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Author: Jeffrey Sweet
Publisher: Yale University Press
ISBN: 0300195575
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
Author: Jeffrey Sweet
Publisher: Yale University Press
ISBN: 0300195575
Category : Performing Arts
Languages : en
Pages : 336
Get Book Here
Book Description
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
Author: John Gassner
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 904
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Book Description
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521794107
Category : Drama
Languages : en
Pages : 476
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Book Description
New edition of Modern American Drama completes the survey and comes up to 2000.
Author: Ronald Harold Wainscott
Publisher: Yale University Press
ISBN: 9780300067767
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
Exploring the emergence of the modern American theatre in New York during a period of immense creative output and experimentation and against a backdrop of conflicting cultural, economic and political events, this text draws upon material from plays and productions in between 1914-1929.
Author: John Gassner
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Felicia Hardison Londré
Publisher: Bloomsbury Publishing
ISBN: 147257186X
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Introduction: Living in the 1940s -- Prelude to World War II -- Leaders of the decade -- World War II -- The war's impact on civilian life -- Post-war domestic life and consumerism -- Children -- Teen-agers -- Communications, media, and transportation -- Women and fashion -- The culture -- Cold War anxieties -- 1. The American theatre in the 1940s -- The late 1930s: forebodings of war -- Idiot's delight -- Influential organizations -- It can't happen here -- Broadway plays and musicals -- Radio drama -- The 1940-41 and 1941-42 seasons -- African American theatre -- Broadway plays and musicals -- Lady in the dark -- The American Theatre Wing and other war service organizations -- Radio drama -- The war years, 1942-1943 -- Broadway plays and musicals -- This is the army -- Oklahoma! -- The Paul Robeson Othello -- Post-war theatre, 1946-1950 -- African-American theatre -- Broadway plays and musicals -- Modern dance and theatrical dance -- Tributary theatres -- Directors and producers -- 2. Introducing the playwrights -- Introduction -- Eugene O'Neill (1888-1953) -- Thornton Wilder (1897-1975) -- Tennessee Williams (1911-1983) -- Arthur Miller (1915-2005) -- 3. Eugene O'Neill: love and loss of the soul by Zander Brietzske -- A touch of the poet -- The iceman cometh -- Long day's journey into night -- A moon for the misbegotten -- 4. Thornton Wilder: seeing beyond dark times by Felicia Hardison Londre -- Our town -- The skin of our teeth -- Shadow of a doubt -- The alcestiad -- 5. Tennessee Williams: experimentation and "The great American play" by Thomas Keith -- Battle of angels -- Stairs to the roof -- The glass menagerie -- Summer and smoke -- A streetcar named desire -- 6. Arthur Miller: the individual and social responsibility by Valleri J. Robinson -- All my sons -- Death of a salesman -- The crucible -- 7. Documents: A high-school perspective on theatre in 1947 by Ann Crisp; Collecting O'Neill by Lamar Lentz; Acting in The skin of our teeth with Helen Hayes by Hank Whittemore; Tennessee Williams in Provincetown by David Kaplan; Mapping Arthur Miller's Brooklyn by Steven Marino; Retrospective by Thomas D. Pawley III -- Afterword
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Anne Fletcher
Publisher: Bloomsbury Publishing
ISBN: 1350153605
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Clifford Odets: Waiting for Lefty (1935), Awake and Sing! (1935) and Golden Boy (1937); * Lillian Hellman: The Children's Hour (1934), The Little Foxes (1939), and Days to Come (1936); * Langston Hughes: Mulatto (1935), Mule Bone (1930, with Zora Neale Hurston) and Little Ham (1936); * Gertrude Stein: Doctor Faustus Lights the Lights (1938), Four Saints in Three Acts (written in 1927, published in 1932) and Listen to Me (1936).
Author: Julia Listengarten
Publisher: Bloomsbury Publishing
ISBN: 1350024767
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).
Author: Sanford Sternlicht
Publisher: Syracuse University Press
ISBN: 9780815629399
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Sanford Sternlicht presents a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through the present. He discusses the work and achievement of more than seventy playwrights, from Eugene O’Neill to Suzan-Lori Parks—from the golden era of Broadway to the rise of Off-Broadway and regional theater. Stern-licht shows how world theater influenced the American stage, and how the views of American dramatists reflected the great American social movements of their times. In addition, he describes the contributions of early experimental theater, the Federal Theater of the 1930s, African American, feminist, and gay and lesbian drama—and the joyous trends and triumphs of American musical theater.
