Author: Harold Truscott
Publisher: Music of Franz Schmidt
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
A major step in the rediscovery of one of the towering composers of the twentieth century; this brings to Schmidt's music the scholarship it so richly merits. Franz Schmidt is increasingly being recognised as a major composer. His music covers symphonies, quartets, opera and oratorio, and works and organ. In all of these genres he proves himself a master of large-scale symphonic form and one of the most substantial lyric geniuses of all time. Schmidt spent most of his life in Austria [he died in Vienna in 1939] where his importance was universally agreed. Here, Harold Truscott, the outstanding authorityon Schmidt in the English-speaking world, examines the orchestral works, taking the reader and listener through each of these mighty scores. Introduced by the `Personal Recollections' of Hans Keller, who knew Schmidt well in pre-World-War-II Vienna, the book also features the first-ever translation into English of Schmidt's Autobiographical Sketch, where the composer tells of his early childhood in Hungary, his teenage years near Vienna and his life as acellist in the Vienna Philharmonic. HAROLD TRUSCOTT is a composer and writer. He was Principal Lecturer in Music at Huddersfield Polytechnic and has performed widely as a pianist in recital, broadcast and concert work.
The Music of Franz Schmidt: The orchestral music
Author: Harold Truscott
Publisher: Music of Franz Schmidt
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
A major step in the rediscovery of one of the towering composers of the twentieth century; this brings to Schmidt's music the scholarship it so richly merits. Franz Schmidt is increasingly being recognised as a major composer. His music covers symphonies, quartets, opera and oratorio, and works and organ. In all of these genres he proves himself a master of large-scale symphonic form and one of the most substantial lyric geniuses of all time. Schmidt spent most of his life in Austria [he died in Vienna in 1939] where his importance was universally agreed. Here, Harold Truscott, the outstanding authorityon Schmidt in the English-speaking world, examines the orchestral works, taking the reader and listener through each of these mighty scores. Introduced by the `Personal Recollections' of Hans Keller, who knew Schmidt well in pre-World-War-II Vienna, the book also features the first-ever translation into English of Schmidt's Autobiographical Sketch, where the composer tells of his early childhood in Hungary, his teenage years near Vienna and his life as acellist in the Vienna Philharmonic. HAROLD TRUSCOTT is a composer and writer. He was Principal Lecturer in Music at Huddersfield Polytechnic and has performed widely as a pianist in recital, broadcast and concert work.
Publisher: Music of Franz Schmidt
ISBN:
Category : Music
Languages : en
Pages : 200
Book Description
A major step in the rediscovery of one of the towering composers of the twentieth century; this brings to Schmidt's music the scholarship it so richly merits. Franz Schmidt is increasingly being recognised as a major composer. His music covers symphonies, quartets, opera and oratorio, and works and organ. In all of these genres he proves himself a master of large-scale symphonic form and one of the most substantial lyric geniuses of all time. Schmidt spent most of his life in Austria [he died in Vienna in 1939] where his importance was universally agreed. Here, Harold Truscott, the outstanding authorityon Schmidt in the English-speaking world, examines the orchestral works, taking the reader and listener through each of these mighty scores. Introduced by the `Personal Recollections' of Hans Keller, who knew Schmidt well in pre-World-War-II Vienna, the book also features the first-ever translation into English of Schmidt's Autobiographical Sketch, where the composer tells of his early childhood in Hungary, his teenage years near Vienna and his life as acellist in the Vienna Philharmonic. HAROLD TRUSCOTT is a composer and writer. He was Principal Lecturer in Music at Huddersfield Polytechnic and has performed widely as a pianist in recital, broadcast and concert work.
Forbidden Music
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
The Music of Franz Schmidt
Author: Harold Truscott
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Executioner's Journal
Author: Frantz Schmidt
Publisher: University of Virginia Press
ISBN: 0813938716
Category : History
Languages : en
Pages : 285
Book Description
During a career lasting nearly half a century, Meister Frantz Schmidt (1554-1634) personally put to death 392 individuals and tortured, flogged, or disfigured hundreds more. The remarkable number of victims, as well as the officially sanctioned context in which they suffered at Schmidt’s hands, was the story of Joel Harrington’s much-discussed book The Faithful Executioner. The foundation of that celebrated work was Schmidt's own journal--notable not only for the shocking story it told but, in an age when people rarely kept diaries, for its mere existence. Available now in Harrington’s new translation, this fascinating document provides the modern reader with a rare firsthand perspective on the thoughts and experiences of an executioner who routinely carried out acts of state brutality yet remained a revered member of the local community, widely respected for his piety, steadfastness, and popular healing. Based on a long-lost manuscript thought to be the most faithful to the original journal, this modern English translation is fully annotated and includes an introduction providing historical context as well as a biographical portrait of Schmidt himself. The executioner appears to us not as the frightening brute we might expect but as a surprisingly thoughtful, complex person with a unique voice, and in these pages his world emerges as vivid and unforgettable. Studies in Early Modern German History
Publisher: University of Virginia Press
ISBN: 0813938716
Category : History
Languages : en
Pages : 285
Book Description
During a career lasting nearly half a century, Meister Frantz Schmidt (1554-1634) personally put to death 392 individuals and tortured, flogged, or disfigured hundreds more. The remarkable number of victims, as well as the officially sanctioned context in which they suffered at Schmidt’s hands, was the story of Joel Harrington’s much-discussed book The Faithful Executioner. The foundation of that celebrated work was Schmidt's own journal--notable not only for the shocking story it told but, in an age when people rarely kept diaries, for its mere existence. Available now in Harrington’s new translation, this fascinating document provides the modern reader with a rare firsthand perspective on the thoughts and experiences of an executioner who routinely carried out acts of state brutality yet remained a revered member of the local community, widely respected for his piety, steadfastness, and popular healing. Based on a long-lost manuscript thought to be the most faithful to the original journal, this modern English translation is fully annotated and includes an introduction providing historical context as well as a biographical portrait of Schmidt himself. The executioner appears to us not as the frightening brute we might expect but as a surprisingly thoughtful, complex person with a unique voice, and in these pages his world emerges as vivid and unforgettable. Studies in Early Modern German History
Franz Liszt
Author: Oliver Hilmes
Publisher: Yale University Press
ISBN: 0300219466
Category : Biography & Autobiography
Languages : en
Pages : 381
Book Description
Hungarian composer Franz Liszt (1811–1886) was an anomaly. A virtuoso pianist and electrifying showman, he toured extensively throughout the European continent, bringing sold-out audiences to states of ecstasy while courting scandal with his frequent womanizing. Drawing on new, highly revealing documentary sources, including a veritable treasure trove of previously unexamined material on Liszt’s Weimar years, best-selling author Oliver Hilmes shines a spotlight on the extraordinary life and career of this singularly dazzling musical phenomenon. Whereas previous biographies have focused primarily on the composer’s musical contributions, Hilmes showcases Liszt the man in all his many shades and personal reinventions: child prodigy, Romantic eccentric, fervent Catholic, actor, lothario, celebrity, businessman, genius, and extravagant show-off. The author immerses the reader in the intrigues of the nineteenth-century European glitterati (including Liszt’s powerful patrons, the monstrous Wagner clan) while exploring the true, complex face of the artist and the soul of his music. No other Liszt biography in English is as colorful, witty, and compulsively readable, or reveals as much about the true nature of this extraordinary, outrageous talent.
Publisher: Yale University Press
ISBN: 0300219466
Category : Biography & Autobiography
Languages : en
Pages : 381
Book Description
Hungarian composer Franz Liszt (1811–1886) was an anomaly. A virtuoso pianist and electrifying showman, he toured extensively throughout the European continent, bringing sold-out audiences to states of ecstasy while courting scandal with his frequent womanizing. Drawing on new, highly revealing documentary sources, including a veritable treasure trove of previously unexamined material on Liszt’s Weimar years, best-selling author Oliver Hilmes shines a spotlight on the extraordinary life and career of this singularly dazzling musical phenomenon. Whereas previous biographies have focused primarily on the composer’s musical contributions, Hilmes showcases Liszt the man in all his many shades and personal reinventions: child prodigy, Romantic eccentric, fervent Catholic, actor, lothario, celebrity, businessman, genius, and extravagant show-off. The author immerses the reader in the intrigues of the nineteenth-century European glitterati (including Liszt’s powerful patrons, the monstrous Wagner clan) while exploring the true, complex face of the artist and the soul of his music. No other Liszt biography in English is as colorful, witty, and compulsively readable, or reveals as much about the true nature of this extraordinary, outrageous talent.
Mozart's Music of Friends
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
The Cambridge Companion to Schubert
Author: Christopher H. Gibbs
Publisher: Cambridge University Press
ISBN: 1139825321
Category : Music
Languages : en
Pages : 364
Book Description
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.
Publisher: Cambridge University Press
ISBN: 1139825321
Category : Music
Languages : en
Pages : 364
Book Description
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.
The Faithful Executioner
Author: Joel F. Harrington
Publisher: Random House
ISBN: 1448129370
Category : Social Science
Languages : en
Pages : 324
Book Description
Meet Frantz Schmidt: executioner, torturer and, most unusually for his times, diarist. Following in his father’s footsteps, Frantz entered the executioner’s trade as an Apprentice. 394 executions and forty-five years later, he retired to focus his attentions on running the large medical practice that he had always viewed as his true vocation. Through examination of Frantz’s exceptional and often overlooked record, Joel F. Harrington delves deep into a world of human cruelty, tragedy and injustice. At the same time, he poses a fascinating question: could a man who routinely practiced such cruelty also be insightful, compassionate – even progressive? The Faithful Executioner is the biography of an ordinary man struggling to overcome an unjust family curse; it is also a remarkable panorama of a Europe poised on the cusp of modernity, a world with startling parallels to our own.
Publisher: Random House
ISBN: 1448129370
Category : Social Science
Languages : en
Pages : 324
Book Description
Meet Frantz Schmidt: executioner, torturer and, most unusually for his times, diarist. Following in his father’s footsteps, Frantz entered the executioner’s trade as an Apprentice. 394 executions and forty-five years later, he retired to focus his attentions on running the large medical practice that he had always viewed as his true vocation. Through examination of Frantz’s exceptional and often overlooked record, Joel F. Harrington delves deep into a world of human cruelty, tragedy and injustice. At the same time, he poses a fascinating question: could a man who routinely practiced such cruelty also be insightful, compassionate – even progressive? The Faithful Executioner is the biography of an ordinary man struggling to overcome an unjust family curse; it is also a remarkable panorama of a Europe poised on the cusp of modernity, a world with startling parallels to our own.
The Cambridge Companion to Liszt
Author: Kenneth Hamilton
Publisher: Cambridge University Press
ISBN: 1139825755
Category : Music
Languages : en
Pages : 367
Book Description
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
Publisher: Cambridge University Press
ISBN: 1139825755
Category : Music
Languages : en
Pages : 367
Book Description
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
Isolde Ahlgrimm, Vienna and the Early Music Revival
Author: Peter Watchorn
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657873
Category : Music
Languages : en
Pages : 274
Book Description
Isolde Ahlgrimm (1914-1995), was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Peter Watchorn provides an engaging study of Ahlgrimm, and argues that her contribution to the harpsichord and fortepiano revival was pivotal, and that her use of period instruments and the inspiration she instilled in younger musicians, including Nikolaus Harnoncourt and Gustav Leonhardt, has been almost entirely overlooked by the wider musical world.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657873
Category : Music
Languages : en
Pages : 274
Book Description
Isolde Ahlgrimm (1914-1995), was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Peter Watchorn provides an engaging study of Ahlgrimm, and argues that her contribution to the harpsichord and fortepiano revival was pivotal, and that her use of period instruments and the inspiration she instilled in younger musicians, including Nikolaus Harnoncourt and Gustav Leonhardt, has been almost entirely overlooked by the wider musical world.