Author: Charles S. Moffett
Publisher: University of Washington Press
ISBN: 9780295963679
Category : Art
Languages : en
Pages : 516
Book Description
Discusses the eight exhibitions held by the French Impressionist artists and examines the history of the artistic movement.
The New Painting, Impressionism, 1874-1886
Author: Charles S. Moffett
Publisher: University of Washington Press
ISBN: 9780295963679
Category : Art
Languages : en
Pages : 516
Book Description
Discusses the eight exhibitions held by the French Impressionist artists and examines the history of the artistic movement.
Publisher: University of Washington Press
ISBN: 9780295963679
Category : Art
Languages : en
Pages : 516
Book Description
Discusses the eight exhibitions held by the French Impressionist artists and examines the history of the artistic movement.
The New Painting
Author: Charles S. Moffett
Publisher:
ISBN: 9782882160003
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9782882160003
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
The New Painting
Author: Charles S. Moffett
Publisher:
ISBN: 9780714824307
Category : Impressionism (Art)
Languages : en
Pages : 509
Book Description
Publisher:
ISBN: 9780714824307
Category : Impressionism (Art)
Languages : en
Pages : 509
Book Description
The New Painting
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
Book Description
The New Painting
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The New Painting
Author:
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages :
Book Description
The New Painting. Documentation
Author: Ruth Berson
Publisher:
ISBN: 9780815001669
Category :
Languages : en
Pages : 808
Book Description
To mark the centenary in 1986 of the first eight major impressionist group shows, an exhibition was held in San Francisco and Washington, D.C., that contained works from the shows. What also resulted from the curators' extensive research were these two volumes recording the objects exhibited in, and the critical reactions and comments regarding, those eight shows. The first book contains all the reviews in their original languages, along with small reproductions of the works discussed. The second offers a list of the works exhibited, with illustrations and cross references to the reviews in the companion volume. Together these form a definitive record of a pivotal period in the history of modern art as well as a fine example of scholarly research and documentation.
Publisher:
ISBN: 9780815001669
Category :
Languages : en
Pages : 808
Book Description
To mark the centenary in 1986 of the first eight major impressionist group shows, an exhibition was held in San Francisco and Washington, D.C., that contained works from the shows. What also resulted from the curators' extensive research were these two volumes recording the objects exhibited in, and the critical reactions and comments regarding, those eight shows. The first book contains all the reviews in their original languages, along with small reproductions of the works discussed. The second offers a list of the works exhibited, with illustrations and cross references to the reviews in the companion volume. Together these form a definitive record of a pivotal period in the history of modern art as well as a fine example of scholarly research and documentation.
The New Painting
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
A Companion to Impressionism
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
The New Painting
Author: Charles S. Moffett
Publisher: Fine Arts Museum of San Francisco
ISBN: 9780884010470
Category : Art
Languages : en
Pages : 518
Book Description
Publisher: Fine Arts Museum of San Francisco
ISBN: 9780884010470
Category : Art
Languages : en
Pages : 518
Book Description