Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1000
Book Description
The New Grove Dictionary of Music and Musicians: Florence to Gligo
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1000
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1000
Book Description
The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 9. Florence to Gligo
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
Book Description
Dictionary of Abbreviations
Author: Walter Thomas Rogers
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 232
Book Description
The New Grove Dictionary of Music and Musicians Online
Author: Stanley Sadie
Publisher:
ISBN: 9780333913987
Category : Music
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780333913987
Category : Music
Languages : en
Pages : 0
Book Description
The Music of Mauricio Kagel
Author: Bj Heile
Publisher: Routledge
ISBN: 135154229X
Category : Music
Languages : en
Pages : 218
Book Description
Mauricio Kagel was undoubtedly one of the major figures in the new music of the last fifty years. Growing up in the rich cultural atmosphere of Buenos Aires in the 1940s and '50s, where the writer Jorge Luis Borges was one of his teachers, he became a member of avant-garde circles as well as receiving a rigorous musical education. By 1957 Kagel had acted on the advice of Pierre Boulez to move to Europe to pursue a career as a composer. He quickly established himself at Cologne, the rallying point for young composers at the time, and became one of the leading, if controversial, figures at the famous Darmstadt summer courses. He embraced multiple serialism, aleatory technique and electronics, but he is best known for his pioneering explorations in music theatre, radio play, film and mixed media. Bj rn Heile charts Kagel's compositional development, considering the aesthetic and ideological issues the composer raises in his work. Focusing on Kagel's use of music as a means of intellectual inquiry, Heile shows Kagel to constantly question the nature of music and its role in society. Kagel's broadening of the concept of music to include theatre, film and other media, his disdain for purism as well as his subversive humour and sense of the absurd have challenged reified notions of music and art. Heile considers Kagel's background as Argentine immigrant to Europe (born to Russian-Jewish immigrants to Argentina) to situate the composer's aesthetic. What emerges is the breadth of Kagel's imagination and the multiplicity of contexts he drew from, which were both distinctive and, in the age of pluralist multiculturalism and globalization, exemplary. As Heile demonstrates, it was Kagel's enlarged notion of music as inherently multimedial that may be his most important contribution to new music, and on which his reputation ultimately rests.
Publisher: Routledge
ISBN: 135154229X
Category : Music
Languages : en
Pages : 218
Book Description
Mauricio Kagel was undoubtedly one of the major figures in the new music of the last fifty years. Growing up in the rich cultural atmosphere of Buenos Aires in the 1940s and '50s, where the writer Jorge Luis Borges was one of his teachers, he became a member of avant-garde circles as well as receiving a rigorous musical education. By 1957 Kagel had acted on the advice of Pierre Boulez to move to Europe to pursue a career as a composer. He quickly established himself at Cologne, the rallying point for young composers at the time, and became one of the leading, if controversial, figures at the famous Darmstadt summer courses. He embraced multiple serialism, aleatory technique and electronics, but he is best known for his pioneering explorations in music theatre, radio play, film and mixed media. Bj rn Heile charts Kagel's compositional development, considering the aesthetic and ideological issues the composer raises in his work. Focusing on Kagel's use of music as a means of intellectual inquiry, Heile shows Kagel to constantly question the nature of music and its role in society. Kagel's broadening of the concept of music to include theatre, film and other media, his disdain for purism as well as his subversive humour and sense of the absurd have challenged reified notions of music and art. Heile considers Kagel's background as Argentine immigrant to Europe (born to Russian-Jewish immigrants to Argentina) to situate the composer's aesthetic. What emerges is the breadth of Kagel's imagination and the multiplicity of contexts he drew from, which were both distinctive and, in the age of pluralist multiculturalism and globalization, exemplary. As Heile demonstrates, it was Kagel's enlarged notion of music as inherently multimedial that may be his most important contribution to new music, and on which his reputation ultimately rests.
The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 20. Pohlman to Recital
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 980
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 980
Book Description
Gender Politics and the Olympic Industry
Author: H. Lenskyj
Publisher: Springer
ISBN: 113729115X
Category : Sports & Recreation
Languages : en
Pages : 167
Book Description
This book explores how the Olympic industry has shaped hegemonic concepts of sporting masculinities and femininities for its own profit and image-making ends, examining its continuing marginalization of athletes on account of their race, ethnicity, gender, sexuality and class.
Publisher: Springer
ISBN: 113729115X
Category : Sports & Recreation
Languages : en
Pages : 167
Book Description
This book explores how the Olympic industry has shaped hegemonic concepts of sporting masculinities and femininities for its own profit and image-making ends, examining its continuing marginalization of athletes on account of their race, ethnicity, gender, sexuality and class.
Im Kwon-taek
Author: David E. James
Publisher: Wayne State University Press
ISBN: 9780814328699
Category : History
Languages : en
Pages : 300
Book Description
Korean cinema was virtually unavailable to the West during the Japanese colonial period (1910-1945), and no film made before 1943 has been recovered even though Korea had an active film-making industry that produced at least 240 films. For a period of forty years, after Korea was liberated from colonialism, a time where Western imports were scarce, Korean cinema became an innovative force reflecting a society whose social and cultural norms were becoming less conservative. Im Kwon-Taek: The Making of a Korean National Cinema is a colleciton of essays written about Im Kwon-Taek, better know as the father of New Korean Cinema, that takes a critical look at the situations of filmmakers in South Korea. Written by leading Koreanists and scholars of Korean film in the United States, Im Kwon-Taek is the first scholarly treatment of Korean cinema. It establishes Im Kwon-Taek as the only major Korean director whose life's work covers the entire history of South Korea's military rule (1961-1992). It demonstrates Im's struggles with Korean cinema's historical contradictions and also shows how Im rose above political discord. The book includes an interview with Im, a chronology of Korean cinema and Korean history showing major dynastic periods and historical and political events, and a complete filmography. Im Kwon-Taek is timely and makes a significant contribution to our understanding of Korean cinema. These essays situate Im Kwon-Taek within Korean filmmaking, placing him in industrial, creative, and social contexts, and closely examine some of his finest films. Im Kwon-Taek will interest students and scholars of film studies, Korean studies, religious studies, postcolonial studies, and Asian studies.
Publisher: Wayne State University Press
ISBN: 9780814328699
Category : History
Languages : en
Pages : 300
Book Description
Korean cinema was virtually unavailable to the West during the Japanese colonial period (1910-1945), and no film made before 1943 has been recovered even though Korea had an active film-making industry that produced at least 240 films. For a period of forty years, after Korea was liberated from colonialism, a time where Western imports were scarce, Korean cinema became an innovative force reflecting a society whose social and cultural norms were becoming less conservative. Im Kwon-Taek: The Making of a Korean National Cinema is a colleciton of essays written about Im Kwon-Taek, better know as the father of New Korean Cinema, that takes a critical look at the situations of filmmakers in South Korea. Written by leading Koreanists and scholars of Korean film in the United States, Im Kwon-Taek is the first scholarly treatment of Korean cinema. It establishes Im Kwon-Taek as the only major Korean director whose life's work covers the entire history of South Korea's military rule (1961-1992). It demonstrates Im's struggles with Korean cinema's historical contradictions and also shows how Im rose above political discord. The book includes an interview with Im, a chronology of Korean cinema and Korean history showing major dynastic periods and historical and political events, and a complete filmography. Im Kwon-Taek is timely and makes a significant contribution to our understanding of Korean cinema. These essays situate Im Kwon-Taek within Korean filmmaking, placing him in industrial, creative, and social contexts, and closely examine some of his finest films. Im Kwon-Taek will interest students and scholars of film studies, Korean studies, religious studies, postcolonial studies, and Asian studies.
The Trial of Gustav Rau, Otto Monsson, and Willem Smith
Author: George Williams Keeton
Publisher:
ISBN:
Category : Criminology
Languages : en
Pages : 284
Book Description
Tried in King's Bench Division, High Court of Justice, at the Liverpool assizes, May 1-14, 1903, for the murder of Alexander Shaw captain of the "Veronica", on Dec.14, 1902 and for the piracy in seizing the ship. The matter was reported to the British authorities by the captain of the S.S. Brunswick.
Publisher:
ISBN:
Category : Criminology
Languages : en
Pages : 284
Book Description
Tried in King's Bench Division, High Court of Justice, at the Liverpool assizes, May 1-14, 1903, for the murder of Alexander Shaw captain of the "Veronica", on Dec.14, 1902 and for the piracy in seizing the ship. The matter was reported to the British authorities by the captain of the S.S. Brunswick.
Situational Aesthetics
Author: Victor Burgin
Publisher: Leuven University Press
ISBN: 9058677680
Category : Aesthetics
Languages : en
Pages : 432
Book Description
The essays in this volume provide a succinct overview of Victor Burgin's multifaceted work during the last forty years--from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media.
Publisher: Leuven University Press
ISBN: 9058677680
Category : Aesthetics
Languages : en
Pages : 432
Book Description
The essays in this volume provide a succinct overview of Victor Burgin's multifaceted work during the last forty years--from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media.