The New Grove Dictionary of Music and Musicians: Appendixes PDF Download
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Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 692
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Book Description
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 692
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Book Description
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 746
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Book Description
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 750
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Book Description
Author: Music Library Association. Working Group on Bibliographic Control of Music Video Material
Publisher: Scarecrow Press
ISBN: 9780914954514
Category : Language Arts & Disciplines
Languages : en
Pages : 130
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Book Description
Addresses the cataloging of videos and films of multifaceted performances and presentations where music is an important component of the production.
Author: Frans Wiering
Publisher: Routledge
ISBN: 1135683344
Category : Music
Languages : en
Pages : 335
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Book Description
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 942
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Book Description
Author: John Alexander Fuller-Maitland
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 858
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Book Description
Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0199711178
Category : Music
Languages : en
Pages : 486
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Book Description
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.
Author: William A. Katz
Publisher: Psychology Press
ISBN: 9781560241379
Category : Readers' advisory services
Languages : en
Pages : 234
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Book Description
Here is a refreshing new book that takes a unique look at the many aspects of reference librarianship. Written by reference librarians for reference librarians, this new volume explores the changing roles of reference services and offers advice and practical ideas to guide librarians through the increasingly tangled maze of duties being thrust upon the reference staff. Although the everyday work of the reference librarian is often taken for granted, these insightful chapters illuminate the essential service performed by the reference librarians as they facilitate access to information for a wide variety of users. Furthermore, this book helps reference librarians face the future by examining the technological and service developments that will challenge their profession. Opportunities for Reference Librarians addresses unique reference problems such as making use of the telephone as an information gathering tool, selecting reference material for the interdisciplinary field of Health, Physical Education, and Recreation (HPER), and helping non-law students with legal research. The fascinating anecdotes and encouraging discussions will be invaluable to reference library professionals for years to come. This important book covers a wide variety of topics of interest to reference librarians. Topics related to information systems are examined such as the limitations of end-user online services, and an evaluation of the Library of Congress Information system. Authoritative contributors make recommendations on how to design services to coordinate with the new technology and how to change librarians’roles so they can assist people in using these systems.
Author: Catherine Roma
Publisher: Scarecrow Press
ISBN: 1461706505
Category : Music
Languages : en
Pages : 236
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Book Description
This book brings to light the choral works of three contemporary British women composers: Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994), and Thea Musgrave (1928- ). Earning solid reputations in Britain through their varying compositional styles, their music has revealed them to be substantial, prolific composers who are representative of major trends in twentieth-century British choral composition. Lutyens, often described as a musical pioneer, incorporates a highly personal and imaginative style in her use of twelve-tone technique, and her departures from the strict practice of serial writing are always highly personal and imaginative. Maconchy describes her own technique as 'impassioned argument,' using compositional tools such as contrapuntal textures in both her instrumental and choral works, resulting in a high degree of chromatic color. Musgrave encompasses many modes of expression, from her early choral works featuring tonal diatonic writing, to a free chromatic style with imprecise tonality at times. Complete with historical perspective, musical examples, and reproductions of choral texts, this resource of important and little known contemporary choral works demonstrates the diverse approaches used by these and other contemporary composers, and contributes to the growing literature on women in music.
