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Author: Stephan Delbos
Publisher: Springer Nature
ISBN: 3030773523
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This book examines Donald M. Allen’s crucially influential poetry anthology The New American Poetry, 1945–1960 from the perspectives of American Cold War nationalism and literary transnationalism, considering how the anthology expresses and challenges Cold War norms, claiming post-war Anglophone poetic innovation for the United States and reflecting the conservative American society of the 1950s. Examining the crossroads of politics, social life, and literature during the Cold War, this book puts Allen’s anthology into its historical context and reveals how the editor was influenced by the volatile climate of nationalism and politics that pervaded every aspect of American life during the Cold War. Reconsidering the dramatic influence that Allen’s anthology has had on the way we think about and anthologize American poetry, and recontextualizing The New American Poetry as a document of the Cold War, this study not only helps us come to a more accurate understanding of how the anthology came into being, but also encourages new ways of thinking about all of Anglophone poetry, from the twentieth century and today.
Author: Stephan Delbos
Publisher: Springer Nature
ISBN: 3030773523
Category : Literary Criticism
Languages : en
Pages : 245
Get Book Here
Book Description
This book examines Donald M. Allen’s crucially influential poetry anthology The New American Poetry, 1945–1960 from the perspectives of American Cold War nationalism and literary transnationalism, considering how the anthology expresses and challenges Cold War norms, claiming post-war Anglophone poetic innovation for the United States and reflecting the conservative American society of the 1950s. Examining the crossroads of politics, social life, and literature during the Cold War, this book puts Allen’s anthology into its historical context and reveals how the editor was influenced by the volatile climate of nationalism and politics that pervaded every aspect of American life during the Cold War. Reconsidering the dramatic influence that Allen’s anthology has had on the way we think about and anthologize American poetry, and recontextualizing The New American Poetry as a document of the Cold War, this study not only helps us come to a more accurate understanding of how the anthology came into being, but also encourages new ways of thinking about all of Anglophone poetry, from the twentieth century and today.
Author: Stephan Delbos
Publisher:
ISBN: 9783030773533
Category :
Languages : en
Pages : 0
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Book Description
This book examines Donald M. Allen's crucially influential poetry anthology The New American Poetry, 1945-1960, from the perspectives of American Cold War nationalism and literary transnationalism, considering how the anthology expresses and challenges Cold War norms, claiming post-war Anglophone poetic innovation for the United States and reflecting the conservative American society of the 1950s. Examining the crossroads of politics, social life, and literature during the Cold War, this book puts Allen's anthology into its proper context and reveals how the editor was influenced by the volatile climate of nationalism and politics that pervaded every aspect of American life during the Cold War. Reconsidering the dramatic influence that Allen's anthology has had on the way we think about American poetry and the way we anthologize it, and recontextualizing The New American Poetry as a document of the Cold War, this study not only helps us come to a more accurate understanding of how the anthology came into being, but also encourages new ways of thinking about Anglophone poetry as a whole, in the twentieth century and today. Stephan Delbos is a Senior Lecturer in the Department of Anglophone Literatures and Cultures at Charles University, Prague. He has published several volumes of poetry and translation. In 2020 he was named the first Poet Laureate of Plymouth, Massachusetts. His most recent book is Small Talk (2021).
Author: Jonathan Mayhew
Publisher: University of Chicago Press
ISBN: 0226512053
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Federico García Lorca (1898–1936) had enormous impact on the generation of American poets who came of age during the cold war, from Robert Duncan and Allen Ginsberg to Robert Creeley and Jerome Rothenberg. In large numbers, these poets have not only translated his works, but written imitations, parodies, and pastiches—along with essays and critical reviews. Jonathan Mayhew’s Apocryphal Lorca is an exploration of the afterlife of this legendary Spanish writer in the poetic culture of the United States. The book examines how Lorca in English translation has become a specifically American poet, adapted to American cultural and ideological desiderata—one that bears little resemblance to the original corpus, or even to Lorca’s Spanish legacy. As Mayhew assesses Lorca’s considerable influence on the American literary scene of the latter half of the twentieth century, he uncovers fundamental truths about contemporary poetry, the uses and abuses of translation, and Lorca himself.
Author: Matt Theado
Publisher: Liverpool University Press
ISBN: 1949979946
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
Author: Peter Ramos
Publisher: Routledge
ISBN: 1000710963
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Poetic Encounters in the Americas: Remarkable Bridge examines the ways in which U.S. and Latin American modernist canons have been in cross-cultural, mutually enabling conversation, especially through the act of literary translation. Examining eighteen U.S. and Latin American poets, my book is one of the few works of criticism to present case studies in U.S. and Latin American poetries in dialogues that highlight the social life and imaginative encounters obtained through methodologies of translation and innovations in poetic technique.
Author: Justin Quinn
Publisher: OUP Oxford
ISBN: 0191061867
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Between Two Fires is about the transnational movement of poetry during the Cold War. Beginning in the 1950s, it examines transnational engagements across the Iron Curtain, reassessing US poetry through a consideration of overlooked radical poets of the mid-century, and then asking what such transactions tell us about the way that anglophone culture absorbed new models during this period. The Cold War synchronized culture across the globe, leading to similar themes, forms, and critical maneuvers. Poetry, a discourse routinely figured as distant from political concerns, was profoundly affected by the ideological pressures of the period. But beyond such mirroring, there were many movements across the Iron Curtain, despite the barriers of cultural and language difference, state security surveillance, spies, traitors and translators. Justin Quinn shows how such factors are integral to transnational cultural movements during this period, and have influenced even postwar anglophone poetry that is thematically distant from the Cold War. For the purposes of the study, Czech poetry—its writers, its translators, its critics—stands on the other side of the Iron Curtain as receptor and, which has been overlooked, part creator, of the anglophone tradition in this period. By stepping outside the frameworks by which anglophone poetry is usually considered, we see figures such as Robert Lowell, Derek Walcott, Allen Ginsberg, and Seamus Heaney, in a new way, with respect to the ideological mechanisms that were at work behind the promotion of the aesthetic as a category independent of political considerations, foremost among these postcolonial theory.
Author: James Smethurst
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
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Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Author: Amy Paeth
Publisher: Columbia University Press
ISBN: 0231550790
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
The American Poet Laureate shows how the state has been the silent center of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation’s Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Amy Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organizations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost’s “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War.
Author: Mark Richardson
Publisher: Cambridge University Press
ISBN: 1107123828
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.
Author: Stephen M. Hart
Publisher: Cambridge University Press
ISBN: 1108195628
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Inés de la Cruz, Gabriela Mistral, César Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.
