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Author: Marguerite Walaux
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 56
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Book Description
Author: Marguerite Walaux
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 56
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Book Description
Author: Patryk Galuszka
Publisher: Routledge
ISBN: 9780815360124
Category : Popular music
Languages : en
Pages : 236
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Book Description
Made in Poland: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Polish popular music. Each essay, written by a leading scholar of Polish music, covers the major figures, styles, and social contexts of pop music in Poland and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Poland, followed by essays organized into thematic sections: Popular Music in the People's Republic of Poland; Documenting Change and Continuity in Music Scenes and Institutions; and Music, Identity, and Critique.
Author: Timothy J. Cooley
Publisher:
ISBN: 9780253344892
Category : Music
Languages : en
Pages : 330
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Book Description
Introduces the vibrant musicians and music of the Tatra mountains in southern Poland.
Author: Anna Czekanowska
Publisher: Cambridge University Press
ISBN: 9780521300902
Category : Music
Languages : en
Pages : 250
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Book Description
This study of Polish folk music is especially enlightening as it reveals both the history and practice of a musical tradition and offers an illuminating view of a culture and its social activities. Within her study, Anna Czekanowska analyses the vocal and instrumental traditions of Polish folk music, tracing the background history, the influences of geography and politics, and the practice, often within contemporary society, of such social events as the harvest, the solstice and weddings. The function of folk culture within contemporary life, for both Polish and non-Polish inhabitants of the country, is also examined. Professor Czekanowska also discusses the birth of Polish ethno- musicology as a discipline and details some methodological aspects for research. This study contributes to a greater understanding and appreciation of Polish music and, in a wider aspect, of Slavonic culture. The book contains numerous illustrations of instruments and cultural events, music examples, maps, a discography and bibliography.
Author: Marlena Wieczorek
Publisher: Rizzoli International Publications
ISBN: 1785514075
Category : Music
Languages : en
Pages : 0
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Book Description
The first comprehensive publication on Polish literature to explore the theme of emigration among composers from the 20th and 21st centuries. From Poland with Music: 100 Years of Polish Composers Abroad (1918–2018) is the first comprehensive treatment of the theme of emigration among Polish composers of the 20th and 21st centuries. The book focuses on classical composers (e.g. Paderewski, Weinberg, Panufnik), but extends to important figures from the worlds of jazz and film music (Komeda, Makowicz, Kaczmarek, Korzeniowski). The first part of the book contains a series of essays on overarching themes related to the Polish musical diaspora, while the second part comprises an engaging collection of interviews with experts concerning the life and legacy of selected composers, with revealing insights into the artists’ personalities and entertaining anecdotes from their lives. Ignacy Jan Paderewski was not only an outstanding pianist and composer, but also the prime minister and minister of foreign affairs of free Poland in 1919. Bronisław Kaper was the first Polish composer to win an Oscar in 1954 for Lili, and Henryk Wars scored 60 projects for Columbia, Universal, Twentieth Century Fox, MGM, United Artists and Paramount. From Poland with Music recalls all of these stories, revealing just how impactful Polish composers have been on the international music scene in the last 100 years.
Author: Ewa Mazierska
Publisher: Routledge
ISBN: 0429575173
Category : Music
Languages : en
Pages : 220
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Book Description
Popular Polish Electronic Music, 1970–2020 offers a cultural history of popular Polish electronic music, from its beginning in the late 1960s/early 1970s up to the present day, in the context of Polish economic, social and political history, and the history of popular music in this country. From the perspective of production, scene, industry and consumption, the volume considers the issue of access to electronic instruments in the 1970s and 1980s, and the variety of inspirations, such as progressive rock and folk music, that have contributed to the development of Polish electronic music as it is known today. The widespread contribution of Polish electronic music to film is also considered. This is a valuable resource for scholars and researchers of electronic music, popular music and (Eastern) European music and culture.
Author: Szymon Paczkowski
Publisher: Rowman & Littlefield
ISBN: 0810888947
Category : Music
Languages : en
Pages : 419
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Book Description
Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
Author:
Publisher:
ISBN:
Category : Folk songs, Polish
Languages : en
Pages : 60
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Book Description
Author: Oskar Kolberg
Publisher: Alpha Edition
ISBN: 9789354308604
Category : History
Languages : pl
Pages : 382
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Lisa Jakelski
Publisher: Univ of California Press
ISBN: 0520292545
Category : History
Languages : en
Pages : 266
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Book Description
Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festivalÕs institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festivalÕs worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music. Ê
