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Author: Frances Dickey
Publisher: University of Virginia Press
ISBN: 0813932696
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J. M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T. S. Eliot, William Carlos Williams, Amy Lowell, E. E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet’s realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.
Author: Frances Dickey
Publisher: University of Virginia Press
ISBN: 0813932696
Category : Literary Criticism
Languages : en
Pages : 367
Get Book Here
Book Description
In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J. M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T. S. Eliot, William Carlos Williams, Amy Lowell, E. E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet’s realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.
Author: Frances Dickey
Publisher: University of Virginia Press
ISBN: 0813932637
Category : Art
Languages : en
Pages : 367
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Book Description
In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.
Author: Valentina Kluge
Publisher: GRIN Verlag
ISBN: 3640892836
Category : Literary Criticism
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Kassel, language: English, abstract: In summary, in this paper the poem "Portrait of a Lady" written by T. S. Eliot has been placed in a beginning of the 20th century genre of portraiture in painting and regarded as a modern portrait. There is a remarkable similarity of techniques implied in Eliot’s poem and used by modern portrait artists such as different media of expression, technique of deconstruc-tion, incomprehensible image and flatness. The poem represents a dual portrait of an elderly lady and her friend, the young narrator. Both figures are characterised by their dramatic monologues from different perspectives. A great deal of the impressive effect of the poem is achieved through dramatic verse that exactly express the tones of the lady’s speech. The free verse and effects of rhythm help to provide this impression. The technique of disembodiment and fragmentation used by Eliot shows certain similarities to cubist portrait artists who broke the portrayed subject up and re-assembled it in a new form. Furthermore, "Portrait of a Lady" provides a shifting succession of thoughts, consciousness, protean in its variety of music and tone and depicts the figures’ internal drama without creating a comprehensible image of their appearance. In addition, the lady imitates in her speech Arnold and expresses her feelings through quotations and, therefore, is mentally absent, though she eliminates the narrator’s consciousness of himself as facing her. However, the observer registers the look of absorption which dominates the imaginary face of the lady. This effect of flatness is directly connected with modern portrait painters such as Édouard Manet. Therefore, it can be concluded that Eliot’s "Portrait of a Lady" is a notable example of the modern portrait in poetry.
Author: Valentina Kluge
Publisher: GRIN Verlag
ISBN: 364089300X
Category : Language Arts & Disciplines
Languages : en
Pages : 25
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Kassel, language: English, abstract: In summary, in this paper the poem "Portrait of a Lady" written by T. S. Eliot has been placed in a beginning of the 20th century genre of portraiture in painting and regarded as a modern portrait. There is a remarkable similarity of techniques implied in Eliot's poem and used by modern portrait artists such as different media of expression, technique of deconstruc-tion, incomprehensible image and flatness. The poem represents a dual portrait of an elderly lady and her friend, the young narrator. Both figures are characterised by their dramatic monologues from different perspectives. A great deal of the impressive effect of the poem is achieved through dramatic verse that exactly express the tones of the lady's speech. The free verse and effects of rhythm help to provide this impression. The technique of disembodiment and fragmentation used by Eliot shows certain similarities to cubist portrait artists who broke the portrayed subject up and re-assembled it in a new form. Furthermore, "Portrait of a Lady" provides a shifting succession of thoughts, consciousness, protean in its variety of music and tone and depicts the figures' internal drama without creating a comprehensible image of their appearance. In addition, the lady imitates in her speech Arnold and expresses her feelings through quotations and, therefore, is mentally absent, though she eliminates the narrator's consciousness of himself as facing her. However, the observer registers the look of absorption which dominates the imaginary face of the lady. This effect of flatness is directly connected with modern portrait painters such as douard Manet. Therefore, it can be concluded that Eliot's "Portrait of a Lady" is a notable example of the modern portrait in poetry.
Author: John Ashbery
Publisher: Penguin
ISBN: 0140586687
Category : Poetry
Languages : en
Pages : 98
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Book Description
John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).
Author: Dean Rader
Publisher:
ISBN: 9781556595080
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Funny, intelligent, playful, inventive and engaging collection that subverts the norms of identity, authorship and audience.
Author: Marilyn Chin
Publisher: W. W. Norton & Company
ISBN: 0393652181
Category : Poetry
Languages : en
Pages : 224
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Book Description
A rich, illuminating compilation of selected and new poems from Marilyn Chin, "a poet of contradictions, poignant sentiment, beat-your-ass toughness, and unexpected humor" (Los Angeles Review of Books). Spanning thirty years of dazzling work—from luminous early love lyrics to often-anthologized Asian American identity anthems, from political and subversive hybrid forms to feminist manifestos—A Portrait of the Self as Nation is a selection from one of America’s most original and vital voices. Marilyn Chin’s passionate, polyphonic poetry travels freely from the personal to the mythic, from the political to the spiritual. Deeply engaged with the complexities of cultural assimilation, feminism, and the Asian American experience, she spins precise, beautiful metaphors as she illuminates hard-hitting truths. A Portrait of the Self as Nation celebrates Chin’s innovative activist poetry: her fearless and often confrontational early collections, Dwarf Bamboo and The Phoenix Gone, the Terrace Empty; the rebellious, vivid language of Rhapsody in Plain Yellow; and the erotic elegies of Hard Love Province. Also included are excerpts from Chin’s daring novel, Revenge of the Mooncake Vixen, and a vibrant chapter of new poems and translations. In poems that are direct and passionately charged, Marilyn Chin raises her voice against systems of oppression even as her language shines with devastating power and beauty. Image after image, line by line, Chin’s masterfully reinvented quatrains, sonnets, allegories, and elegies are unforgettable.
Author: David Berman
Publisher: Drag City Books
ISBN: 9780965618366
Category : American poetry
Languages : en
Pages : 0
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Book Description
Back in print for the first time this era is David Berman s Actual Air. Released in paperback in 1999 by the now-defunct Open City and praised everywhere in the then-ascendant print press industry, David Berman s first (and only) book of poetry is a journey though shared and unreliable memory. Features of the second edition are: new larger dimensions and enlarged typeface, new dustjacket artwork variant, deluxe cloth boards, and updated full-colour endpapers.
Author: B. A. Van Sise
Publisher: Schaffner Press
ISBN: 9781943156825
Category : Photography
Languages : en
Pages : 0
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Book Description
"With this fascinating synthesis of word and image, internationally renowned photographer B.A. Van Sise offers a visually stimulating anthology that will enchant lovers of both poetry and photography. At times whimsical, surreal, challenging, enigmatic, joyful and sobering, these portraits--running adjacent to poems by each of their subjects--highlight some of the most influential poets of our time and celebrate creativity as only these poets in collaboration with Van Sise could convey. Children of Grass is also a timely homage to Walt Whitman--of whom Van Sise is a relative--and his masterpiece, "Leaves of Grass," during this, the 200th anniversary of his birth. Children of Grass, will, as a contemporary homage to Whitman, stand as a lasting tribute to the vitality and creativity that flourishes in our country."--Publisher's website.
Author: Frances Dickey
Publisher: Edinburgh University Press
ISBN: 1474405304
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
From his early "e;Curtain Raiser"e; to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.
