The Norton/Grove Dictionary of Women Composers PDF Download
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Author: Julie Anne Sadie
Publisher: W. W. Norton & Company
ISBN: 9780393034875
Category : Music
Languages : en
Pages : 604
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Book Description
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Author: Julie Anne Sadie
Publisher: W. W. Norton & Company
ISBN: 9780393034875
Category : Music
Languages : en
Pages : 604
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Book Description
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Author: Stanley Sadie
Publisher: W. W. Norton
ISBN: 9780393026207
Category : Music
Languages : en
Pages : 850
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Book Description
Entries for 4,500 composers, 2,000 terms, 1,100 performers, 1,000 titles of musical works, and 150 work-lists for major composers.
Author: Deborah Fillerup Weagel
Publisher: Peter Lang
ISBN: 9781433108365
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Introduction -- Musical contrast in Albert Camus' L'étranger -- Musical counterpoint in Albert Camus' L'étranger -- Musical qualities in Samuel Beckett's En attendant Godot -- Silence in John Cage and Samuel Beckett : 4' 33" and En attendant Godot -- John Cage's collaboration of words and music in the song books -- The edited performance : Glenn Gould's solitude trilogy -- Musical and verbal counterpoint in two short films about Glenn Gould.
Author: Richard Colwell
Publisher: Oxford University Press
ISBN: 019975439X
Category : Education
Languages : en
Pages : 324
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Book Description
This Handbook summarizes the latest research on music learning consisting of new topics and updates from the New Handbook of Music Teaching and Learning (Oxford, 2002). Chapters are written by expert researchers in music teaching and learning,
Author: Jon Burlingame
Publisher: Oxford University Press
ISBN: 0190618302
Category :
Languages : en
Pages : 481
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Book Description
With hundreds of interviews conducted over a 35-year span, this book is the most comprehensive history of television scoring to date. Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, Jerry Goldsmith and Lalo Schifrin learned and/or honed their craft in television before going on to major success in feature films. Oscar-winning film composers like Bernard Herrmann, Franz Waxman and Maurice Jarre wrote hours of music for television projects, and such high-profile jazz figures as Duke Ellington, Dave Brubeck and Quincy Jones also contributed music to TV series. Concert-hall luminaries from Aaron Copland to Leonard Bernstein, and theater writers from Jerome Moross to Richard Rodgers, penned memorable scores for TV. Music for Prime Time is the first serious, journalistic history of music for American television. It is the product of 35 years of research and more than 450 interviews with composers, orchestrators, producers, editors and musicians active in the field. Based on, but vastly expanded and revised from, an earlier book by the same author, this wide-ranging narrative not only tells the backstory of every great TV theme but also examines the many neglected and frequently underrated orchestral and jazz compositions for television dating back to the late 1940s. Covering every series genre (crime, comedy, drama, westerns, action-adventure, fantasy and sci-fi), it also looks at music for animated series, news and documentary programming, TV-movies and miniseries, and how music for television has evolved in the era of cable and streaming options. It is the most comprehensive history of television scoring ever published.
Author: Margaret I. Nichols
Publisher: DIANE Publishing
ISBN: 0788123580
Category :
Languages : en
Pages : 77
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Book Description
Identifies a small number of sources which will meet the basic needs of libraries of all sizes. Designed specifically to help small libraries select a reference collection which will meet their essential needs. Focuses on 105 annotated sources, and 68 notes citing another 75 reference titles which may be substituted for those recommended in the text or purchased in addition to them. Section II is designed to help small libraries in the acquisition process. Also contains 9 exercises on using basic types of sources and is intended for new reference workers.
Author: Diana Maury Robin
Publisher: SUNY Press
ISBN: 9780791439937
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
Author: Franklin Mesa
Publisher: McFarland
ISBN: 1476605378
Category : Music
Languages : en
Pages : 477
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Book Description
This encyclopedia includes entries for 1,153 world premiere (and other significant) performances of operas in Europe, the United States, Latin America and Russia. Entries offer details about key persons, arias, interesting facts, and date and location of each premiere. There is a biographical dictionary with 1,288 entries on historical and modern operatic singers, composers, librettists, and conductors. Fully indexed and with a bibliography.
Author: Achilleas Zographos
Publisher: SCB Distributors
ISBN: 1941270735
Category : Games & Activities
Languages : en
Pages : 395
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Book Description
A Most Fascinating Journey! It has long been recognized that there are only three major areas of human endeavor which produce prodigies: music, chess and mathematics. This does not occur by happenstance. There are links on many levels. Now, for the first time, Music and Chess – Apollo Meets Caissa examines the yet unexplored relation of chess to music. Mathematics is a main common denominator, a fact that is highlighted accordingly. The thesis of this extraordinarily researched book is that chess is art in itself. It can create art and is strongly related to mathematics and music. As becomes clear, this relationship has already been introduced by some legendary players such as Mikhail Tal and Vladimir Kramnik . Great artists such as John Cage, Marcel Duchamp and Arnold Schönberg, to name but a few, have also been fascinated by the very same idea. Surprisingly, this has not been explored in detail so far – only some sporadic articles exist, by authors specializing in either music or chess. There are chapters that address issues which are specialized in chess and music, while others cover related issues of general, social and artistic nature. Music and Chess – Apollo Meets Caissa can be appreciated by readers who have a good, general, though non-specific background, in both fields. That is, no technical knowledge of music is required, with the only prerequisite to fully appreciate the text being the understanding of standard chess rules. The text could be equally enlightening to students of music or mathematics, as an added intellectual insight into these two disciplines. The text is supplemented by many chess diagrams, charts, and over 50 full-color images. So, turn on the music, set up chessboard, get out the calculator and let the author take you on a most fascinating journey that is Music and Chess – Apollo Meets Caissa.
Author: Leonid Perlovsky
Publisher: Academic Press
ISBN: 0128096969
Category : Science
Languages : en
Pages : 204
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Book Description
Music, Passion, and Cognitive Function examines contemporary cognitive theories of music, why they cannot explain music's power over us, and the origin and evolution of music. The book presents experimental confirmations of the theory in psychological and neuroimaging research, discussing the parallel evolution of consciousness, musical styles, and cultures since Homer and King David. In addition, it explains that 'in much wisdom is much grief' due to cognitive dissonances created by language that splits the inner world. Music enables us to survive in this sea of grief, overcomes discomforts and stresses of acquiring new knowledge, and unifies the soul, hence the power of music. - Provides a foundation of music theory - Demonstrates how emotions motivate interaction between cognition and language - Covers differentiation and synthesis in consciousness - Compares the parallel evolution of music and cultures - Examines the idea of music overcoming cognitive dissonances
