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Author: Gerald Snare
Publisher: Duke University Press
ISBN: 9780822309376
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
George Chapman (1559–1634) continues to cut a significant figure as a dramatist and translator of Homer, but his reputation as a poet has fared poorly. The common critical view has made him notorious as a writer of “difficult” poetry, to the point of being considered guilty of deliberate and wanton obscurity. Gerald Snare argues that the fact of the matter is quite the reverse: his supposed difficulty as well as the moral and philosophical imperatives that are assumed to dominate his work are in fact the construction of critics. The Mystification of George Chapman is an argument against the accepted view of Chapman's art. Snare examines Hero and Leander to determine the nature of its poetics and its relation to Mousaios and Marlowe; he reports on the imitative strategies of Ovid's Banquet of Sense and declares that it deserves a reputation quite different from that of the most difficult poem in the English language; and he refers to Chapman's own criticism found in the prefaces and notes often attached to his poems. The author finds Chapman's poems were responses to the critical pressures inherent in adapting Greek, Latin, and contemporaneous English authors to his art, and he disputes the modern critical tendency to assume that doctrine, and not poetic practice, was the primary source of poetic energy in the Renaissance.
Author: Gerald Snare
Publisher: Duke University Press
ISBN: 9780822309376
Category : Biography & Autobiography
Languages : en
Pages : 264
Get Book Here
Book Description
George Chapman (1559–1634) continues to cut a significant figure as a dramatist and translator of Homer, but his reputation as a poet has fared poorly. The common critical view has made him notorious as a writer of “difficult” poetry, to the point of being considered guilty of deliberate and wanton obscurity. Gerald Snare argues that the fact of the matter is quite the reverse: his supposed difficulty as well as the moral and philosophical imperatives that are assumed to dominate his work are in fact the construction of critics. The Mystification of George Chapman is an argument against the accepted view of Chapman's art. Snare examines Hero and Leander to determine the nature of its poetics and its relation to Mousaios and Marlowe; he reports on the imitative strategies of Ovid's Banquet of Sense and declares that it deserves a reputation quite different from that of the most difficult poem in the English language; and he refers to Chapman's own criticism found in the prefaces and notes often attached to his poems. The author finds Chapman's poems were responses to the critical pressures inherent in adapting Greek, Latin, and contemporaneous English authors to his art, and he disputes the modern critical tendency to assume that doctrine, and not poetic practice, was the primary source of poetic energy in the Renaissance.
Author: John Huntington
Publisher: University of Illinois Press
ISBN: 9780252026287
Category : Language Arts & Disciplines
Languages : en
Pages : 218
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Book Description
"Ambition, Rank, and Poetry in 1590s England focuses on the early work of George Chapman and on the writings of others who shared his social agenda and his nonprivileged status, including Christopher Marlowe, Ben Jonson, and Edmund Spenser as well as neglected writers such as Matthew Roydon and Aemilia Lanyer. Rather than placing poetry in the service of traditional social purposes - pleasing a patron, wooing a woman, displaying one's courtly skill, teaching morality - these writers held up poetry as important for its own sake: an idea taken for granted in much modern aesthetics."--Jacket.
Author: Gerald Snare
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
George Chapman (1559-1634) continues to cut a significant figure as a dramatist and translator of Homer, but his reputation as a poet has fared poorly. The common critical view has made him notorious as a writer of "difficult" poetry, to the point of being considered guilty of deliberate and wanton obscurity. Gerald Snare argues that the fact of the matter is quite the reverse: his supposed difficulty as well as the moral and philosophical imperatives that are assumed to dominate his work are in fact the construction of critics. The Mystification of George Chapman is an argument against the accepted view of Chapman's art. Snare examines Hero and Leander to determine the nature of its poetics and its relation to Mousaios and Marlowe; he reports on the imitative strategies of Ovid's Banquet of Sense and declares that it deserves a reputation quite different from that of the most difficult poem in the English language; and he refers to Chapman's own criticism found in the prefaces and notes often attached to his poems. The author finds Chapman's poems were responses to the critical pressures inherent in adapting Greek, Latin, and contemporaneous English authors to his art, and he disputes the modern critical tendency to assume that doctrine, and not poetic practice, was the primary source of poetic energy in the Renaissance.
Author: Homer
Publisher: Wordsworth Editions
ISBN: 9781853260254
Category : Fiction
Languages : en
Pages : 514
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Book Description
Describes the adventures of Odysseus, Greek warrior, as he strives to return to his home island of Ithaca after the Trojan War. This poem also describes his endurance, his love for his wife and son.
Author: Anja Müller-Wood
Publisher: BRILL
ISBN: 9401204306
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Jacobean tragedy is typically seen as translating a general dissatisfaction with the first Stuart monarch and his court into acts of calculated recklessness and cynical brutality. Drawing on theoretical influences from social history, psychoanalysis and the study of discourses, this innovative book proposes an alternative perspective: Jacobean tragedy should be seen in the light of the institutional and social concerns of the early modern stage and the ambiguities which they engendered. Although the stage’s professionalization opened up hitherto unknown possibilities of economic success and social advancement for its middle-class practitioners, the imaginative, linguistic and material conditions of their work undermined the very ambitions they generated and furthered. The close reading of play texts and other, non-dramatic sources suggests that playwrights knew that they were dealing with hazardous materials prone to turn against them: whether the language they used or the audiences for whom they wrote and upon whose money and benevolence their success depended. The notorious features of the tragedies under discussion – their bloody murders, intricately planned revenges and psychologically refined terror – testify not only to the anxiety resulting from this multifaceted professional uncertainty but also to theatre practitioners’ attempts to civilize the excesses they were staging.
Author: Jessica Wolfe
Publisher: Cambridge University Press
ISBN: 9780521831871
Category : History
Languages : en
Pages : 326
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Book Description
This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the modern concept of technology, sixteenth- and early seventeenth-century writers recognized the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation.
Author: Arthur F. Kinney
Publisher: Routledge
ISBN: 1136745300
Category : History
Languages : en
Pages : 863
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Book Description
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays. Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux family * Espionage * Family of Love * food and diet * James Hepburn, Earl of Bothwell * inns * Ket's Rebellion * John Lyly * mapmaking * Frances Meres * miniature painting * Pavan * Pilgrimage of Grace * Revels Office * Ridolfi plot * Lady Mary Sidney, Countess of Pembroke * treason * and much more. Also includes an 8-page color insert.
Author: Mark Hawkins-Dady
Publisher: Routledge
ISBN: 1135314179
Category : Reference
Languages : en
Pages : 1024
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Book Description
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author: Michael J. B. Allen
Publisher: BRILL
ISBN: 9789004118553
Category : Philosophy
Languages : en
Pages : 536
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Book Description
This volume consists of 21 essays on Marsilio Ficino (1433-99), the Florentine scholar-philosopher-magus-priest who was the architect of Renaissance Platonism. They cast fascinating new light on his theology, philosophy, and psychology as well as on his influence and sources.
Author: Simeon Underwood
Publisher: Liverpool University Press
ISBN: 0746308701
Category : Language Arts & Disciplines
Languages : en
Pages : 92
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Book Description
This book is an account of English translations of Homer, set in the context of modern translation theory.
