Author: Oliver Wray Neighbour
Publisher: W. W. Norton & Company
ISBN: 9780393315875
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. Arnold Schoenberg, Anton Webern, and Alban Berg comprise what is known as the 'Second Viennese School.' Their early 20th-century atonal and 12-tone composition marked the abolition of the traditional tonal functions and heralded an entirely new treatment of dissonance. These three biographies by Paul Griffiths (Webern), Oliver Neighbour (Schoenberg), and George Perle (Berg) provide insight into these developments and offer succinct and illuminating discussions of the composers' lives and works.
New Grove Second Viennese School
Author: Oliver Wray Neighbour
Publisher: W. W. Norton & Company
ISBN: 9780393315875
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. Arnold Schoenberg, Anton Webern, and Alban Berg comprise what is known as the 'Second Viennese School.' Their early 20th-century atonal and 12-tone composition marked the abolition of the traditional tonal functions and heralded an entirely new treatment of dissonance. These three biographies by Paul Griffiths (Webern), Oliver Neighbour (Schoenberg), and George Perle (Berg) provide insight into these developments and offer succinct and illuminating discussions of the composers' lives and works.
Publisher: W. W. Norton & Company
ISBN: 9780393315875
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. Arnold Schoenberg, Anton Webern, and Alban Berg comprise what is known as the 'Second Viennese School.' Their early 20th-century atonal and 12-tone composition marked the abolition of the traditional tonal functions and heralded an entirely new treatment of dissonance. These three biographies by Paul Griffiths (Webern), Oliver Neighbour (Schoenberg), and George Perle (Berg) provide insight into these developments and offer succinct and illuminating discussions of the composers' lives and works.
Songs of the Second Viennese School
Author: Loralee Songer
Publisher: Rowman & Littlefield
ISBN: 1442232986
Category : Music
Languages : en
Pages : 287
Book Description
In Songs of the Second Viennese School: A Performer’s Guide to Selected Solo Vocal Works, scholar Loralee Songer outlines for singers and voice teachers critical information on selected solo vocal works by three major classical composers active during the first half of the twentieth century: Arnold Schoenberg, Alban Berg, and Anton Webern. For too long, the remarkable vocal works of these composers have received insufficient attention because too many have assumed their works to be “unsingable” atonal pieces, musically impossible (or unrewarding) for performers and entirely unsatisfying for listening audiences. For each composer, Songer provides information about the composer's educational background and compositional style, as well as commentary on representative vocal works supported by musical examples. The discussion is bolstered by interviews with renowned singers who supply advice for practice and performance. A catalog of selected songs featuring information on each work's poet, key, range, and German-English translation is also provided. Voice teachers and singers of varying levels will benefit from this book's practical content and format, and the exposure to under-appreciated works will enhance recital performance repertoire substantially.
Publisher: Rowman & Littlefield
ISBN: 1442232986
Category : Music
Languages : en
Pages : 287
Book Description
In Songs of the Second Viennese School: A Performer’s Guide to Selected Solo Vocal Works, scholar Loralee Songer outlines for singers and voice teachers critical information on selected solo vocal works by three major classical composers active during the first half of the twentieth century: Arnold Schoenberg, Alban Berg, and Anton Webern. For too long, the remarkable vocal works of these composers have received insufficient attention because too many have assumed their works to be “unsingable” atonal pieces, musically impossible (or unrewarding) for performers and entirely unsatisfying for listening audiences. For each composer, Songer provides information about the composer's educational background and compositional style, as well as commentary on representative vocal works supported by musical examples. The discussion is bolstered by interviews with renowned singers who supply advice for practice and performance. A catalog of selected songs featuring information on each work's poet, key, range, and German-English translation is also provided. Voice teachers and singers of varying levels will benefit from this book's practical content and format, and the exposure to under-appreciated works will enhance recital performance repertoire substantially.
Strange Sounds
Author: Timothy D Taylor
Publisher: Routledge
ISBN: 1135206511
Category : Social Science
Languages : en
Pages : 288
Book Description
In Strange Sounds, Timothy D. Taylor explains the wonder and anxiety provoked by a technological revolution that began in the 1940s and gathers steam daily. Taylor discusses the ultural role of technology, its use in making music, and the inevitable concerns about "authenticity" that arise from electronic music. Informative and highly entertaining for both music fans and scholars, Strange Sounds is a provocative look at how we perform, listen to, and understand music today.
Publisher: Routledge
ISBN: 1135206511
Category : Social Science
Languages : en
Pages : 288
Book Description
In Strange Sounds, Timothy D. Taylor explains the wonder and anxiety provoked by a technological revolution that began in the 1940s and gathers steam daily. Taylor discusses the ultural role of technology, its use in making music, and the inevitable concerns about "authenticity" that arise from electronic music. Informative and highly entertaining for both music fans and scholars, Strange Sounds is a provocative look at how we perform, listen to, and understand music today.
A Short History of Opera
Author: Donald Jay Grout
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049
Book Description
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049
Book Description
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Politics, Death, and the Devil
Author: Harvey Goldman
Publisher: Univ of California Press
ISBN: 0520912373
Category : Social Science
Languages : en
Pages : 400
Book Description
This sequel to Harvey Goldman's well-received Max Weber and Thomas Mann continues his rich exploration of the political and cultural critiques embodied in the more mature writings of these two authors. Combining social and political thought, intellectual history, and literary interpretation, Goldman examines in particular Weber's "Science as a Vocation" and "Politics as a Vocation" and Mann's The Magic Mountain and Doctor Faustus. Goldman deals with the ways in which Weber and Mann sought an antidote to personal and cultural weakness through "practices" for generating strength, mastery, and power, drawing primarily on ascetic traditions at a time when the vitality of other German traditions was disappearing. Power and mastery concerned both Weber and Mann, especially as they tried to resolve problems of politics and culture in Germany. Although their resolutions of the problems they confronted seem inadequate, they show the significance of linking social and political thought to conceptions of self and active worldly practices. Trenchant and illuminating, Goldman's book is essential reading for anyone interested in political theory, social thought, and the intellectual history of Germany.
Publisher: Univ of California Press
ISBN: 0520912373
Category : Social Science
Languages : en
Pages : 400
Book Description
This sequel to Harvey Goldman's well-received Max Weber and Thomas Mann continues his rich exploration of the political and cultural critiques embodied in the more mature writings of these two authors. Combining social and political thought, intellectual history, and literary interpretation, Goldman examines in particular Weber's "Science as a Vocation" and "Politics as a Vocation" and Mann's The Magic Mountain and Doctor Faustus. Goldman deals with the ways in which Weber and Mann sought an antidote to personal and cultural weakness through "practices" for generating strength, mastery, and power, drawing primarily on ascetic traditions at a time when the vitality of other German traditions was disappearing. Power and mastery concerned both Weber and Mann, especially as they tried to resolve problems of politics and culture in Germany. Although their resolutions of the problems they confronted seem inadequate, they show the significance of linking social and political thought to conceptions of self and active worldly practices. Trenchant and illuminating, Goldman's book is essential reading for anyone interested in political theory, social thought, and the intellectual history of Germany.
The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg
Author: Matthew Arndt
Publisher: Routledge
ISBN: 135197579X
Category : Music
Languages : en
Pages : 303
Book Description
This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.
Publisher: Routledge
ISBN: 135197579X
Category : Music
Languages : en
Pages : 303
Book Description
This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.
Cultural Theory: The Key Concepts
Author: Andrew Edgar
Publisher: Routledge
ISBN: 1134149069
Category : Social Science
Languages : en
Pages : 877
Book Description
Now in its second edition, Cultural Theory: The Key Concepts is an up-to-date and comprehensive survey of over 350 of the key terms central to cultural theory today. This second edition includes new entries on: colonialism cybercultur globalisation terrorism visual studies. Providing clear and succinct introductions to a wide range of subjects, from feminism to postmodernism, Cultural Theory: The Key Concepts continues to be an essential resource for students of literature, sociology, philosophy and media and anyone wrestling with contemporary cultural theory.
Publisher: Routledge
ISBN: 1134149069
Category : Social Science
Languages : en
Pages : 877
Book Description
Now in its second edition, Cultural Theory: The Key Concepts is an up-to-date and comprehensive survey of over 350 of the key terms central to cultural theory today. This second edition includes new entries on: colonialism cybercultur globalisation terrorism visual studies. Providing clear and succinct introductions to a wide range of subjects, from feminism to postmodernism, Cultural Theory: The Key Concepts continues to be an essential resource for students of literature, sociology, philosophy and media and anyone wrestling with contemporary cultural theory.
Schoenberg and Hollywood Modernism
Author: Kenneth H. Marcus
Publisher: Cambridge University Press
ISBN: 1107064996
Category : History
Languages : en
Pages : 423
Book Description
Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts.
Publisher: Cambridge University Press
ISBN: 1107064996
Category : History
Languages : en
Pages : 423
Book Description
Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts.
Key Concepts in Cultural Theory
Author: Andrew Edgar
Publisher: Routledge
ISBN: 113482338X
Category : Reference
Languages : en
Pages : 371
Book Description
This work presents a survey of over 350 of the key terms encountered in cultural theory today, each entry providing explanations for students in a wide range of disciplines. These include literature, cultural studies, sociology and philosophy.
Publisher: Routledge
ISBN: 113482338X
Category : Reference
Languages : en
Pages : 371
Book Description
This work presents a survey of over 350 of the key terms encountered in cultural theory today, each entry providing explanations for students in a wide range of disciplines. These include literature, cultural studies, sociology and philosophy.
Arnold Schoenberg's Journey
Author: Allen Shawn
Publisher: Macmillan + ORM
ISBN: 1466895500
Category : Music
Languages : en
Pages : 401
Book Description
A composer's study and celebration of a difficult but influential artist, his work, and his time Proposing that Arnold Schoenberg (1874-1951) has been more discussed than heard, more tolerated than loved, composer Allen Shawn puts aside ultimate judgments about Schoenberg's place in musical history to explore the composer's fascinating world in a series of "linked essays--soundings" that are more searching than analytical, more suggestive than definitive. In an approach that is unusual for a book of an avowedly introductory character, the text plunges into the details of some of Schoenberg works, while at the same time providing a broad overview of his involvement in music, painting and the history through which he lived. Emphasizing music as an expressive art of rhythms and tones, Shawn approaches Schoenberg primarily from the listener's point of view, uncovering both the seeds of his radicalism in his early music and the traditional bases of his later work. Although liberally sprinkled with musical examples, the text can be read without them. By turns witty, personal, opinionated and instructive, "Arnold Schoenberg's Journey" is above all an appreciation of a great musical and artistic imagination in a time unlike any other.
Publisher: Macmillan + ORM
ISBN: 1466895500
Category : Music
Languages : en
Pages : 401
Book Description
A composer's study and celebration of a difficult but influential artist, his work, and his time Proposing that Arnold Schoenberg (1874-1951) has been more discussed than heard, more tolerated than loved, composer Allen Shawn puts aside ultimate judgments about Schoenberg's place in musical history to explore the composer's fascinating world in a series of "linked essays--soundings" that are more searching than analytical, more suggestive than definitive. In an approach that is unusual for a book of an avowedly introductory character, the text plunges into the details of some of Schoenberg works, while at the same time providing a broad overview of his involvement in music, painting and the history through which he lived. Emphasizing music as an expressive art of rhythms and tones, Shawn approaches Schoenberg primarily from the listener's point of view, uncovering both the seeds of his radicalism in his early music and the traditional bases of his later work. Although liberally sprinkled with musical examples, the text can be read without them. By turns witty, personal, opinionated and instructive, "Arnold Schoenberg's Journey" is above all an appreciation of a great musical and artistic imagination in a time unlike any other.