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Author: William Sydney Graham
Publisher: Carcanet Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 436
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Book Description
William Sydney Graham (1918-1986) was born in Greenock, Scotland, 'beside the sugar house quays' - a setting open to the sea. He remained a Celt, moving from Scotland to Cornwall where he found seascapes without urban clutter, just an occasional ruined tin-mine with its human echo. In the 1950s and 1960s he became a key member of the artistic scene in St Ives. A friend of T.S. Eliot, Dylan Thomas, Edwin Morgan, Roger Hilton, Peter Lanyon and many others, he could be demanding, but he gave back generously. A prolific letter-writer, he is first heard here in the passionate apprentice years, then writing from and of Fitzrovia, the Apocalypse, and his years in Cornwall after The Nightfishing (1955). We come at last to his apotheosis in the brilliance and wry wisdom of his late work. Dedication and commitment to his craft produced an extraordinary body of work during a life lived wildly and to the full. These letters (interspersed with poems and drawings) are a testament to the close intellectual and spiritual bonds with nourished his writing over many years.
Author: William Sydney Graham
Publisher: Carcanet Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 436
Get Book Here
Book Description
William Sydney Graham (1918-1986) was born in Greenock, Scotland, 'beside the sugar house quays' - a setting open to the sea. He remained a Celt, moving from Scotland to Cornwall where he found seascapes without urban clutter, just an occasional ruined tin-mine with its human echo. In the 1950s and 1960s he became a key member of the artistic scene in St Ives. A friend of T.S. Eliot, Dylan Thomas, Edwin Morgan, Roger Hilton, Peter Lanyon and many others, he could be demanding, but he gave back generously. A prolific letter-writer, he is first heard here in the passionate apprentice years, then writing from and of Fitzrovia, the Apocalypse, and his years in Cornwall after The Nightfishing (1955). We come at last to his apotheosis in the brilliance and wry wisdom of his late work. Dedication and commitment to his craft produced an extraordinary body of work during a life lived wildly and to the full. These letters (interspersed with poems and drawings) are a testament to the close intellectual and spiritual bonds with nourished his writing over many years.
Author: Natalie Pollard
Publisher: Oxford University Press
ISBN: 0199657009
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Speaking to You explores the work of four important poets writing post-1960 - Don Paterson, Geoffrey Hill, W.S. Graham, and C.H. Sisson - in order to show how contemporary British poetry's creative handling of addresses to 'you' are key in its interactions with readers, critics, lovers, editors, fellow poets, and deceased forebears.
Author: Angela Leighton
Publisher: OUP Oxford
ISBN: 019156432X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
What is form? Why does form matter? In this imaginative and ambitious study, Angela Leighton assesses not only the legacy of Victorian aestheticism, and its richly resourceful keyword, 'form', but also the very nature of the literary. She shows how writers, for two centuries and more, have returned to the idea of form as something which contains the secret of art itself. She tracks the development of the word from the Romantics to contemporary poets, and offers close readings of, among others, Tennyson, Pater, Woolf, Yeats, Stevens, and Plath, to show how form has provided the single most important way of accounting for the movements of literary language itself. She investigates, for instance, the old debate of form and content, of form as music or sound-shape, as the ghostly dynamic and dynamics of a text, as well as its long association with the aestheticist principle of being 'for nothing'. In a wide-ranging and inventive argument, she suggests that form is the key to the pleasure of the literary text, and that that pleasure is part of what literary criticism itself needs to answer and convey.
Author: John Gibson
Publisher: OUP Oxford
ISBN: 0191054267
Category : Philosophy
Languages : en
Pages : 336
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Book Description
In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address the array of problems poetry raises for philosophy. In doing so it lays the foundation for a proper philosophy of poetry, setting out the various puzzles and paradoxes that future work in the field will have to address. Given its breadth of approach, the volume is relevant not only to aesthetics but to all areas of philosophy concerned with meaning, truth, and the communicative and expressive powers of language more generally. Poetry is the last unexplored frontier in contemporary analytic aesthetics, and this volume offers a powerful demonstration of how central poetry should be to philosophy.
Author: Mhairi Pooler
Publisher: Oxford University Press
ISBN: 1781381976
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
A study of the artist autobiography in the period between Victorianism and Modernism.
Author: W.S. Graham
Publisher: New York Review of Books
ISBN: 1681372762
Category : Poetry
Languages : en
Pages : 145
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Book Description
An original collection of the best and most provocative work by Scottish poet W.S. Graham, the celebrated author of "Nightfishing" and Malcolm Mooney's Land. “Does it disturb the language?” the Scottish poet W. S. Graham liked to ask about a poem. Graham’s do—strangely, comically, beautifully. His career fell into two parts. The early work is rapt and wild and incantatory, and culminates in the tour de force of 1955, The Nightfishing. Fifteen years of silence were then followed by an extraordinary late flowering: Graham’s poems became stark, quizzical, and unsettling, a continual teasing examination of thought and feeling that is also an ongoing investigation into the nature and power of poetry, work that is at once metaphysical and intimate, wry and elegiac. In these late poems, Graham emerges as one of the true originals of poetry in English.
Author: David Nowell Smith
Publisher: Oxford University Press
ISBN: 0192654519
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
On the peripheries of UK poetry culture during his lifetime, W. S. Graham is now recognized one of the great poets of the twentieth century. In the first concerted study of Graham's poetics in a generation, David Nowell Smith argues that Graham is exemplary for the poetics of the mid-century: his extension of modernist explorations of rhythm and diction; his interweaving of linguistic and geographic places; his dialogue with the plastic arts; and the tensions that run through his work, between philosophical seriousness and play, solitude and sociality, regionalism and cosmopolitanism, the heft and evanescence of poetry's medium. Drawing on newly unearthed archival materials, Nowell Smith orients Graham's poetics around the question of the 'art object'. Graham sought to craft his poems into honed, finished 'objects'; yet he was also aware that the poem's 'finished object' is never wholly finished. Graham's work thus facilitates a broader reflection on language as a medium for art-making.
Author: Peter Robinson
Publisher: OUP Oxford
ISBN: 019153420X
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Peter Robinson's third book of literary criticism presents a sequence of chapters exploring ways that selves and situations interact and become imaginatively identified with each other in poems. Readings of works by Ezra Pound, Basil Bunting, Louis MacNeice, W. S. Graham, Elizabeth Bishop, Allen Curnow, Charles Tomlinson, Mairi MacInnes, Tom Raworth, and Roy Fisher share an interest in how poems can be both attached to, and detached from, the culture, society, and conditions in which they were written. These studies draw out and underline both the ubiquity and elusiveness of the self in the situation of the text. The poems studied here are also discussed as focal points for relations between readerly and writerly selves and their situations in and over time.
Author: Ralph Pite
Publisher: Liverpool University Press
ISBN: 9780853235798
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Graham’s work was published by T. S. Eliot in the 1940s and 50s, but as a major post-war poet, his work has received astonishingly little critical attention given its prestige and influence. This collection of essays covers all aspects of Graham’s work – its critical reception, recent influence and its relations with other developments in the arts, in particular the work of the St Ives School of visual artists. It includes some biographical material (brief reminiscences by and interviews with those who knew him) and discussions of the material contained in several collections of manuscripts. Nothing so far published has paid attention to these manuscript collections or to the large number of uncollected poems published since his death. Neither has enough been written about Graham’s importance to poets of the 1980s and 1990s. "The ten essays in this book are all extremely competent studies of Graham’s work [...] constantly aware of the subtleties of Graham’s very individual attitudes to his art. The book will make an excellent companion for many readers and students."—PNReview
Author: Richie McCaffery
Publisher: BRILL
ISBN: 9004679286
Category : Poetry
Languages : en
Pages : 266
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Book Description
This study is the first exploration of the impact of World War Two on Scottish poets of both the front line and the home front. World War One has always been thought of as a poet’s war, one of horror and futility. The poetry of World War Two, by contrast, has long languished in its shadow, though there was a much greater amount of it written. This book asks whether these poets felt they were grown for war or rather that they grew through war experience, with an emphasis on the possibilities of the future instead of cataloguing the senseless horror of the battlefield. How were the hopes of Scottish poets different from their English counterparts? How was their poetry different, and how did it impact on their later lives?
