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Author: Charles Edgar Lewis Wingate
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 252
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Book Description
Author: Charles Edgar Lewis Wingate
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 252
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Book Description
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 9780521389037
Category : Drama
Languages : en
Pages : 220
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Book Description
This is the second volume of essays by actors with the Royal Shakespeare Company. Fourteen actors describe the Shakespearean roles they played in productions between 1982 and 1987. The contributors are Roger Allam, Frances Barber, Kenneth Branagh, Niamh Cusack, Ben Kingsley, Ian McDiarmid, Daniel Massey, Edward Petherbridge, Alan Rickman, Fiona Shaw, Antony Sher, Juliet Stevenson, David Suchet and Zoe Wanamaker. Each gives a unique insight into the preparation and performance of a major Shakespearean role and how a character is created through responding to Shakespeare's text, within the context of a particular director's conception and the environment established by the designer. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages, and of the music and design for the particular productions.
Author: Louise Geddes
Publisher: Rowman & Littlefield
ISBN: 1683930452
Category : Literary Criticism
Languages : en
Pages : 157
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Book Description
Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe argues that the vibrant, transformative history of Shakespeare’s play-within-a-play from A Midsummer Night’s Dream across four centuries allows us to see the way in which Shakespeare is used to both create and critique emergent cultural trends. Because of its careful distinction between “good” and “bad” art, Pyramus and Thisbe’s playful meditation on the foolishness of over-reaching theatrical ambition is repeatedly appropriated by artists seeking to parody contemporary aesthetics, resulting in an ongoing assessment of Shakespeare’s value to the time. Beginning with the play’s own creation as an appropriation of Ovid, designed to keep the rowdy clown in check, Appropriating Shakespeare is a wide-ranging study that charts Pyramus and Thisbe’s own metamorphosis through opera, novel, television, and, of course, theatre. This unique history illustrates Pyramus and Thisbe’s ability to attract like-minded, experimental, genre-bending artists who use the text as a means of exploring the value of their own individual craft. Ultimately, what this history reveals is that, in excerpt, Pyramus and Thisbe affirms the place of artist as both consumer and producer of Shakespeare.
Author: Karin Jacobson
Publisher: Houghton Mifflin Harcourt
ISBN: 0544182782
Category : Literary Criticism
Languages : en
Pages : 99
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Book Description
The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. In CliffsNotes on A Midsummer Night's Dream, you dig into Shakespeare's entertaining story of young lovers as they're toyed with by mischievous forest sprites. Shakespeare claimed to have written this romantic comedy to show that "love hath no law but its own." This study guide follows the action from scene to scene with commentaries that bring sense to the entertaining play, which is neither realistic nor tragic. Other features that help you figure out this important work include Life and background of the author Introduction to and synopsis of the play Analyses of all the characters and a character map Summaries of each of the five acts A review section that tests your knowledge and suggests essay topics Classic literature or modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
Author: William Shakespeare
Publisher: Penguin
ISBN: 0141000589
Category : Drama
Languages : en
Pages : 1810
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Book Description
This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 72
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Book Description
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Author: Ian Donaldson
Publisher: Springer
ISBN: 1349061832
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Author: Antony Price
Publisher:
ISBN:
Category :
Languages : en
Pages : 226
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Book Description
Author: Asst Prof Erin Minear
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409479129
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music–heard, imagined, or remembered–to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author: Sidney Homan
Publisher: Ohio University Press
ISBN: 0821415506
Category : Theater
Languages : en
Pages : 169
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Book Description
"Professor Homan recounts the experience of staging King Lear accompanied by a musical score for piano, violin, and cello played live onstage. He discusses the challenge of making and trying to justify cuts in Hamlet. The chapter on The Comedy of Errors shows the ways in which scholarly and critical writings can contribute to a director's decisions on everything from casting to acting styles. A casual remark from an actress leads to a feminist production of a Midsummer Night's Dream. He describes the delicate collaboration between director and performer as he works with actors preparing for The Merchant of Venice, King Lear, and Hamlet. Other chapters treat a set designer's bold red drapes that influenced the director's concept for Julius Caesar, and the cross-influence of back-to-back runs of Stoppard's Rosencrantz and Guildenstern Are Dead and Hamlet."--BOOK JACKET.
