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Author: Jeffrey Chipps Smith
Publisher: Phaidon
ISBN:
Category : Art
Languages : en
Pages : 452
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Book Description
An up-to-date survey of this dynamic period of artistic innovation.
Author: Jeffrey Chipps Smith
Publisher: Phaidon
ISBN:
Category : Art
Languages : en
Pages : 452
Get Book Here
Book Description
An up-to-date survey of this dynamic period of artistic innovation.
Author: Susie Nash
Publisher: OUP Oxford
ISBN: 0192842692
Category : Art
Languages : en
Pages : 384
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Book Description
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands,dominated visual culture throughout Europe in this crucial period.
Author: Kate Heard
Publisher: Royal Collection Trust
ISBN: 9781905686322
Category : Art
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Queen's Gallery, Palace of Holyroodhous, April, 2011 and at the Queen's Gallery, Buckingham Palace, October, 2012.
Author: Stephanie Porras
Publisher: Laurence King Publishing
ISBN: 9781786271655
Category : Art
Languages : en
Pages : 0
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Book Description
In this lucid account, Stephanie Porras charts the fascinating story of art in northern Europe during the Renaissance period (ca. 1400–1570). She explains how artists and patrons from the regions north of the Alps – the Low Countries, France, England, Germany – responded to an era of rapid political, social, economic, and religious change, while redefining the status of art. Porras discusses not only paintings by artists from Jan van Eyck to Pieter Bruegel the Elder, but also sculpture, architecture, prints, metalwork, embroidery, tapestry, and armor. Each chapter presents works from a roughly 20-year period and also focuses on a broad thematic issue, such as the flourishing of the print industry or the mobility of Northern artists and artworks. The author traces the influence of aristocratic courts as centers of artistic production and the rise of an urban merchant class, leading to the creation of new consumers and new art products. This book offers a richly illustrated narrative that allows readers to understand the progression, variety, and key conceptual developments of Northern Renaissance art.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994344
Category : Art
Languages : en
Pages : 174
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Book Description
"In this volume, the work of the German, Dutch, Flemish, French, and English masters of the fifteenth and sixteenth centuries is explored in more than one hundred reproductions. In addition to such well-known masterpieces as Van Eyck's Crucifixion and Last Judgment, Memling's Tommaso Portinari and Maria Baroncelli, Bruegel's Harvesters, Durer's woodcut The Four Horsemen of the Apocalypse, Cranach's Judgment of Paris, and Holbein's Erasmus of Rotterdam, this volume includes many lesser-known works in oil and on paper, as well as sculpture, decorative arts, and armor from the collections of The Metropolitan Museum of Art."--Page [2] of cover.
Author: James Snyder
Publisher: Pearson College Division
ISBN: 9780131895645
Category : Art
Languages : en
Pages : 578
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Book Description
Offers a survey of the painting, sculpture, and graphic arts of the Renaissance in Northern Europe, discussing the era's artistic evolution, stylistic and iconographical themes, and art historical scholarship.
Author: Craig Harbison
Publisher: Laurence King Publishing
ISBN: 9781780670270
Category : Art
Languages : en
Pages : 0
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Book Description
This book evokes the art of fifteenth- and sixteenth-century Northern Europe in all its richness and splendor. The works of Van Eyck, Bosch, Bruegel, Dürer, and other masters are considered within the larger context of a changing society in which church and state, Protestant and Catholic, man and woman, artist and patron, independent mercantile city and noble chivalric court all played a part. Craig Harbison considers these and many other facets of the Renaissance world, drawing them together into a unified narrative that illuminates the complexity and brilliance of the art and its times.
Author: Craig Harbison
Publisher: Prentice Hall
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
In this series accomplished authors accurately cover a range of subjects using up-to-date methodologies and impressive visual formats. This is the first book to present a broad overview of the art of the Renaissance from Northern Europe within its historical context. KEY TOPICS: It includes well known works and artists as well as a diverse selection of novel and intriguing images. It discusses issues and ideas of interest today, such as the status of women, elite vs. popular inspiration, and art as an instrument of propaganda, among others and provides comprehensive coverage of the Netherlands, Germany, and France in the 15th and 16th centuries.
Author: Alexander Nagel
Publisher: University of Chicago Press
ISBN: 0226567729
Category : Art
Languages : en
Pages : 372
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Book Description
Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --
Author: Christopher P. Heuer
Publisher: Zone Books
ISBN: 1942130147
Category : Art
Languages : en
Pages : 265
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Book Description
European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
