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Author: Eastman Kodak Company
Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 23
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Book Description
Author: Eastman Kodak Company
Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 23
Get Book Here
Book Description
Author: Eastman Kodak Company
Publisher:
ISBN: 9781332159994
Category : Technology & Engineering
Languages : en
Pages : 30
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Book Description
Excerpt from The Motion Picture Theater, Its Interior Illumination and the Selection of the Screen: A Booklet for Motion Picture Theater Owners and Managers The motion picture theater did not spring at once into popularity, due, in part, to the fact that little attention was given to the comfort of the spectators. In the early days, the pictures were usually exhibited in a stuffy improvised hall and in total darkness. After the arrival of the motion picture theater with its more pleasing and comfortable surroundings, the number of persons attending the theater increased enormously. In the modern theater every detail of decoration, ventilation and temperature regulation has been most carefully worked out. The public will invariably prefer to patronize the modern theater in which the optical and physical comforts have been looked after. It will fill the up-to-date picture house to capacity and at good prices even when another theater, where the surroundings are not pleasant, is showing the same picture for less money. People may be easily attracted to a theater for the first time by a good picture. They will come again if they viewed the picture in comfort. When Mr. Eastman, in connection with his gift of a school of music to the people of the City of Rochester, conceived the idea of an endowed motion picture theater, it was found that little attention had been paid in the past to the scientific illumination of the interior of the theater, or to the choice of a suitable projection screen. It was Mr. Eastman's wish that this theater should offer the best surroundings for the exhibition of the pictures and should be a model theater in every detail. Consequently, the problem was turned over to the Kodak Research Laboratory to find the maximum of permissible lighting of the interior of the theater and to choose the screen best suited to the installation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Eastman Kodak Company
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author:
Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 824
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 852
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Book Description
Author:
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 1062
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Book Description
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 858
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 930
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Book Description
Author: John Alton
Publisher: Univ of California Press
ISBN: 0520355938
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton’s often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself.
Author: Jocelyn Szczepaniak-Gillece
Publisher: Oxford University Press
ISBN: 0190689374
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Between the 1920s and the 1960s, American mainstream cinematic architecture underwent a seismic shift. From the massive movie palace to the intimate streamlined theater, movie theaters became neutralized spaces for calibrated, immersive watching. Leading this charge was New York architect Benjamin Schlanger, a fiery polemicist whose designs and essays reshaped how movies were watched. In its close examination of Schlanger's work and of changing patterns of spectatorship, this book reveals that the essence of film viewing lies not only in the text, but in the spaces where movies are shown. The Optical Vacuum demonstrates that our changing models of cinephilia are always determined by physical structure: from the decorations of the palace to the black box of the contemporary auditorium, variations in movie theater design are icons for how viewing has similarly transformed.
