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Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
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Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
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Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author: Wayne E. Franits
Publisher: Yale University Press
ISBN: 0300102372
Category : Art
Languages : en
Pages : 342
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Book Description
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Author: Svetlana Alpers
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 0
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Book Description
Author: Lara Yeager-Crasselt
Publisher: University of Pennsylvania Press
ISBN: 1734733829
Category : Art
Languages : en
Pages : 80
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Book Description
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Author: Ingvar Bergström
Publisher:
ISBN: 9780878172795
Category : Painting, Dutch
Languages : en
Pages : 330
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Book Description
Author: Ivan Gaskell
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Art
Languages : en
Pages : 556
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Book Description
A catalogue of 128 paintings produced during this period in which the art of portraiture was transformed, religious imagery dynamized, and new genres such as flower painting were established. The art of Holland's Golden Age is perennially popular with collectors and gallery visitors alike and this book provides a new insight into this unique private collection. In his introduction Ivan Gaskill considers the extremely varied character of Dutch and Flemsih seventeenth century art. It ranges from minutely observed scens of everyday life to portraits, religious works and intimate still-life compositions. The Thyssen-Bornemisza Collection is especially rich in landscapes, a subject which had emerged as a seperate genre in the Netherlands in the previous century. The author outlines the development of painting on both sides of the border, placing it in its social and historical context, and goes on to discuss the taste for Dutch and Flemish art from the seventeenth century to the present day and spotlights some of the earlier collectors. This detailed catalogue of 128 paintings is the result of meticulous researchin British, Dutch and American libraries and archives. The entries are arranged in ten groups by subject so that thematic similarities can be conveniently examined. Amongst the most celebrated works is Frans Hal's monumental "Family Portrait" - once the most expensive painting in the world. All the paintings are illustrated in colour and are accompanied by comparative illustrations and technical photographs.
Author: Harry Berger
Publisher: Fordham Univ Press
ISBN: 0823233138
Category : Art
Languages : en
Pages : 132
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Book Description
It is rapacitas. Caterpillage also explores the impact of this message on the meaning of the genre's French name. We use the conventional term nature morte ("dead nature") without giving any thought to how misleading it is. Because so many portraits of still in bloom, are dying, it would be more accurate to name the genre nature mourant. The subjects of still life are plants that are still living, plants that are dying but not yet dead. --Book Jacket.
Author: Nanette Salomon
Publisher: Stanford University Press
ISBN: 9780804744775
Category : Art
Languages : en
Pages : 288
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Book Description
This ground-breaking book offers the first sustained examination of Dutch seventeenth-century genre painting from a theoretically informed feminist perspective. Other recent works that deal with images of women in this field maintain the paradoxical combination of seeing the images as positivist reflections of “life as it was” and as emblems of virtue and vice. These reductionist practices deprive the works of their complex nature and of their place in visual culture, important frameworks that the book attempts to restore to them. Salomon expands the possibilities for understanding both familiar and unfamiliar paintings from this period by submitting them to a wide range of new and provocative questions. Paintings and prints from the first half of the century through to the second are analyzed to understand the changing social roles and values attributed to the sexes as they were introduced and reflected in the visual arts.
Author: Wayne E. Franits
Publisher:
ISBN: 9780521499453
Category : Art
Languages : en
Pages : 274
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Book Description
Despite the active tradition of scholarship on Dutch painting of the seventeenth century, scholars continue to grapple with the problem of how the strikingly realistic characteristics of art from this period can be reconciled with its possible meanings. With the advent of new methodologies, these debates have gained momentum in the past decade. Looking at Seventeenth-Century Dutch Art, which includes classic essays as well as contributions especially written for this volume, provides a timely survey of the principal interpretative methods and debates, from their origins in the 1960s to current manifestations, while suggesting potential avenues of inquiry for the future. The book offers fascinating insights into the meaning of Dutch art in its original cultural context as well as into the world of scholarship that it has inspired.
Author: Martha Hollander
Publisher: Univ of California Press
ISBN: 0520221354
Category : Art
Languages : en
Pages : 293
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Book Description
"How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hooch. Very few recent books on Dutch art are as rich as this; and few are written in such lucid, unpretentious prose. What shines forth from every page is a genuine love of the pictures. Here is art history well tempered to the objects it interprets."—Joseph L. Koerner, author of The Moment of Self-Portraiture in German Renaissance Art "In recent years, scholars have explored how space signifies in seventeenth-century Dutch art and culture; Hollander's fascinating study is the most comprehensive to date. It examines space--as conceived in the writings of Dutch art theorists, constructed in contemporary architecture, and disposed and made meaningful in the work of Gerard Dou, Nicolaes Maes, Pieter de Hooch, and Karel van Mander. An Entrance for the Eyes lays a firm foundation for research on this intriguing and hitherto understudied aspect of Dutch art."—Wayne E. Franits, author of Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art
