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Author: Richard Kearney
Publisher: Routledge
ISBN: 1134483872
Category : Philosophy
Languages : en
Pages : 312
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Book Description
Strangers, Gods and Monsters is a fascinating look at how human identity is shaped by three powerful but enigmatic forces. Often overlooked in accounts of how we think about ourselves and others, Richard Kearney skil lfully shows, with the help of vivid examples and illustrations, how the human outlook on the world is formed by the mysterious triumvirate of strangers, gods and monsters. In the first part of the book, he shows how the figure of stranger - the "barbarian" for ancient Greece, the 'savage' for imperial Europe - defines our own identity by the very idea that it is the Other, not we, who is unknown. He then goes on to examine the image of the monster, and with the aid of powerful examples from ancient Minotaurs to medieval demons and post-modern enemies, argues that human selfhood itself frequently contains a monstrous element. In the final part of the book Richard Kearney shows how many gods are still alive for people today testifying to the human psyche's yearning to slip the shackles of our finitude and death. Throughout, Richard Kearney shows how strangers, gods and monsters do not merely reside in myths or fantasies but constitute a central part of our cultural unconscious. Above all, he argues that until we understand better that the Other resides deep within ourselves, we can have little hope of understanding how our most basic fears and desires manifest themselves in the external world and how we can learn to live with them.
Author: Richard Kearney
Publisher: Routledge
ISBN: 1134483872
Category : Philosophy
Languages : en
Pages : 312
Get Book Here
Book Description
Strangers, Gods and Monsters is a fascinating look at how human identity is shaped by three powerful but enigmatic forces. Often overlooked in accounts of how we think about ourselves and others, Richard Kearney skil lfully shows, with the help of vivid examples and illustrations, how the human outlook on the world is formed by the mysterious triumvirate of strangers, gods and monsters. In the first part of the book, he shows how the figure of stranger - the "barbarian" for ancient Greece, the 'savage' for imperial Europe - defines our own identity by the very idea that it is the Other, not we, who is unknown. He then goes on to examine the image of the monster, and with the aid of powerful examples from ancient Minotaurs to medieval demons and post-modern enemies, argues that human selfhood itself frequently contains a monstrous element. In the final part of the book Richard Kearney shows how many gods are still alive for people today testifying to the human psyche's yearning to slip the shackles of our finitude and death. Throughout, Richard Kearney shows how strangers, gods and monsters do not merely reside in myths or fantasies but constitute a central part of our cultural unconscious. Above all, he argues that until we understand better that the Other resides deep within ourselves, we can have little hope of understanding how our most basic fears and desires manifest themselves in the external world and how we can learn to live with them.
Author: Kaza Kingsley
Publisher: Simon and Schuster
ISBN: 141698559X
Category : Juvenile Fiction
Languages : en
Pages : 578
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Book Description
Another task, even more dangerous than the previous ones, befalls Erec in the fourth book in the series. He must literally face his worst nightmares to succeed, but he isn’t sure if he can overcome his fears. On top of a contest he must win to continue his rise to King, he must also save Bethany, who has been entranced by Baskania, and deal with his inevitable transformation into a dragon.
Author: Kaza Kingsley
Publisher: Simon and Schuster
ISBN: 141697993X
Category : Juvenile Fiction
Languages : en
Pages : 507
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Book Description
With a romance brewing between him and Bethany, the discovery that his brother and sister are secretly king and queen of the Fairy world, plus the Stain brothers growing more and more underhanded, fourteen-year-old Erec is not in the right state of mind for his next two tasks.
Author: Judith Halberstam
Publisher: Duke University Press
ISBN: 9780822316633
Category : Medical
Languages : en
Pages : 236
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Book Description
Parasites and perverts: an introduction to gothic monstrosity -- Making monsters: Mary Shelley's Frankenstein -- Gothic surface, gothic depth: the subject of secrecy in Stevenson and Wilde -- Technologies of monstrosity: Bram Stoker's Dracula -- Reading counterclockwise: paranoid gothic or gothic paranoia? -- Bodies that splatter: queers and chain saws -- Skinflick: posthuman genderin Jonathan Demme's The silence of the lambs -- Conclusion: serial killing.
Author: Sofia Samatar
Publisher: Rose Metal Press
ISBN: 9781941628102
Category : Fiction
Languages : en
Pages : 0
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Book Description
"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.
Author: Kaza Kingsley
Publisher: Simon and Schuster
ISBN: 1416985581
Category : Juvenile Fiction
Languages : en
Pages : 468
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Book Description
In The Search for Truth, Erec’s task involves finding the long lost Awen, and it is not only Erec’s crown on the line, but the Substance that holds Alpyium together. To complete the task, Erec must risk the life of his best friend, something he is not sure he can do. The only thing that can save him and Alpyium is a trip back to his own childhood.
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231556152
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
Author: Timothy Beal
Publisher: Routledge
ISBN: 1135283486
Category : Religion
Languages : en
Pages : 248
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Book Description
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films. Religion and Its Monsters is essential reading for students of religion and popular culture, as well as any readers with an interest in horror.
Author: Megen de Bruin-Molé
Publisher:
ISBN: 135023446X
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110693666
Category : History
Languages : en
Pages : 820
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Book Description
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
