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Author: J. Leeds Barroll
Publisher: Associated University Presse
ISBN: 9780838635803
Category : Literary Collections
Languages : en
Pages : 408
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Book Description
Shakespeare Studies, edited by Leeds Barroll, a Scholar in Residence at the Folger Shakespeare Library, is an international volume published every year in hardcover, containing essays and studies by critics and cultural historians from both hemispheres. It includes substantial reviews of significant books and essays dealing with the cultural history of early modern England, as well as the place of Shakespeare's productions--and those of his contemporaries--within it. Volume XXXI presents a new feature, the first in an annual series of articles on Early Modern Drama around the World. Specialists in each national drama being presented in other areas of the globe during the time of Shakespeare will discuss the state of scholarly study in each area. In this volume Grant Shen discusses late Ming drama in China, and Richard Pym writes on drama in Golden Age Spain. Full-length articles by Gustave Ungerer, Patricia Parker, Thomas Moisan, and Jennifer Lewin deal with The Merchant of Venice, Hamlet, Much Ado about Nothing, and Shakespeare's final plays. These are supplemented by review-articles by Raphael Falco and David Harris Sacks: Is the Renaissance an Aesthetic Category? and Imagination in History. Volume XXXI also includes twenty-one reviews of books written by distinguished scholars on topics such as witchcraft, vagrancy, public devotion in early modern England, as well as on editions of the collected works of Elizabeth I.
Author: J. Leeds Barroll
Publisher: Associated University Presse
ISBN: 9780838635803
Category : Literary Collections
Languages : en
Pages : 408
Get Book Here
Book Description
Shakespeare Studies, edited by Leeds Barroll, a Scholar in Residence at the Folger Shakespeare Library, is an international volume published every year in hardcover, containing essays and studies by critics and cultural historians from both hemispheres. It includes substantial reviews of significant books and essays dealing with the cultural history of early modern England, as well as the place of Shakespeare's productions--and those of his contemporaries--within it. Volume XXXI presents a new feature, the first in an annual series of articles on Early Modern Drama around the World. Specialists in each national drama being presented in other areas of the globe during the time of Shakespeare will discuss the state of scholarly study in each area. In this volume Grant Shen discusses late Ming drama in China, and Richard Pym writes on drama in Golden Age Spain. Full-length articles by Gustave Ungerer, Patricia Parker, Thomas Moisan, and Jennifer Lewin deal with The Merchant of Venice, Hamlet, Much Ado about Nothing, and Shakespeare's final plays. These are supplemented by review-articles by Raphael Falco and David Harris Sacks: Is the Renaissance an Aesthetic Category? and Imagination in History. Volume XXXI also includes twenty-one reviews of books written by distinguished scholars on topics such as witchcraft, vagrancy, public devotion in early modern England, as well as on editions of the collected works of Elizabeth I.
Author: Thomas Moisan
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639023
Category : Drama
Languages : en
Pages : 372
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Book Description
This book is an anthology of critical essays written about English literature during the Renaissance (or the 'early-modern' period). It focuses on Shakespeare's poetry and plays, including the 'Sonnets', 'The Phoenix and the Turtle', 'The Rape of Lucrece', 'King Lear', 'Othello', 'Measure for Measure', and 'Timon of Athens'. Also examined are the publication of the plays of Beaumont and Fletcher, William Cartwright's play 'The Royal Slave', and James Halliwell-Phillips, one of the central figures in the Shakespearean textual tradition.
Author: Peter Corbin
Publisher: Manchester University Press
ISBN: 9780719026935
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
Author: Paul Whitfield White
Publisher: Cambridge University Press
ISBN: 9780521034302
Category : Drama
Languages : en
Pages : 340
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Book Description
During the past quarter of a century, the study of patronage-theatre relations in early modern England has developed considerably. This, however, is an extensive, wide-ranging and representative 2002 study of patronage as it relates to Shakespeare and the theatrical culture of his time. Twelve distinguished theatre historians address such questions as: What important functions did patronage have for the theatre during this period? How, in turn, did the theatre impact and represent patronage? Where do paying spectators and purchasers of printed drama fit into the discussion of patronage? The authors also show how patronage practices changed and developed from the early Tudor period to the years in which Shakespeare was the English theatre's leading artist. This important book will appeal to scholars of Renaissance social history as well as those who focus on Shakespeare and his playwriting contemporaries.
Author: Curtis Perry
Publisher: Oxford University Press
ISBN: 0199558175
Category : Drama
Languages : en
Pages : 310
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Book Description
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that are derived from medieval traditions and whose significance has been obscured by the desire to read Shakespeare as the origin of the modern. These essays, taken cumulatively, challenge the idea of any decisive break between the medieval period and early modernity by demonstrating continuities of form and imagination that clearly bridge the gap. Other essays explore the ways in which Shakespeare and his contemporaries constructed or imagined relationships between past and present. Attending to the way these writers thought about their relationship to the past makes it possible, in turn, to read against the grain of our own teleological investment in the idea of early modernity. A third group of essays reads texts by Shakespeare and his contemporaries as documents participating in social-cultural transformation from within. This means attending to the way they themselves grapples with the problem of change, attempting to respond to new conditions and pressures while holding onto customary habits of thought and imagination. Taken together, the essays in this volume revisit the very idea of transition in a refreshingly non-teleological way.
Author: Donna B. Hamilton
Publisher: Routledge
ISBN: 1351957880
Category : Literary Criticism
Languages : en
Pages : 524
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Book Description
In this new study, Donna B. Hamilton offers a major revisionist reading of the works of Anthony Munday, one of the most prolific authors of his time, who wrote and translated in many genres, including polemical religious and political tracts, poetry, chivalric romances, history of Britain, history of London, drama, and city entertainments. Long dismissed as a hack who wrote only for money, Munday is here restored to his rightful position as an historical figure at the centre of many important political and cultural events in sixteenth- and seventeenth-century England. In Anthony Munday and the Catholics, 1560-1633, Hamilton reinterprets Munday as a writer who began his career writing on behalf of the Catholic cause and subsequently negotiated for several decades the difficult terrain of an ever-changing Catholic-Protestant cultural, religious, and political landscape. She argues that throughout his life and writing career Munday retained his Catholic sensibility and occasionally wrote dangerously on behalf of Catholics. Thus he serves as an excellent case study through which present-day scholars can come to a fuller understanding of how a person living in this turbulent time in English history - eschewing open resistance, exile or martyrdom - managed a long and prolific writing career at the centre of court, theatre, and city activities but in ways that reveal his commitment to Catholic political and religious ideology. Individual chapters in this book cover Munday's early writing, 1577-80; his writing about the trial and execution of Jesuit Edmund Campion; his writing for the stage, 1590-1602; his politically inflected translations of chivalric romance; and his writings for and about the city of London, 1604-33. Hamilton revisits and revalues the narratives told by earlier scholars about hack writers, the anti-theatrical tracts, the role of the Earl of Oxford as patron, the political-religious interests of Munday's plays, the implications of Mu
Author: Lukas Erne
Publisher: Cambridge University Press
ISBN: 1107354552
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime.
Author: Alex MacConochie
Publisher: Oxford University Press
ISBN: 0192857363
Category : Drama
Languages : en
Pages : 259
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Book Description
Examines the social roles of touch as depicted and debated in the plays of Shakespeare and his contemporaries to show how touch is central to the dramatic vocabulary of early modern England.
Author: Brian C. Lockey
Publisher: Routledge
ISBN: 131714709X
Category : Literary Criticism
Languages : en
Pages : 463
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Book Description
Early Modern Catholics, Royalists, and Cosmopolitans considers how the marginalized perspective of 16th-century English Catholic exiles and 17th-century English royalist exiles helped to generate a form of cosmopolitanism that was rooted in contemporary religious and national identities but also transcended those identities. Author Brian C. Lockey argues that English discourses of nationhood were in conversation with two opposing 'cosmopolitan' perspectives, one that sought to cultivate and sustain the emerging English nationalism and imperialism and another that challenged English nationhood from the perspective of those Englishmen who viewed the kingdom as one province within the larger transnational Christian commonwealth. Lockey illustrates how the latter cosmopolitan perspective, produced within two communities of exiled English subjects, separated in time by half a century, influenced fiction writers such as Sir Philip Sidney, Edmund Spenser, Anthony Munday, Sir John Harington, John Milton, and Aphra Behn. Ultimately, he shows that early modern cosmopolitans critiqued the emerging discourse of English nationhood from a traditional religious and political perspective, even as their writings eventually gave rise to later secular Enlightenment forms of cosmopolitanism.
Author: Kristin M.S. Bezio
Publisher: Routledge
ISBN: 1317050762
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
