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Author: Victor I Scherb
Publisher: Medieval Institute Publications
ISBN: 1580444385
Category : History
Languages : en
Pages : 516
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Book Description
In the late 1400s in eastern England, a scribe was in the process of compiling a large dramatic manuscript of over two hundred vellum folios. The manuscript contains components of an independent Mary Play, parts one and two of an independent Passion Play and an independent Assumption of Mary Play, as well as ten play subjects that appear in no other English cycles - the killing of Lamech in the Noah Play, the Root of Jesse, the story of Joachim and Anne, the Presentation of Mary in the Temple, the Parliament of Heaven, the Trial of Mary and Joseph, the scene of Mary and the cherry tree in the Nativity Play, the Death of Herod, the scene of Veronica's handkerchief in the Procession to Calvary, and the appearance of the risen Christ to the Virgin Mary in her Assumption Play. This edition acknowledges the N-Town compiler who took plays from various contexts and integrated them into an existing cycle of plays, thus treating the manuscript as if it were a superstructure whose parts could be replaced, renovated, and supplemented without altering the fundamental coherence of the overarching design.
Author: Victor I Scherb
Publisher: Medieval Institute Publications
ISBN: 1580444385
Category : History
Languages : en
Pages : 516
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Book Description
In the late 1400s in eastern England, a scribe was in the process of compiling a large dramatic manuscript of over two hundred vellum folios. The manuscript contains components of an independent Mary Play, parts one and two of an independent Passion Play and an independent Assumption of Mary Play, as well as ten play subjects that appear in no other English cycles - the killing of Lamech in the Noah Play, the Root of Jesse, the story of Joachim and Anne, the Presentation of Mary in the Temple, the Parliament of Heaven, the Trial of Mary and Joseph, the scene of Mary and the cherry tree in the Nativity Play, the Death of Herod, the scene of Veronica's handkerchief in the Procession to Calvary, and the appearance of the risen Christ to the Virgin Mary in her Assumption Play. This edition acknowledges the N-Town compiler who took plays from various contexts and integrated them into an existing cycle of plays, thus treating the manuscript as if it were a superstructure whose parts could be replaced, renovated, and supplemented without altering the fundamental coherence of the overarching design.
Author: Richard Beadle
Publisher: Cambridge University Press
ISBN: 1139827928
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.
Author: Peter Meredith
Publisher: Longman Publishing Group
ISBN:
Category : Drama
Languages : en
Pages : 202
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Book Description
The Mary Play is a beautiful and engaging piece of late medieval stagecraft. It is rich in music and spectacle, and is the only English play which deals with the parents of the Virgin Mary and with her early life; the only play which centers on a prayer, the Ave Maria; the only play which in its devotional intensity reflects the central concerns of the late fifteenth century lay piety.
Author: Maurice Hussey
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
Author: Greg Walker
Publisher: Blackwell Publishing
ISBN: 9780631217275
Category : Drama
Languages : en
Pages : 630
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Book Description
This anthology of drama in English contains plays from the late 14th century to the onset of the Renaissance. It brings together selections from all the major dramatic genres to provide a sense of the breadth and depth of medieval dramatic activity.
Author: Catherine Ella Laufer
Publisher: Routledge
ISBN: 1317122658
Category : Religion
Languages : en
Pages : 243
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Book Description
The credal affirmation, 'he descended to the dead', has attracted a plethora of views over the centuries and many Christians today struggle to explain the meaning of these words. This book explores various interpretations of the doctrine of Christ's descent to the dead, both within particular historical contexts and within contemporary theology. Laufer argues that the descensus clause, Christ's descent, is integral to Christian faith, specifically to the doctrine of the incarnation. If we are to affirm that, in Christ, God became truly human then that affirmation must include his sharing in the state of being dead that is the ultimate consequence of being human. Laufer concludes that, since the Son has experienced genuine human death and the separation from God which is the essence of hell, there is no longer any human condition from which God is absent, either in this life or in eternity. Christ's descent means that he is truly 'hell's destruction'. Drawing on a treasure trove of writings from the western theological tradition, including Luther, Calvin, Maurice, Balthasar, Moltmann and others, and attending to historical, theological, exegetical, philosophical and pastoral issues, this book explores an often-ignored doctrine which lies at the core of Christian life, death and faith.
Author: Emma Maggie Solberg
Publisher: Cornell University Press
ISBN: 1501730355
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
Author: Katie Normington
Publisher: John Wiley & Sons
ISBN: 074565486X
Category : Drama
Languages : en
Pages : 189
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Book Description
Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.
Author: Anna McKay
Publisher: Boydell & Brewer
ISBN: 1843847132
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this period was a "fabricated" phenomenon, a mode of spirituality and religious exegesis expressed, devised, and practised through cloth. Centred on four icons of female devotion (Eve, Mary, St Veronica, and - of course - Christ), the book explores a broad range of narratives from across the rich tapestry of medieval English literature, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.
Author: Jessica Brantley
Publisher: University of Pennsylvania Press
ISBN: 0812298454
Category : Art
Languages : en
Pages : 377
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Book Description
In Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.
