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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 464
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 464
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Book Description
Author: Gene Brown
Publisher:
ISBN: 9780812910483
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 360
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Book Description
Author: Kristine Brunovska Karnick
Publisher: Routledge
ISBN: 1135213232
Category : Social Science
Languages : en
Pages : 440
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Book Description
Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.
Author: Christopher Ames
Publisher: University Press of Kentucky
ISBN: 0813187389
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
Hundreds of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action-adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. Through close analysis of fifteen critically acclaimed films, Christopher Ames reveals how the idea of Hollywood is constructed and constructs itself. Films discussed: What Price Hollywood? (1952), A Star Is Born (1937), Stand-In (1937), Boy Meets Girl (1938), Sullivan's Travels (1941), In a Lonely Place (1950), Sunset Boulevard (1950), The Star (1950), Singin' in the Rain (1952), The Bad and the Beautiful (1952), Pennies from Heaven (1981), The Purple Rose of Cairo (1985), The Player (1992), Last Action Hero (1993).
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 466
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Book Description
Author: Allen Cohen
Publisher: Macmillan Reference USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 856
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Book Description
This reference work provides a biography of John Huston; a critical survey of his oeuvre; a chronology of his life; a filmography with synopses of the films he directed, wrote for, or appeared in; an annotated bibliography of writings on Huston; a list of articles and reviews of particular films; and information concerning screenplays, awards and honors, archival resources, and related matters. Largely follows the organizational pattern of "A Reference Publication in Film" series. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Michael S. Shull
Publisher: McFarland
ISBN: 1476621780
Category : Performing Arts
Languages : en
Pages : 495
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Book Description
From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled "The Crisis Abroad, 1937-1941," focuses on movies that reflected America's increasing uneasiness. Part two, "Waging War, 1942-1945," reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Author: American Film Institute
Publisher: Univ of California Press
ISBN: 9780520079083
Category : Performing Arts
Languages : en
Pages : 1198
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Book Description
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Author: T. Lawrence Larkin
Publisher: Springer
ISBN: 3030146006
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
In Search of Marie-Antoinette in the 1930s follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma Shearer as they attempt to uncover personal aspects of Marie-Antoinette’s life at the French court in the late eighteenth-century and to dramatize them in biography, cinema, and performance for public consumption during the 1930s. The first chapter establishes the core subject as an inquiry into the respective contributions of Zweig, Thalberg, and Shearer in formulating an “objective” or “authentic” image of “Marie-Antoinette.” The three chapters that follow examine in some detail how Zweig pursued research and drafted the psychological biography at his Salzburg home, Thalberg acquired film rights to the best-selling book and fought the censors to preserve the more sensational aspects of the screenplay at the Culver City studio, and Shearer worked closely with a new producer to give the script a strong romantic angle and to perform the character of the queen on the sound stage. The professionals’ research standards and strategic objectives are weighed in the formulation of a new myth at once sensitive to the historical record and suited to the leisure market.
