Author: Matthew Potolsky
Publisher: Routledge
ISBN: 0429558988
Category : History
Languages : en
Pages : 290
Book Description
Why do recent depictions of government secrecy and surveillance so often use images suggesting massive size and scale: gigantic warehouses, remote black sites, numberless security cameras? Drawing on post-War American art, film, television, and fiction, Matthew Potolsky argues that the aesthetic of the sublime provides a privileged window into the nature of modern intelligence, a way of describing the curiously open secret of covert operations. The book tracks the development of the national security sublime from the Cold War to the War on Terror, and places it in a long history of efforts by artists and writers to represent political secrecy.
The National Security Sublime
Author: Matthew Potolsky
Publisher: Routledge
ISBN: 0429558988
Category : History
Languages : en
Pages : 290
Book Description
Why do recent depictions of government secrecy and surveillance so often use images suggesting massive size and scale: gigantic warehouses, remote black sites, numberless security cameras? Drawing on post-War American art, film, television, and fiction, Matthew Potolsky argues that the aesthetic of the sublime provides a privileged window into the nature of modern intelligence, a way of describing the curiously open secret of covert operations. The book tracks the development of the national security sublime from the Cold War to the War on Terror, and places it in a long history of efforts by artists and writers to represent political secrecy.
Publisher: Routledge
ISBN: 0429558988
Category : History
Languages : en
Pages : 290
Book Description
Why do recent depictions of government secrecy and surveillance so often use images suggesting massive size and scale: gigantic warehouses, remote black sites, numberless security cameras? Drawing on post-War American art, film, television, and fiction, Matthew Potolsky argues that the aesthetic of the sublime provides a privileged window into the nature of modern intelligence, a way of describing the curiously open secret of covert operations. The book tracks the development of the national security sublime from the Cold War to the War on Terror, and places it in a long history of efforts by artists and writers to represent political secrecy.
No Use
Author: Thomas M. Nichols
Publisher: University of Pennsylvania Press
ISBN: 0812245660
Category : History
Languages : en
Pages : 232
Book Description
For more than forty years, the United States has maintained a public commitment to nuclear disarmament, and every president from Ronald Reagan to Barack Obama has gradually reduced the size of America's nuclear forces. Yet even now, over two decades after the end of the Cold War, the United States maintains a huge nuclear arsenal on high alert and ready for war. The Americans, like the Russians, the Chinese, and other major nuclear powers, continue to retain a deep faith in the political and military value of nuclear force, and this belief remains enshrined at the center of U.S. defense policy regardless of the radical changes that have taken place in international politics. In No Use, national security scholar Thomas M. Nichols offers a lucid, accessible reexamination of the role of nuclear weapons and their prominence in U.S. security strategy. Nichols explains why strategies built for the Cold War have survived into the twenty-first century, and he illustrates how America's nearly unshakable belief in the utility of nuclear arms has hindered U.S. and international attempts to slow the nuclear programs of volatile regimes in North Korea and Iran. From a solid historical foundation, Nichols makes the compelling argument that to end the danger of worldwide nuclear holocaust, the United States must take the lead in abandoning unrealistic threats of nuclear force and then create a new and more stable approach to deterrence for the twenty-first century.
Publisher: University of Pennsylvania Press
ISBN: 0812245660
Category : History
Languages : en
Pages : 232
Book Description
For more than forty years, the United States has maintained a public commitment to nuclear disarmament, and every president from Ronald Reagan to Barack Obama has gradually reduced the size of America's nuclear forces. Yet even now, over two decades after the end of the Cold War, the United States maintains a huge nuclear arsenal on high alert and ready for war. The Americans, like the Russians, the Chinese, and other major nuclear powers, continue to retain a deep faith in the political and military value of nuclear force, and this belief remains enshrined at the center of U.S. defense policy regardless of the radical changes that have taken place in international politics. In No Use, national security scholar Thomas M. Nichols offers a lucid, accessible reexamination of the role of nuclear weapons and their prominence in U.S. security strategy. Nichols explains why strategies built for the Cold War have survived into the twenty-first century, and he illustrates how America's nearly unshakable belief in the utility of nuclear arms has hindered U.S. and international attempts to slow the nuclear programs of volatile regimes in North Korea and Iran. From a solid historical foundation, Nichols makes the compelling argument that to end the danger of worldwide nuclear holocaust, the United States must take the lead in abandoning unrealistic threats of nuclear force and then create a new and more stable approach to deterrence for the twenty-first century.
The Bondian Cold War
Author: Martin D. Brown
Publisher: Taylor & Francis
ISBN: 1000934764
Category : History
Languages : en
Pages : 290
Book Description
James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways. That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens. The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse. This volume of essays inspired by that conference, suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.
Publisher: Taylor & Francis
ISBN: 1000934764
Category : History
Languages : en
Pages : 290
Book Description
James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways. That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens. The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse. This volume of essays inspired by that conference, suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.
Postmodern Sublime
Author: Joseph Tabbi
Publisher: Cornell University Press
ISBN: 1501717642
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Focusing on works by Norman Mailer, Thomas Pynchon, Joseph McElroy, and Don DeLillo, Joseph Tabbi finds that a simultaneous attraction to and repulsion from technology has produced a powerful new mode of modern writing—the technological sublime.
Publisher: Cornell University Press
ISBN: 1501717642
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Focusing on works by Norman Mailer, Thomas Pynchon, Joseph McElroy, and Don DeLillo, Joseph Tabbi finds that a simultaneous attraction to and repulsion from technology has produced a powerful new mode of modern writing—the technological sublime.
Crisis Vision
Author: Torin Monahan
Publisher: Duke University Press
ISBN: 1478023384
Category : Social Science
Languages : en
Pages : 149
Book Description
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders.
Publisher: Duke University Press
ISBN: 1478023384
Category : Social Science
Languages : en
Pages : 149
Book Description
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders.
The Democratic Sublime
Author: Jason Frank
Publisher: Oxford University Press
ISBN: 0190658185
Category : Political Science
Languages : en
Pages : 281
Book Description
The transition from royal to popular sovereignty during the age of democratic revolutions--from 1776 to 1848--entailed not only the reorganization of institutions of governance and norms of political legitimacy, but also a dramatic transformation in the iconography and symbolism of political power. The personal and external rule of the king, whose body was the physical locus of political authority, was replaced with the impersonal and immanent self-rule of the people, whose power could not be incontestably embodied. This posed representational difficulties that went beyond questions of institutionalization and law, extending into the aesthetic realm of visualization, composition, and form. How to make the people's sovereign will tangible to popular judgment was, and is, a crucial problem of democratic political aesthetics. The Democratic Sublime offers an interdisciplinary exploration of how the revolutionary proliferation of popular assemblies--crowds, demonstrations, gatherings of the "people out of doors"--came to be central to the political aesthetics of democracy during the age of democratic revolutions. Jason Frank argues that popular assemblies allowed the people to manifest as a collective actor capable of enacting dramatic political reforms and change. Moreover, Frank asserts that popular assemblies became privileged sites of democratic representation as they claimed to support the voice of the people while also signaling the material plenitude beyond any single representational claim. Popular assemblies continue to retain this power, in part, because they embody that which escapes representational capture: they disrupt the representational space of appearance and draw their power from the ineffability and resistant materiality of the people's will. Engaging with a wide range of sources, from canonical political theorists (Rousseau, Burke, and Tocqueville) to the novels of Hugo, the visual culture of the barricades, and the memoirs of popular insurgents, The Democratic Sublime demonstrates how making the people's sovereign will tangible to popular judgment became a central dilemma of modern democracy, and how it remains so today.
Publisher: Oxford University Press
ISBN: 0190658185
Category : Political Science
Languages : en
Pages : 281
Book Description
The transition from royal to popular sovereignty during the age of democratic revolutions--from 1776 to 1848--entailed not only the reorganization of institutions of governance and norms of political legitimacy, but also a dramatic transformation in the iconography and symbolism of political power. The personal and external rule of the king, whose body was the physical locus of political authority, was replaced with the impersonal and immanent self-rule of the people, whose power could not be incontestably embodied. This posed representational difficulties that went beyond questions of institutionalization and law, extending into the aesthetic realm of visualization, composition, and form. How to make the people's sovereign will tangible to popular judgment was, and is, a crucial problem of democratic political aesthetics. The Democratic Sublime offers an interdisciplinary exploration of how the revolutionary proliferation of popular assemblies--crowds, demonstrations, gatherings of the "people out of doors"--came to be central to the political aesthetics of democracy during the age of democratic revolutions. Jason Frank argues that popular assemblies allowed the people to manifest as a collective actor capable of enacting dramatic political reforms and change. Moreover, Frank asserts that popular assemblies became privileged sites of democratic representation as they claimed to support the voice of the people while also signaling the material plenitude beyond any single representational claim. Popular assemblies continue to retain this power, in part, because they embody that which escapes representational capture: they disrupt the representational space of appearance and draw their power from the ineffability and resistant materiality of the people's will. Engaging with a wide range of sources, from canonical political theorists (Rousseau, Burke, and Tocqueville) to the novels of Hugo, the visual culture of the barricades, and the memoirs of popular insurgents, The Democratic Sublime demonstrates how making the people's sovereign will tangible to popular judgment became a central dilemma of modern democracy, and how it remains so today.
Underdogs
Author: Heather Love
Publisher: University of Chicago Press
ISBN: 022676110X
Category : Family & Relationships
Languages : en
Pages : 239
Book Description
Introduction : beginning with Stigma -- The Stigma archive -- Just watching -- A sociological periplum -- Doing being deviant -- Afterword : the politics of stigma.
Publisher: University of Chicago Press
ISBN: 022676110X
Category : Family & Relationships
Languages : en
Pages : 239
Book Description
Introduction : beginning with Stigma -- The Stigma archive -- Just watching -- A sociological periplum -- Doing being deviant -- Afterword : the politics of stigma.
American Insecurity and the Origins of Vulnerability
Author: Russ Castronovo
Publisher: Princeton University Press
ISBN: 0691249857
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.
Publisher: Princeton University Press
ISBN: 0691249857
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.
Radical Secrecy
Author: Clare Birchall
Publisher: U of Minnesota Press
ISBN: 1452964939
Category : Computers
Languages : en
Pages : 284
Book Description
Reimagining transparency and secrecy in the era of digital data When total data surveillance delimits agency and revelations of political wrongdoing fail to have consequences, is transparency the social panacea liberal democracies purport it to be? This book sets forth the provocative argument that progressive social goals would be better served by a radical form of secrecy, at least while state and corporate forces hold an asymmetrical advantage over the less powerful in data control. Clare Birchall asks: How might transparency actually serve agendas that are far from transparent? Can we imagine a secrecy that could act in the service of, rather than against, a progressive politics? To move beyond atomizing calls for privacy and to interrupt the perennial tension between state security and the public’s right to know, Birchall adapts Édouard Glissant’s thinking to propose a digital “right to opacity.” As a crucial element of radical secrecy, she argues, this would eventually give rise to a “postsecret” society, offering an understanding and experience of the political that is free from the false choice between secrecy and transparency. She grounds her arresting story in case studies including the varied presidential styles of George W. Bush, Barack Obama, and Donald Trump; the Snowden revelations; conspiracy theories espoused or endorsed by Trump; WikiLeaks and guerrilla transparency; and the opening of the state through data portals. Postsecrecy is the necessary condition for imagining, finally, an alternative vision of “the good,” of equality, as neither shaped by neoliberal incarnations of transparency nor undermined by secret state surveillance. Not least, postsecrecy reimagines collective resistance in the era of digital data.
Publisher: U of Minnesota Press
ISBN: 1452964939
Category : Computers
Languages : en
Pages : 284
Book Description
Reimagining transparency and secrecy in the era of digital data When total data surveillance delimits agency and revelations of political wrongdoing fail to have consequences, is transparency the social panacea liberal democracies purport it to be? This book sets forth the provocative argument that progressive social goals would be better served by a radical form of secrecy, at least while state and corporate forces hold an asymmetrical advantage over the less powerful in data control. Clare Birchall asks: How might transparency actually serve agendas that are far from transparent? Can we imagine a secrecy that could act in the service of, rather than against, a progressive politics? To move beyond atomizing calls for privacy and to interrupt the perennial tension between state security and the public’s right to know, Birchall adapts Édouard Glissant’s thinking to propose a digital “right to opacity.” As a crucial element of radical secrecy, she argues, this would eventually give rise to a “postsecret” society, offering an understanding and experience of the political that is free from the false choice between secrecy and transparency. She grounds her arresting story in case studies including the varied presidential styles of George W. Bush, Barack Obama, and Donald Trump; the Snowden revelations; conspiracy theories espoused or endorsed by Trump; WikiLeaks and guerrilla transparency; and the opening of the state through data portals. Postsecrecy is the necessary condition for imagining, finally, an alternative vision of “the good,” of equality, as neither shaped by neoliberal incarnations of transparency nor undermined by secret state surveillance. Not least, postsecrecy reimagines collective resistance in the era of digital data.
Hackers
Author: Paul A. Taylor
Publisher: Psychology Press
ISBN: 0415180724
Category : Computer crimes
Languages : en
Pages : 218
Book Description
In this text the author looks at the battle between the computer underground and the security industry. He talks to people on both sides of the law about the practicalities, objectives and wider implications of what they do.
Publisher: Psychology Press
ISBN: 0415180724
Category : Computer crimes
Languages : en
Pages : 218
Book Description
In this text the author looks at the battle between the computer underground and the security industry. He talks to people on both sides of the law about the practicalities, objectives and wider implications of what they do.