The Musical Languages of Elliott Carter PDF Download
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Author: Charles Rosen
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 100
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Book Description
Author: Charles Rosen
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 100
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Book Description
Author: Marguerite Boland
Publisher: Cambridge University Press
ISBN: 0521113628
Category : Biography & Autobiography
Languages : en
Pages : 365
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Book Description
An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.
Author: Elliott Carter
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825845949
Category : Music
Languages : en
Pages : 390
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Book Description
This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
Author: David Schiff
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Arguably the most important American composer of the century, Elliott Carter often has been more highly regarded in Europe than in his native land. Interest in his work has grown rapidly in recent years, however, and the celebration of his ninetieth birthday in December, 1998, accompanied by numerous performances and new recordings, undoubtedly will increase the attention of his fellow citizens to this remarkable figure.
Author: Laura Emmery
Publisher: Routledge
ISBN: 0429621663
Category : Music
Languages : en
Pages : 269
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Book Description
Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.
Author: Felix Meyer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 390
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Book Description
Previously unseen letters, documents and photographs trace the life and artistic evolution of Elliott Carter, and capture his friendships with fellow musicians and others. Born in New York in December 1908, the venerable but still active American composer Elliott Carter is one of the most highly regarded figures in the music of our time. His works span more than seven decades and have been the subject of many analyses, and most of his writings have appeared in carefully edited collections. In contrast, few of the documents on his life and music, largely preserved at the Paul Sacher Foundation in Basel, are known to the public. This body of material forms the main source of the present volume, which offers a richly annotated selection of Carter's correspondence and other documents, including unpublished writings, facsimiles of music manuscripts, and photographs. The book traces the biographical, intellectual, and artistic evolution of a composer who, building on American modernism and interacting with the latest developments in Europe, has forged a distinctive, highly sophisticated musical language, and captures his friendships with fellow musicians and friends such as Charles Ives, Nadia Boulanger, John Kirkpatrick, Aaron Copland, Nicolas Nabokov, and more recently, Pierre Boulez, Oliver Knussen, Heinz Holliger, Daniel Barenboim, and James Levine. Published in association with the Paul Sacher Foundation.
Author: John Link
Publisher: Cambridge University Press
ISBN: 1009234404
Category : Music
Languages : en
Pages : 509
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Book Description
The first comprehensive study of the late music of one of the most influential composers of the last half century, this book places Elliott Carter's music from 1995 to 2012 in the broader context of post-war contemporary concert music, including his own earlier work. It addresses Carter's reception history, his aesthetics, and his harmonic and rhythmic practice, and includes detailed essays on all of Carter's major works after 1995. Special emphasis is placed on Carter's settings of contemporary modernist poetry from John Ashbery to Louis Zukofsky. In readable and engaging prose, Elliott Carter's Late Music illuminates a body of late work that stands at the forefront of the composer's achievements.
Author: Elliott Carter
Publisher:
ISBN: 9780252044205
Category :
Languages : en
Pages : 240
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Book Description
These previously unpublished lectures by Elliott Carter date to the summer of 1967, when the acclaimed composer taught at the Contemporary Music Workshop held by the University of Minnesota. Leading an introductory course on orchestra repertoire, Carter gave nine hours of lectures covering principal topics like how to live with the musical present and whether the symphony orchestra was a relic of the past or a possible active force for new music. But Carter's observations and prompts by audience questions broadened the discussion into areas ranging from electronic music to analyses of works by other artists and himself. Laura Emmery presents the complete text from each session alongside introductions, commentary, and annotated examples that provide valuable context for readers. Expansive and essential, Elliott Carter Speaks opens up the artist's teaching and introspection to new contemporary perspectives on his thought and art.
Author: John Link
Publisher: Cambridge University Press
ISBN: 0521769760
Category : History
Languages : en
Pages : 509
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Book Description
"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music"--
Author: Allen Edwards
Publisher: New York : W. W. Norton
ISBN: 9780393021592
Category : Composers
Languages : en
Pages : 128
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Book Description
The conversation presented to the reader in the following pages is a condensed, reordered, and partly rewritten transcript of a series of tape-recorded interviews between Elliott Carter and myself that took place at intervals over the period from 1968-1970. - Foreword.
