, Panizza’s tale was answered by Mynona, an urbane German Jew who turned the story’s tables in The Operated Goy (1922). In his introduction and essays, Jack Zipes explores some of the myths of modern anti-Semitic thought. He also examines parallels between the rise of anti-Semitism in Europe and the violence of Arabs and Israelis in the Middle East, issues which have an enduring relevance and are as pertinent in the 21st Century as when the book was first published.
Author: Jack Zipes
Publisher:
ISBN: 9780415904612
Category : Literary Criticism
Languages : en
Pages : 137
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Book Description
Pp. 47-86 contain the texts of the two stories: "The Operated Jew", by Oskar Panizza (pp. 47-74), and "The Operated Goy", by Mynona (pen name of Salomo Friedlaender). The first (published in 1893) is the story of a Jew who underwent radical surgery in order to become a bona fide German, but was unsuccessful due to a bout of drunkenness at his wedding to a Gentile woman, which caused him to disintegrate and reveal the truth. The second story, written in 1922 as a reaction to the first, narrates the tale of an antisemitic Prussian aristocrat who was enchanted by a Jewess, became a religiously observant Jew, and settled in Palestine. Pp. 87-109, "Oskar Panizza: The Operated German as Operated Jew", relate Panizza's biography and try to explain what impelled Panizza to write "The Operated Jew". The story, although antisemitic (as Panizza himself was in the early period of his writing), is also critical of German society, which oppressed the individual; thus, to be German means self-destruction for the Jew. Pp. 110-137, "Salomo Friedlaender: The Anonymous Jew as a Laughing Philosopher", relate his biography and state that Friedlaender wanted to show that, despite the racial difference, German-Jewish symbiosis may be achieved. Pp. 1-46 contain the essay "Preliminary Diagnosis", reflecting on Jewish existence in a prejudiced world, especially in postwar Germany, both West and East. Now, as in the past, the Jew is compelled in one way or another to seek his "normalization" in society, and thus to "operate" on himself.
Author: Jay Geller
Publisher: Fordham Univ Press
ISBN: 0823233618
Category : History
Languages : en
Pages : 527
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Book Description
This book examines how modernizing German-speaking cultures, undergoing their own processes of identification, responded to the narcissistic threat posed by the continued persistence of Judentum (Judaism, Jewry, Jewishness) by representing "the Jew"'s body--or rather parts of that body and the techniques performed upon them. Such fetish-producing practices reveal the question of German-identified modernity to be inseparable from the Jewish Question. But Jewish-identified individuals, immersed in the phantasmagoria of such figurations--in the gutter and garret salon, medical treatise and dirty joke, tabloid caricature and literary depiction, church fa ade and bric-a-brac souvenir--had their own question, another Jewish Question. They also had other answers, for these physiognomic fragments not only identified "the Jew" but also became for some Jewish-identified individuals the building blocks for working through their particular situations and relaying their diverse responses. The Other Jewish Question maps the dissemination of and interrelationships among these corporeal signifiers in Germanophone cultures between the Enlightenment and the Shoah. Its analyses of ascribed Jewish physiognomy include tracing the gendered trajectory of the reception of Benedict Spinoza's correlation of Jewish persistence, anti-Semitism, and circumcision; the role of Zopf ("braid") in mediating German Gentile-Jewish relations; the skin(ny) on the association of Jews and syphilis in Arthur Dinter's antisemitic bestseller Sin against the Blood and Adolf Hitler's Mein Kampf; as well as the role of Jewish corporeality in the works of such Jewish-identified authors as Rahel Levin Varnhagen, Heinrich Heine, Karl Marx, Max Nordau, Franz Kafka, and Walter Benjamin, as well as such "Jew"-identifying writers as Ludwig Feuerbach and Daniel Paul Schreber. The Other Jewish Question portrays how Jewish-identified individuals moved beyond introjection and disavowal to appropriate and transform this epidemic of signification to make sense of their worlds and our modernity.
Author: Ulrike Küchler
Publisher: Bloomsbury Publishing USA
ISBN: 1628921161
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
As both an extra-terrestrial and a terrestrial migrant, the alien provides a critical framework to help us understand the interactions between cultures and to explore the transgressive force of travel over geographical, cultural or linguistic borders. Offering a perspective on the alien that connects to scholarship on immigration and globalization, Alien Imaginations brings together canonical and contemporary works in the literature and cinema of science fiction and transnationalism. By examining the role of the alien through the themes of language, anxiety and identity, the essays in this collection engage with authors such as H.G. Wells, Eleanor Arnason, Philip K. Dick and Yoko Tawada as well as directors such as Neill Blomkamp, James Cameron and Michael Winterbottom. Focusing on works that are European and North American in origin, the readings in this volume explore their critical intent and their potential to undermine many of the central notions of Western hegemonic discourses. Alien Imaginations reflects upon contemporary cultural imaginaries as well as the realities of migration, labor and life, suggesting models of resistance, if not utopian horizons.
Author: Iris Idelson-Shein
Publisher: Bloomsbury Publishing
ISBN: 1350052167
Category : History
Languages : en
Pages : 347
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Book Description
This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawing on Jewish history, literary studies, folklore, art history and the history of science, it examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture. Jews have occupied a liminal position within European society and culture, being deeply immersed yet outsiders to it. For this reason, they were perceived in terms of otherness and were often represented as monstrous beings. However, at the same time, European Jews invoked, with tantalizing ubiquity, images of magical, terrifying and hybrid beings in their texts, art and folktales. These images were used by Jewish authors and artists to push back against their own identification as monstrous or diabolical and to tackle concerns about religious persecution, assimilation and acculturation, gender and sexuality, science and technology and the rise of antisemitism. Bringing together an impressive cast of contributors from around the world, this fascinating volume is an invaluable resource for academics, postgraduates and advanced undergraduates interested in Jewish studies, as well as the history of monsters.
Author: Y. Michal Bodemann
Publisher: University of Michigan Press
ISBN: 9780472105847
Category : Germany
Languages : en
Pages : 310
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Book Description
Assesses the past, present, and future of German-Jewish relations in light of recent political charges and the opening up of historical resources
Author: Sander Gilman
Publisher: Routledge
ISBN: 1135208204
Category : Social Science
Languages : en
Pages : 310
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Book Description
In this powerful and wide-ranging study, Sander Gilman explores the idea of 'the multicultural' in the contemporary world, a question he frames as the question of the relationship between Jews and Muslims. How do Jews define themselves, and how are they in turn defined, within the global struggles of the moment, struggles that turn in large part around a secularized Christian perspective? Gilman uses his subject to unpack a sequence of important issues: what does it mean to be multicultural? Can the experience of diaspora Judaism serve as a useful model for Islam in today's multicultural Europe? What is a multicultural ethnic? Other chapters look at specific figures in Jewish cultural history – Albert Einstein, Franz Kafka, Israel Zangwill, Philip Roth, the hermaphrodite N.O. Body (aka Karl Baer, raised as Martha Baer) – to explore issues within Jewish identity. Throughout, Gilman pays keen attention to the ways in which contemporary literature – Chabon, Ozick, Zadie Smith, Jonathan Safran Foer, Gary Shteyngart – taking the idea of Jewishness and multiculturalism into new arenas.
Author: Lynne M. Swarts
Publisher: Bloomsbury Publishing USA
ISBN: 1501336150
Category : Art
Languages : en
Pages : 401
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Book Description
Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.
Author: Kerry Wallach
Publisher: University of Michigan Press
ISBN: 0472053574
Category : History
Languages : en
Pages : 287
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Book Description
Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by "passing" as non-Jews
Author: David A. Brenner
Publisher: Routledge
ISBN: 1134041543
Category : History
Languages : en
Pages : 129
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Book Description
David A. Brenner examines how Jews in Central Europe developed one of the first "ethnic" or "minority" cultures in modernity. Not exclusively "German" or "Jewish," the experiences of German-speaking Jewry in the decades prior to the Third Reich and the Holocaust were also negotiated in encounters with popular culture, particularly the novel, the drama and mass media. Despite recent scholarship, the misconception persists that Jewish Germans were bent on assimilation. Although subject to compulsion, they did not become solely "German," much less "European." Yet their behavior and values were by no means exclusively "Jewish," as the Nazis or other anti-Semites would have it. Rather, the German Jews achieved a peculiar synthesis between 1890 and 1933, developing a culture that was not only "middle-class" but also "ethnic." In particular, they reinvented Judaic traditions by way of a hybridized culture. Based on research in German, Israeli and American archives, German-Jewish Popular Culture before the Holocaust addresses many of the genres in which a specifically German-Jewish identity was performed, from the Yiddish theatre and Zionist humour all the way to sensationalist memoirs and Kafka’s own kitsch. This middle-class ethnic identity encompassed and went beyond religious confession and identity politics. In focusing principally on German-Jewish popular culture, this groundbreaking book introduces the beginnings of "ethnicity" as we know it and live it today.
