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Author: John Vacha
Publisher: Kent State University Press
ISBN: 9780873387989
Category : History
Languages : en
Pages : 164
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Book Description
Spotting a trend in the early 1950s of staging summer theater in the round under tents, Clevelander John L. Price Jr. decided to give it a try. Consulting a local statistician to determine the geographical center of the culturally inclined population, the bull's-eye fell in Warrensville Heights, a Cleveland suburb that was also the home to Thistledown Race Track. Price opened his Musicarnival there, on the grounds of the race track, with a production of Oklahoma! in the summer of 1954. The Music Went 'Round and Around tells the story of this unique summer theater and of its ebullient founder, John L. Price Jr. Price's venture was one of the last commercial legitimate theaters established in Cleveland. In its heyday the Musicar-nival had a capacity of 2500 and presented an average of eight to ten shows each summer. The backbone of the repertoire consisted of such musical classics as Carousel; Kiss Me, Kate; Wonderful Town; Fanny; Paint Your Wagon; and The Unsinkable Molly Brown. The summer schedule also featured popular solo acts, such as Louis Armstrong, Henny Youngman, Tom Jones, and even burlesque. Occasionally Price tried to sneak in an opera, letting the popular shows support these operatic flings. For the first eleven seasons Price principally used a resident stock company, occasionally bringing in a visiting star, if available and right for the role. Toward the end of the 1960s, however, Price was forced to adopt the star system to keep his tent filled. Dropping the stock company, he brought in packaged productions generally headlined by popular singing or television stars. Both offerings had strong followings, and Musicarnival kept the torch of musical theater burning brightly in Cleveland until 1975, when declining attendance finally forced its closing. The Music Went 'Round and Around is the first book in the Cleveland Showtime Series.
Author: John Vacha
Publisher: Kent State University Press
ISBN: 9780873387989
Category : History
Languages : en
Pages : 164
Get Book
Book Description
Spotting a trend in the early 1950s of staging summer theater in the round under tents, Clevelander John L. Price Jr. decided to give it a try. Consulting a local statistician to determine the geographical center of the culturally inclined population, the bull's-eye fell in Warrensville Heights, a Cleveland suburb that was also the home to Thistledown Race Track. Price opened his Musicarnival there, on the grounds of the race track, with a production of Oklahoma! in the summer of 1954. The Music Went 'Round and Around tells the story of this unique summer theater and of its ebullient founder, John L. Price Jr. Price's venture was one of the last commercial legitimate theaters established in Cleveland. In its heyday the Musicar-nival had a capacity of 2500 and presented an average of eight to ten shows each summer. The backbone of the repertoire consisted of such musical classics as Carousel; Kiss Me, Kate; Wonderful Town; Fanny; Paint Your Wagon; and The Unsinkable Molly Brown. The summer schedule also featured popular solo acts, such as Louis Armstrong, Henny Youngman, Tom Jones, and even burlesque. Occasionally Price tried to sneak in an opera, letting the popular shows support these operatic flings. For the first eleven seasons Price principally used a resident stock company, occasionally bringing in a visiting star, if available and right for the role. Toward the end of the 1960s, however, Price was forced to adopt the star system to keep his tent filled. Dropping the stock company, he brought in packaged productions generally headlined by popular singing or television stars. Both offerings had strong followings, and Musicarnival kept the torch of musical theater burning brightly in Cleveland until 1975, when declining attendance finally forced its closing. The Music Went 'Round and Around is the first book in the Cleveland Showtime Series.
Author: Ellen Tarry
Publisher: University of Alabama Press
ISBN: 0817305793
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
The Autobiography of an American Negro Woman: Tarry was devoid of pronounced African-American racial markings, and her interactions with white Americans were not characterized by fear or distrust, but when her own brown daughter was subjected to racial discrimination she wrote The Third Door in 1955 to tell America about the plight of her people.
Author: C. G. Nijsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: Mark Lemon
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 824
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Book Description
Author: Norman Gale
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 168
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Book Description
Author: Lynn Burke
Publisher: Lynn Burke
ISBN:
Category : Fiction
Languages : en
Pages : 209
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Book Description
A Contemporary Medical Romantic Suspense Novel by USA Today Bestselling Author Lynn Burke. Christine watched her father grieve over losing his soul mate. I survived the devastating effects of my parent’s ugly divorce due to my childhood leukemia. Now, both our jaded hearts are closed off to anything outside hookups. But my emotions get tangled up in our first attempt at sating each other’s lust, and I yearn for more than spending my nights as an escort. I want a second go-round with Christine. While her walls appear invincible, an act of terror in our city tumbles them down leaving her bruised and broken with no hope of escape. Will I be strong enough to see her through the darkest time of her life? Or will the rubble of destruction keep me from finding love with the woman I long for? *Second Go-Round is the third MF novel in the Elite Escorts Series. HEA guaranteed, this medical romantic suspense romance begins because a jaded male nurse falls for an independent heroine just as determined to protect her own heart. Toss in a little exhibitionism and a shared love of sports and beer for extra spice in this steamy romance novel! Perfect for readers who enjoy strong, stubborn heroines and protective, swoon-worthy heroes.
![The ambulator; or, The stranger's companion in a tour round London, collected by a gentleman [J. Bew?]. PDF](https://books.google.com/books/content/images/frontcover/EtsHAAAAQAAJ?fife=w80-h100)
Author: John Bew
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Book Description
Author: David Jenness
Publisher: Routledge
ISBN: 1136797440
Category : Music
Languages : en
Pages : 462
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Book Description
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.
Author: Judith Tick
Publisher: W. W. Norton & Company
ISBN: 0393242021
Category : Biography & Autobiography
Languages : en
Pages : 439
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Book Description
An NPR 2023 "Books We Love" Pick • A Kirkus Best Nonfiction Book of 2023 A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator. Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre. From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form. Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records. A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.
