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Author: Glyn Sheridan Burgess
Publisher: Boydell & Brewer
ISBN: 184384253X
Category : Foreign Language Study
Languages : en
Pages : 287
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Book Description
New editions, with translations and introductions. The three narrative lays presented here form a sequel to the authors' French Arthurian Literature IV: Eleven Old French Narrative Lays, published in 2007. No new edition of Ignaure has appeared since 1938 and in the meantime this poem has generated a considerable amount of critical comment, especially as it provides the first full-length example in medieval European literature of the theme of the "Eaten Heart". Oiselet recounts abird's use of three truths as a means of escaping from the clutches of an uncultivated vilain. In the extant manuscripts these truths occur in two different orders, both of which are provided in the present edition. Amours, which follows the progress of a love affair between a nobleman and his beloved, has not been edited since 1878. All three poems challenge our understanding of the term "lay", especially if we regard the lays of Marie de France as defining the principal features of this genre. GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool; LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.
Author: Glyn Sheridan Burgess
Publisher: Boydell & Brewer
ISBN: 184384253X
Category : Foreign Language Study
Languages : en
Pages : 287
Get Book Here
Book Description
New editions, with translations and introductions. The three narrative lays presented here form a sequel to the authors' French Arthurian Literature IV: Eleven Old French Narrative Lays, published in 2007. No new edition of Ignaure has appeared since 1938 and in the meantime this poem has generated a considerable amount of critical comment, especially as it provides the first full-length example in medieval European literature of the theme of the "Eaten Heart". Oiselet recounts abird's use of three truths as a means of escaping from the clutches of an uncultivated vilain. In the extant manuscripts these truths occur in two different orders, both of which are provided in the present edition. Amours, which follows the progress of a love affair between a nobleman and his beloved, has not been edited since 1878. All three poems challenge our understanding of the term "lay", especially if we regard the lays of Marie de France as defining the principal features of this genre. GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool; LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.
Author:
Publisher:
ISBN: 1781383367
Category : History
Languages : en
Pages : 312
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Book Description
The first complete collection of extant Medieval French Lays. Lays are short (typically 600-1000 lines), rhymed tales of love and chivalry.
Author: K. Sarah-Jane Murray
Publisher: Boydell & Brewer
ISBN: 1843846535
Category : Literary Criticism
Languages : en
Pages : 1180
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Book Description
First English translation of one of the most influential French poems of the Middle Ages. The anonymous Ovide moralisé (Moralized Ovid), composed in France in the fourteenth century, retells and explicates Ovid's Metamorphoses, with generous helpings of related texts, for a Christian audience. Working from the premise that everything in the universe, including the pagan authors of Graeco-Roman Antiquity, is part of God's plan and expresses God's truth even without knowing it, the Ovide moralisé is a massive and influential work of synthesis and creativity, a remarkable window into a certain kind of medieval thinking. It is of major importance across time and across many disciplines, including literature, philosophy, theology, and art history. This three volume set offers an English translation of this hugely significant text - the first into any modern language. Based on the only complete edition to date, that by Cornelis de Boer and others completed in 1938, it also reflects more recent editions and numerous manuscripts. The translation is accompanied by a substantial introduction, situating the Ovide moralisé in terms of the reception of Ovid, the mythographical tradition, and its medieval French religious and intellectual milieu. Notes discuss textual problems and sources, and relate the text to key issues in the thought of theologians such as Bonaventure and Aquinas.
Author: Phillip John Usher
Publisher: DS Brewer
ISBN: 184384317X
Category : History
Languages : en
Pages : 280
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Book Description
"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.
Author: Jane Gilbert
Publisher: Boydell & Brewer
ISBN: 1843845954
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Essays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field.
Author: Ellen McClure
Publisher: Boydell & Brewer
ISBN: 1843845504
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Idolatry was one of the dominant and most contentious themes of early modern religious polemics. This book argues that many of the best-known literary and philosophical works of the French seventeenth century were deeply engaged and concerned with the theme. In a series of case studies and close readings, it shows that authors used the logic of idolatry to interrogate the fractured and fragile relationship between the divine and the human, with particular attention to the increasingly fraught question of the legitimacy of human agency. Reading d'Urf , Descartes, La Fontaine, S vign , Molire, and Racine through the lens of idolatry reveals heretofore hidden aspects of their work, all while demonstrating the link between the emergent autonomy of literature and philosophy and the confessional conflicts that dominated the period. In so doing, Professor McClure illustrates how religion can become a source of interpretive complexity, and how this dynamism can and should be taken into account in early modern French studies and beyond. ELLEN MCCLURE is Associate Professor of History and French, University of Illinois at Chicago.
Author: Alice Hazard
Publisher: Boydell & Brewer
ISBN: 1843845873
Category : Literary Collections
Languages : en
Pages : 242
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Book Description
Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.
Author: Rima Devereaux
Publisher: DS Brewer
ISBN: 1843843021
Category : Literary Collections
Languages : en
Pages : 250
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Book Description
An indepth examination of the presentation of Constantinople and its complex relationship with the west in medieval French texts. Medieval France saw Constantinople as something of a quintessential ideal city. Aspects of Byzantine life were imitated in and assimilated to the West in a movement of political and cultural renewal, but the Byzantine capital wasalso celebrated as the locus of a categorical and inimitable difference. This book analyses the debate between renewal and utopia in Western attitudes to Constantinople as it evolved through the twelfth and thirteenth centuries in a series of vernacular (Old French, Occitan and Franco-Italian) texts, including the Pèlerinage de Charlemagne, Girart de Roussillon, Partonopeus de Blois, the poetry of Rutebeuf, and the chronicles by Geoffroy de Villehardouin and Robert de Clari, both known as the Conquête de Constantinople. It establishes how the texts' representation of the West's relationship with Constantinople enacts this debate between renewal andutopia; demonstrates that analysis of this relationship can contribute to a discussion on the generic status of the texts themselves; and shows that the texts both react to the socio-cultural context in which they were produced, and fulfil a role within that context. Dr Rima Devereaux is an independent scholar based in London.
Author: Jennifer Saltzstein
Publisher: DS Brewer
ISBN: 1843843498
Category : Foreign Language Study
Languages : en
Pages : 210
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Book Description
A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.
Author: Elizabeth L'Estrange
Publisher: Boydell & Brewer
ISBN: 1843846861
Category :
Languages : en
Pages : 372
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Book Description
First detailed reconstruction of Anne de Graville's library, establishing her as one of the most well-read and erudite poets of the period. In the 1520s, the French noblewoman Anne de Graville composed two poetic works, based on older, canonical, male-authored texts: Giovanni Boccaccio's Teseida and Alain Chartier's Belle dame sans mercy. The first, the Beau roman, she offered to Claude, queen of France and wife of Francis I, and the second, the Rondeaux, to the king's mother, Louise of Savoy. With the pro-feminine spin of her rewritings, Anne developed the legacy of another woman writer from 100 years earlier, Christine de Pizan, by entering the on-going debate known as the querelle des femmes. Like Christine, Anne sought to redress the negative view of women found in much contemporary popular literature and to offer role models for both men and women at the contemporary court. This book is the first detailed reconstruction and interpretation of Anne's library and her collecting practice, showing how they relate to her own writings and her literary milieu. It also teases out her links to other women writers of the time interested in the querelle, such as Catherine d'Amboise and Margaret of Navarre. Paying close attention to literary, manuscript, and artistic sources, it establishes Anne's reputation as one of the most erudite poets of the period, and one keenly attuned to the position of women in society as well as to the political sensitivities of the French court.
