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Author: Christine Schnusenberg
Publisher: Paulist Press
ISBN: 0809105446
Category : Drama
Languages : en
Pages : 380
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Book Description
This unique, comprehensive work tackles questions posed by the polemics of the Church Fathers against the Roman theater and explores the subsequent developments of Western liturgical drama as a continuation of the Roman theater up to the time of Amalarius of Metz in the ninth century.
Author: Christine Schnusenberg
Publisher: Paulist Press
ISBN: 0809105446
Category : Drama
Languages : en
Pages : 380
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Book Description
This unique, comprehensive work tackles questions posed by the polemics of the Church Fathers against the Roman theater and explores the subsequent developments of Western liturgical drama as a continuation of the Roman theater up to the time of Amalarius of Metz in the ninth century.
Author: W. David O. Taylor
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467457213
Category : Religion
Languages : en
Pages : 412
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Book Description
How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
Author: Andrew Walker White
Publisher: Cambridge University Press
ISBN: 1107073855
Category : Drama
Languages : en
Pages : 291
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Book Description
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
Author: Laura S. Lieber
Publisher: Oxford University Press
ISBN: 019006546X
Category : History
Languages : en
Pages : 425
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Book Description
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"--
Author: Stephen Mark Holmes
Publisher: OUP Oxford
ISBN: 019106503X
Category : Religion
Languages : en
Pages : 257
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Book Description
Sacred Signs in Reformation Scotland is the first study of how public worship was interpreted in Renaissance Scotland and offers a radically new way of understanding the Scottish Reformation. It first defines the history and method of 'liturgical interpretation' (using the methods of medieval Biblical exegesis to explain worship), then shows why it was central to medieval and early modern Western European religious culture. The rest of the book uses Scotland as a case study for a multidisciplinary investigation of the place of liturgical interpretation in this culture. Stephen Mark Holmes uses the methods of 'book history' to discover the place of liturgical interpretation in education, sermons and pastoral practice and also investigates its impact on material culture, especially church buildings and furnishings. A study of books and their owners reveals networks of clergy in Scotland committed to the liturgy and Catholic reform, especially the 'Aberdeen liturgists'. Holmes corrects current scholarship by showing that their influence lasted beyond 1560 and suggests that they created the distinctive religious culture of North-East Scotland (later a centre of Catholic recusancy, Episcopalianism and Jacobitism). The final two chapters investigate what happened to liturgical interpretation in Scottish religious culture after the Protestant Reformation of 1559-60, showing that while it declined in importance in Catholic circles, a Reformed Protestant version of liturgical interpretation was created and flourished which used exactly the same method to produce both an interpretation of the Reformed sacramental rites and an 'anti-commentary' on Catholic liturgy. The book demonstrates an important continuity across the Reformation divide arguing that the 'Scottish Reformation' is best seen as both Catholic and Protestant, with the reformers on both sides having more in common than they or subsequent historians have allowed.
Author: Noël Pretila
Publisher: Wipf and Stock Publishers
ISBN: 163087020X
Category : Religion
Languages : en
Pages : 175
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Book Description
Edwin Hatch provided a colorful portrait of the religious world to which Justin Martyr belonged: "The main subject-matter of . . . literary education [amongst the pagans] was the poets. . . . They were read as we read the Bible. They were committed to memory. The minds of men were saturated with them. A quotation from Homer or from a tragic poet was apposite on all occasions and in every kind of society" (The Influence of Greek Ideas on Christianity, 1957). So when some of these pagans converted to Christianity in Justin's day, is it reasonable to assume that they simply "forgot" these mythical narratives in which they had been reared from childhood? Re-appropriating "Marvelous Fables" sets out to argue that this was hardly the case. Rather, Justin in 1 Apology can be seen taking full advantage of this mythical framework that still loomed large in the minds of fledgling Christian believers and students in his care--masterfully re-appropriating this popular form of religious discourse for the purpose of solidifying their newfound faith.
Author: Christina M. Gschwandtner
Publisher: Rowman & Littlefield
ISBN: 1793647186
Category : Philosophy
Languages : en
Pages : 301
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Book Description
Reading Religious Ritual with Ricoeur: Between Fragility and Hope creates a dialogue between Ricœur’s hermeneutic philosophy and the interpretation of human ritual practices, especially as such practices are manifested within the context of Christian liturgy. In the first part of the book, Christina M. Gschwandtner shows that Ricœur’s account of religion would be deepened if it were to take into account not only the biblical texts but also forms of liturgical expression and ritual actions. She challenges Ricœur’s early reading of the symbol and second naïveté, broadens his interpretation of biblical texts and faith to consider religious actions more fully, and suggests that ritual can enhance human capacities. The second part of the book employs Ricœur’s hermeneutics in order to shed light on the analysis of liturgy, demonstrating that his accounts of truth, of the world of the text, of religious language, of the imagination, and of the formation of identity are all eminently applicable to liturgical experience. Reading Religious Ritual with Ricoeur shows that one of the most significant themes in Ricœur’s work—the tension between fragility and hope—is especially helpful for understanding what liturgy does and how it functions. Seeing how liturgy and ritual configure fragility and hope also enriches Ricœur’s account of the role and function of religion in human experience.
Author: Noel Wayne Pretila
Publisher: James Clarke & Company
ISBN: 0227902688
Category : Religion
Languages : en
Pages : 182
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Book Description
Edwin Hatch provided a colourful portrait of the religious world to which Justin Martyr belonged: The main subject-matter of ... literary education [amongst the pagans] was the poets. ... They were read as we read the Bible. They were committed to memory. The minds of men were saturated with them. A quotation from Homer or from a tragic poet was apposite on all occasions and in every kind of society (The Influence of Greek Ideas on Christianity, 1957). So when some of these pagans converted to Christianity in Justin's day, is it reasonable to assume that they simply
Author: Jonathan Martin Ciraulo
Publisher: University of Notre Dame Pess
ISBN: 0268202257
Category : Religion
Languages : en
Pages : 405
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Book Description
This study presents Hans Urs von Balthasar’s theology of the Eucharist and shows its significance for contemporary sacramental theology. Anyone who seeks to offer a systematic account of Hans Urs von Balthasar’s theology of the Eucharist and the liturgy is confronted with at least two obstacles. First, his reflections on the Eucharist are scattered throughout an immense and complex corpus of writings. Second, the most distinctive feature of his theology of the Eucharist is the inseparability of his sacramental theology from his speculative account of the central mysteries of the Christian faith. In The Eucharistic Form of God, the first book-length study to explore Balthasar’s eucharistic theology in English, Jonathan Martin Ciraulo brings together the fields of liturgical studies, sacramental theology, and systematic theology to examine both how the Eucharist functions in Balthasar’s theology in general and how it is in fact generative of his most unique and consequential theological positions. He demonstrates that Balthasar is a eucharistic theologian of the highest caliber, and that his contributions to sacramental theology, although little acknowledged today, have enormous potential to reshape many discussions in the field. The chapters cover a range of themes not often included in sacramental theology, including the doctrine of the Trinity, the Incarnation, and soteriology. In addition to treating Balthasar’s own sources—Origen, Gregory of Nyssa, Pascal, Catherine of Siena, and Bernanos—Ciraulo brings Balthasar into conversation with contemporary Catholic sacramental theology, including the work of Louis-Marie Chauvet and Jean-Yves Lacoste. The overall result is a demanding but satisfying presentation of Balthasar’s contribution to sacramental theology. The audience for this volume is students and scholars who are interested in Balthasar’s thought as well as theologians who are working in the area of sacramental and liturgical theology.
Author: April D. DeConick
Publisher: Columbia University Press
ISBN: 0231542046
Category : Religion
Languages : en
Pages : 515
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Book Description
Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.
