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Author: Bharatamuni
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Bharatamuni
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Kapila Vatsyayan
Publisher:
ISBN: 9788126012206
Category : Sanskrit - Dramentheorie - Bharata / Nāṭyaśāstra
Languages : en
Pages : 218
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Book Description
The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
Author: Hema Govindarajan
Publisher:
ISBN:
Category : Bharata natyam
Languages : en
Pages : 186
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Book Description
Author: Sreenath Nair
Publisher: McFarland
ISBN: 1476612218
Category : Performing Arts
Languages : en
Pages : 467
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Book Description
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Author: Raghunātha Purushottama Kulakarṇī
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 140
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Author: Bharata Muni
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
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Book Description
Classical work on Sanskrit dramaturgy; chapter deals with ancient music.
Author: Ganesh Hari Tarlekar
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806603
Category : Religion
Languages : en
Pages : 420
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Book Description
Studies in the Natyasastra attempts to present all aspects of the performance of Sanskrit Drama of the classical period. For this, the material available in the Natyasastra and other works on dramaturgy, sculptural evidence and the traditions of classical-dance-drama styles in the various parts of the country are made use of. The book will, in fact, be of great use to the scholar inteested in the technique of the production of Sanskrit plays.
Author: Gayathri Keshavan
Publisher: Notion Press
ISBN: 1648999972
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
This book, elucidates the basic steps called Adavus of Bharata Natyam in the traditional Pandanallur style, as taught by the revered Gurus Sri Meenakshi Sundaram Pillai and Sri Muthukumara Pillai, to Sri T.K Narayan and Smt. Jayalakshmi Narayan, parents of the author. It is an honest attempt to explain the various steps with unerring and accurate execution technique. The book offers a visual representation of the Adavus with the help of stick diagrams in a sequential manner so that the beginners and practitioners can understand the finer points of each movement. The author has developed simple schematics to show the various moves, such as jump, stretch, turn, hit etc. The author endeavours to illustrate Adavus in a precise manner in this book. Classification and categorization of each step is the salient feature of this work. Gayathri Keshavan makes a humble effort to pass on the knowledge of this ancient and sacred art to the present and future generations of Bharata Natyam dancers.
Author: Sheldon Pollock
Publisher: Columbia University Press
ISBN: 0231540698
Category : Philosophy
Languages : en
Pages : 469
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Book Description
From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.
Author: Adya Rangacharya
Publisher: Munshirm Manoharlal Pub Pvt Limited
ISBN: 9788121508292
Category : Drama
Languages : en
Pages : 85
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Book Description
Bharata's Natyasastra, the earliest treatise on dramatics, is, even today, the origin of our dramatic tradition. Besides being the most important study of dramatics, it is also the most comprehensive. The all-inclusive quality, however, creates problems for the reader who has to go through a great deal of unnecessary information. In this book, the author has culled all information essential and relevant to drama, eliminating the superfluous. Eschewing attempts to provide any kind of a scholarly or original interpretation of Bharata's views, the author has focused on giving the reader a connected account of the study of dramatics suing modern terminology. The purpose is to introduce those interested in drama to Bharata's wisdom and to throw light on the state of dramatics in ancient India. Written in a simple and lucid style, the author takes the reader through topics like theater houses, the stage and stage craft, play-construction and the rasa theory. All lovers of drama are sure to find this book both useful and absorbing.
