The Northern Passion: Four Parallel Texts and the French Original PDF Download
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Author: Frances Allen Foster
Publisher:
ISBN:
Category : Middle Ages
Languages : en
Pages : 280
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Book Description
Author: Frances Allen Foster
Publisher:
ISBN:
Category : Middle Ages
Languages : en
Pages : 280
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Book Description
Author: Frances Allen Foster
Publisher:
ISBN:
Category : Middle Ages
Languages : en
Pages : 280
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Book Description
Author: Frances Allen Foster
Publisher:
ISBN:
Category : Christian poetry, English (Middle)
Languages : en
Pages : 280
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Book Description
Author: Wilhelm Heuser
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: Frances Allen Foster
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 1074
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Book Description
Author: Frances Allen Foster
Publisher:
ISBN:
Category : Middle Ages
Languages : en
Pages : 252
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Book Description
Author: Frances A. Foster
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher: BRILL
ISBN: 9004334246
Category : Drama
Languages : en
Pages : 212
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Book Description
Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious plays in the vernacular. Some scholars believe that the genre of farce developed out of these farcical elements. The suggestion was made that farces, similar to the stuffing of meat or poultry, had been added to plays to increase audience involvement. Other researchers see quite different origins for the farce. The present volume does not aspire to solve the question of the relationship between the two types of “comedy” on the medieval stages but its editors hope that it will nevertheless contribute to this discussion. In addition, it will enable its readers to form an impression of the huge variety of the comic in the vast area of medieval and early Renaissance theatre and drama.
