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Author: Kenneth Clark
Publisher: Princeton University Press
ISBN: 0691017883
Category : Art
Languages : en
Pages : 480
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Book Description
From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
Author: Kenneth Clark
Publisher: Princeton University Press
ISBN: 0691017883
Category : Art
Languages : en
Pages : 480
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Book Description
From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
Author: Kenneth Clark
Publisher:
ISBN: 9780140173369
Category :
Languages : en
Pages : 407
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Book Description
The author traces the history of the depiction of the human body from the earliest civilized times to the present day. Starting with the Greeks who used the nude to express certain fundamental human needs, such as the need for harmony and order (Apollo), and the need to sublimate desire (Venus), he shows how these types of bodily expression were revived in 15th-century Italy and given new urgency by Michelangelo, whose genius almost exhausted the possibilities of the male nude. The female body, however, through Titian, Rubens, Ingres and Renoir has continued to be a source of pictorial inspiration, and the author examines the uneasy relationship with the nude of such moderns as Matisse and Picasso.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
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Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
Author: Frances Borzello
Publisher: Thames & Hudson
ISBN: 0500777713
Category : Art
Languages : en
Pages : 307
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Book Description
The representation of the nude in art remained for many centuries a victory of fiction over fact. Beautiful, handsome, flawless its great success was to distance the unclothed body from any uncomfortably explicit taint of sexuality, eroticism or imperfection. In this newly updated study, Frances Borzello contrasts the civilized, sanitized, perfected nude of Kenneth Clarks classic, The Nude: A Study in Ideal Form (1956), with todays depictions: raw, uncomfortable, both disturbing and intriguing. Grittier and more subtle, depicting variously gendered bodies, the new nude asks awkward questions and behaves provocatively. It is a very naked nude, created to deal with the issues and contradictions that surround the body in our time. Borzello explores the role of the nude in twentieth- and twenty-first-century art, looking at the work of a wide range of international artists creating contemporary nudes. Her fascinating text is complemented by a profusion of well-chosen, unusual and beautifully reproduced illustrations. The story begins with a tale of life, death and resurrection an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise. Subsequent chapters take a thematic approach, focusing in turn on Body art and Performance art, the new perspectives of women artists, the nude in painting, portraiture and sculpture and in its most extreme and graphic expressions that intentionally push the boundaries of both art and our comfort zone. The final chapter illustrates radical developments in art and culture over the last decade, focusing in particular on artworks by women, trans artists and artists of colour. Borzello links these works to their art-historical and political predecessors, demonstrating the continually unending capacity of the nude to disrupt traditional hierarchies and gender categories in life and art.
Author: Paul Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781481222815
Category :
Languages : en
Pages : 62
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Book Description
Approximately 60 pages with 55 sepia toned images. This work is ENTIRELY pictorial. Contains artistic nudity - For ADULTS ONLY This work is a study of the female nude in a classical form. It is ideal for those wishing to expand their knowledge of an artistic presentation of the female nude. For those who are interested in such things, all the images in this book were created with a Mamiya RB67 camera and 50, 90, and 127MM lenses. All images were shot using Ilford Delta iso 3200 film to enhance the grain and precessed in D-76 developer. The author began photography and photo-journalism in early 1963 when he accepted an offer from his local newspaper to write about and photograph sports events at the Arizona high school where he was a junior. After a stint in the service, he had an opportunity to study photography and printing techniques with Bernard Hoffman, a true gentleman and scholar, and one of the earliest staff photographers for Life Magazine. Since that time he has had thousands of photographs and hundreds of articles published by more than 60 national and international periodicals. He was also a contributing editor for one of them for more than ten years. Topics ran the gamut from professional sports, medicine, archeology, and photography to science. After twenty years away from Arizona he returned in 1985 and it has been the base from which all his photographic excursions are launched. Along with many others he has embraced digital photography but can still be seen, from time to time, peering through the ground glass of a large format camera, hoisting a large medium format 6x7, or indeed still using a 35mm film camera. The photographer currently has fine art photography on exhibit at The Center for Fine Arts in Globe, Arizona, and is currently represented by more than ten stock photo agencies where he has more than 13,000 photographs available for commercial use.
Author: Robert McCrum
Publisher:
ISBN: 9781903385838
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works --
Author: Karolien de Clippel
Publisher: Brepols Publishers
ISBN: 9782503535692
Category : Art
Languages : en
Pages : 0
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Book Description
Table of Contents: Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries - -Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting.
Author: Sherry C. M. Lindquist
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409422846
Category : Art
Languages : en
Pages : 392
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Book Description
Addressing a strangely neglected key issue in the history of art, this volume engages the variety and complexity of medieval representations of the unclothed human body. The Meanings of Nudity in Medieval Art breaks ground by offering a variety of approaches to explore the meanings of both male and female nudity in European painting, manuscripts and sculpture ranging from the late antique era to the fifteenth century.
Author: Lynda Nead
Publisher: Routledge
ISBN: 113497275X
Category : Art
Languages : en
Pages : 208
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Book Description
Anyone who examines the history of Western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes `art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of Western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status? The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which acceptable and unacceptable images of the female body are produced and maintained, renews recent debates on high culture and pornography. The Female Nude represents the first feminist survey of the most significant subject in Western art. It reveals how the female nude is now both at the centre and at the margins of high culture. At the centre, and within art historical discourse, the female nude is seen as the visual culmination of enlightenment aesthetics; at the edge, it risks losing its repectability and spilling over into the obscene.
Author: James Stourton
Publisher: Vintage
ISBN: 0525435352
Category : Art
Languages : en
Pages : 0
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Book Description
Throughout his brilliant, multifaceted career as a scholar and patron of the arts, Kenneth Clark, later Lord Clark of Saltwood worked tirelessly to bring art to the people. Born in 1903 to a wealthy family and educated at Oxford, Clark became the youngest-ever director of the National Gallery at age twenty-nine. In 1939, as war with Hitler loomed, he arranged for the Gallery’s paintings to be hidden in slate mines in Wales to keep them safe. When the air raids began, he held concerts at the Gallery to keep up the spirits of Londoners. Later, at the height of the Cold War, his program Civilisation brilliantly conveyed a message of humanism and hope—wrapped inside a thirteen-part history lesson on Western art—to a remarkably wide audience. A man of contradictions, he was an elitist who believed to his core that access to art was “the right of every man.” With Kenneth Clark, James Stourton gives us the definitive biography of an unlikely popularizer—and renews Clark’s vision of art as a powerful force against the threat of chaos.
