Author: Patricia Williams
Publisher: The New Press
ISBN: 1620978237
Category : Literary Collections
Languages : en
Pages : 204
Book Description
Brilliant essays from the renowned Nation columnist—aka the Mad Law Professor—tackling questions of identity, bioethics, race, surveillance, and more Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man’s leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race. With her trademark elegant prose and critical legal studies wisdom, Williams brings to bear a keen analytic eye and a lawyer’s training to chapters exploring the ways we have legislated the ownership of everything from body parts to gene sequences—and the particular ways in which our laws in these areas isolate nonnormative looks, minority cultures, and out-of-the-box thinkers. At the heart of “Wrongful Birth” is a lawsuit in which a white couple who use a sperm bank sue when their child “comes out Black”; “Bodies in Law” explores the service of genetic ancestry testing companies to answer the question of who owns DNA. And “Hot Cheeto Girl” examines the way that algorithms give rise to new predictive categories of human assortment, layered with market-inflected cages of assigned destiny. In the spirit of Dorothy Roberts, Rebecca Skloot, and Anne Fadiman, The Miracle of the Black Leg offers a brilliant meditation on the tricky place where law, science, ethics, and cultural slippage collide.
The Miracle of the Black Leg
Author: Patricia Williams
Publisher: The New Press
ISBN: 1620978237
Category : Literary Collections
Languages : en
Pages : 204
Book Description
Brilliant essays from the renowned Nation columnist—aka the Mad Law Professor—tackling questions of identity, bioethics, race, surveillance, and more Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man’s leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race. With her trademark elegant prose and critical legal studies wisdom, Williams brings to bear a keen analytic eye and a lawyer’s training to chapters exploring the ways we have legislated the ownership of everything from body parts to gene sequences—and the particular ways in which our laws in these areas isolate nonnormative looks, minority cultures, and out-of-the-box thinkers. At the heart of “Wrongful Birth” is a lawsuit in which a white couple who use a sperm bank sue when their child “comes out Black”; “Bodies in Law” explores the service of genetic ancestry testing companies to answer the question of who owns DNA. And “Hot Cheeto Girl” examines the way that algorithms give rise to new predictive categories of human assortment, layered with market-inflected cages of assigned destiny. In the spirit of Dorothy Roberts, Rebecca Skloot, and Anne Fadiman, The Miracle of the Black Leg offers a brilliant meditation on the tricky place where law, science, ethics, and cultural slippage collide.
Publisher: The New Press
ISBN: 1620978237
Category : Literary Collections
Languages : en
Pages : 204
Book Description
Brilliant essays from the renowned Nation columnist—aka the Mad Law Professor—tackling questions of identity, bioethics, race, surveillance, and more Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man’s leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race. With her trademark elegant prose and critical legal studies wisdom, Williams brings to bear a keen analytic eye and a lawyer’s training to chapters exploring the ways we have legislated the ownership of everything from body parts to gene sequences—and the particular ways in which our laws in these areas isolate nonnormative looks, minority cultures, and out-of-the-box thinkers. At the heart of “Wrongful Birth” is a lawsuit in which a white couple who use a sperm bank sue when their child “comes out Black”; “Bodies in Law” explores the service of genetic ancestry testing companies to answer the question of who owns DNA. And “Hot Cheeto Girl” examines the way that algorithms give rise to new predictive categories of human assortment, layered with market-inflected cages of assigned destiny. In the spirit of Dorothy Roberts, Rebecca Skloot, and Anne Fadiman, The Miracle of the Black Leg offers a brilliant meditation on the tricky place where law, science, ethics, and cultural slippage collide.
'Black but Human'
Author: Carmen Fracchia
Publisher: Oxford University Press
ISBN: 0191080829
Category : History
Languages : en
Pages : 265
Book Description
'Black but Human' is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves. The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings and sketches for costume books.
Publisher: Oxford University Press
ISBN: 0191080829
Category : History
Languages : en
Pages : 265
Book Description
'Black but Human' is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves. The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings and sketches for costume books.
From Homicide to Slavery : Studies in American Culture
Author: David Brion Davis Sterling Professor of History Yale University
Publisher: Oxford University Press, USA
ISBN: 0198021127
Category : History
Languages : en
Pages : 322
Book Description
For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.
Publisher: Oxford University Press, USA
ISBN: 0198021127
Category : History
Languages : en
Pages : 322
Book Description
For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.
The Image of the Black in Western Art
Author: David Bindman
Publisher: Harvard University Press
ISBN: 9780674052581
Category : Art and race
Languages : en
Pages : 410
Book Description
"A pioneering work in the field of art history, The Image of the Black in Western Art is a comprehensive series of ten books which offers a lavishly illustrated history of the representations of people of African descent from antiquity to the present. Each book includes a series of essays by some of the most distinguished names in art history. Ranging from images of Pharaohs created by unknown hands almost 3,500 years ago to the works of the great masters of European and American art such as Bosch, Dürer, Mantegna, Rembrandt, Rubens, Watteau, Hogarth, Copley, and Goya to stunning new media creations by contemporary black artists, these books are generously illustrated with beautiful, moving, and often little-known images of black people. Black figures-queens and slaves, saints and soldiers, priests and prisoners, dancers and athletes, children and gods-are central to the visual imagination of Western civilization. Written in accessible language, the extensive and insightful commentaries on the illustrations by distinguished art historians make this series invaluable for the general reader and the specialist alike."--Résumé de l'éditeur.
Publisher: Harvard University Press
ISBN: 9780674052581
Category : Art and race
Languages : en
Pages : 410
Book Description
"A pioneering work in the field of art history, The Image of the Black in Western Art is a comprehensive series of ten books which offers a lavishly illustrated history of the representations of people of African descent from antiquity to the present. Each book includes a series of essays by some of the most distinguished names in art history. Ranging from images of Pharaohs created by unknown hands almost 3,500 years ago to the works of the great masters of European and American art such as Bosch, Dürer, Mantegna, Rembrandt, Rubens, Watteau, Hogarth, Copley, and Goya to stunning new media creations by contemporary black artists, these books are generously illustrated with beautiful, moving, and often little-known images of black people. Black figures-queens and slaves, saints and soldiers, priests and prisoners, dancers and athletes, children and gods-are central to the visual imagination of Western civilization. Written in accessible language, the extensive and insightful commentaries on the illustrations by distinguished art historians make this series invaluable for the general reader and the specialist alike."--Résumé de l'éditeur.
Flesh and Blood
Author: Susan E. Lederer
Publisher:
ISBN: 0195161505
Category : Medical
Languages : en
Pages : 241
Book Description
Organ transplantation is one of the most dramatic interventions in modern medicine. Since the 1950s thousands of people have lived with 'new' hearts, kidneys, lungs, corneas, and other organs and tissues transplanted into their bodies. From the beginning, though, there was simply a problem: surgeons often encountered shortages of people willing and able to give their organs and tissues. To overcome this problem, they often brokered financial arrangements. Yet an ethic of gift exchange coexisted with the 'commodification of the body'. The same duality characterized the field of blood transfusion, which was essential to the development of modern surgery.This book will be the first to bring together the histories of blood transfusion and organ transplantation. It will show how these two fields redrew the lines between self and non-self, the living and the dead, and humans and animals. Drawing on newspapers, magazines, legal cases, films and the papers and correspondence of physicians and surgeons, Lederer will challenge the assumptions of some bioethicists and policymakers that popular fears about organ transplantation necessarily reflect timeless human concerns and preoccupations with the body. She will show how notions of the body- intact, in parts, living and dead- are shaped by the particular culture in which they are embedded.
Publisher:
ISBN: 0195161505
Category : Medical
Languages : en
Pages : 241
Book Description
Organ transplantation is one of the most dramatic interventions in modern medicine. Since the 1950s thousands of people have lived with 'new' hearts, kidneys, lungs, corneas, and other organs and tissues transplanted into their bodies. From the beginning, though, there was simply a problem: surgeons often encountered shortages of people willing and able to give their organs and tissues. To overcome this problem, they often brokered financial arrangements. Yet an ethic of gift exchange coexisted with the 'commodification of the body'. The same duality characterized the field of blood transfusion, which was essential to the development of modern surgery.This book will be the first to bring together the histories of blood transfusion and organ transplantation. It will show how these two fields redrew the lines between self and non-self, the living and the dead, and humans and animals. Drawing on newspapers, magazines, legal cases, films and the papers and correspondence of physicians and surgeons, Lederer will challenge the assumptions of some bioethicists and policymakers that popular fears about organ transplantation necessarily reflect timeless human concerns and preoccupations with the body. She will show how notions of the body- intact, in parts, living and dead- are shaped by the particular culture in which they are embedded.
One Leg in the Grave Revisited
Author: Carmen Fracchia
Publisher: Barkhuis
ISBN: 9491431234
Category : Art
Languages : en
Pages : 26
Book Description
The Miracle of the Transplantation of the Black Leg, a posthumous miracle performed by the saints Cosmas and Damian, is best known from the Golden Legend of Jacobus the Voragine (1265). From the early Middle Ages on, artists have been particularly inspired by De Voragine's description of this miracle. Their works can be found in churches, monasteries, and musea, mainly in Italy, Spain, and Southern France. These artful representations have fascinated Kees‑Zimmerman, retired trauma surgeon, inspiring him to travel through Southern Europe exploring them. In this way he has gathered an impressive collection of photographs of paintings, sculptures, and other art and religious objects. This book offers over 80 reproductions of representations of the Miracle of the Black Leg, quite a number of which have never been published before. Articles by art historians (De Jong, Fracchia), medievalists (Santing), and an Introduction by Zimmerman himself, shed light on different aspects of the legend. This book will therefore be of interest for art historians and medievalists, as well as those who wish to investigate the relationship between medicine and religion in the Middle Ages and the Early Modern Period. It offers, moreover, a wealth of beautiful pictures to be savored by all art lovers.
Publisher: Barkhuis
ISBN: 9491431234
Category : Art
Languages : en
Pages : 26
Book Description
The Miracle of the Transplantation of the Black Leg, a posthumous miracle performed by the saints Cosmas and Damian, is best known from the Golden Legend of Jacobus the Voragine (1265). From the early Middle Ages on, artists have been particularly inspired by De Voragine's description of this miracle. Their works can be found in churches, monasteries, and musea, mainly in Italy, Spain, and Southern France. These artful representations have fascinated Kees‑Zimmerman, retired trauma surgeon, inspiring him to travel through Southern Europe exploring them. In this way he has gathered an impressive collection of photographs of paintings, sculptures, and other art and religious objects. This book offers over 80 reproductions of representations of the Miracle of the Black Leg, quite a number of which have never been published before. Articles by art historians (De Jong, Fracchia), medievalists (Santing), and an Introduction by Zimmerman himself, shed light on different aspects of the legend. This book will therefore be of interest for art historians and medievalists, as well as those who wish to investigate the relationship between medicine and religion in the Middle Ages and the Early Modern Period. It offers, moreover, a wealth of beautiful pictures to be savored by all art lovers.
Others and Outcasts in Early Modern Europe
Author: Tom Nichols
Publisher: Routledge
ISBN: 1351555421
Category : Art
Languages : en
Pages : 471
Book Description
Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.
Publisher: Routledge
ISBN: 1351555421
Category : Art
Languages : en
Pages : 471
Book Description
Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.
Medical Saints
Author: Jacalyn Duffin
Publisher: Oxford University Press
ISBN: 0199910952
Category : Religion
Languages : en
Pages : 246
Book Description
Cosmas and Damian were martyred around the year 300 A.D. in what is now Syria. Called the Anargyroi ("without silver") because they charged no fees, they became patrons of medicine, surgery, and pharmacy and the focus of cults ranging across Europe. They were popular in Byzantine and Orthodox traditions and their shrines are numerous in Eastern Europe, southern Italy, and Sicily. The Medici family of Florence viewed the "santi medici" as patrons, and their deeds were illustrated by great Renaissance artists. In medical literature they are now revered as patrons of transplantation. Jacalyn Duffin offers a profound exploration of illness and healing experiences in contemporary society through the veneration of the twin doctors Saints Cosmas and Damian. She also relates a personal journey, from her role as a hematologist who unexpectedly came to serve as an expert witness in the Church's evaluation of a miracle to her research as a historican on the origins, meaning, and functions of saints. Duffin's research, which includes interviews with devotees in both North America and Europe, focuses on how people have taken the saints with them as they moved both within Italy and beyond. She shows that veneration of Cosmas and Damian has spread beyond immigrant traditions to fill important functions in healthcare and healing. Duffin's conclusions provide essential insights into medical history, sociology, anthropology, and popular religion, as well as the current medical debate over spiritual healing. Medical Saints draws on medical history and Roman Catholic traditions, but extends to universal observations about the behaviors of sick people and the formal responses to individual illness from collectivities in religion, medicine, and history.
Publisher: Oxford University Press
ISBN: 0199910952
Category : Religion
Languages : en
Pages : 246
Book Description
Cosmas and Damian were martyred around the year 300 A.D. in what is now Syria. Called the Anargyroi ("without silver") because they charged no fees, they became patrons of medicine, surgery, and pharmacy and the focus of cults ranging across Europe. They were popular in Byzantine and Orthodox traditions and their shrines are numerous in Eastern Europe, southern Italy, and Sicily. The Medici family of Florence viewed the "santi medici" as patrons, and their deeds were illustrated by great Renaissance artists. In medical literature they are now revered as patrons of transplantation. Jacalyn Duffin offers a profound exploration of illness and healing experiences in contemporary society through the veneration of the twin doctors Saints Cosmas and Damian. She also relates a personal journey, from her role as a hematologist who unexpectedly came to serve as an expert witness in the Church's evaluation of a miracle to her research as a historican on the origins, meaning, and functions of saints. Duffin's research, which includes interviews with devotees in both North America and Europe, focuses on how people have taken the saints with them as they moved both within Italy and beyond. She shows that veneration of Cosmas and Damian has spread beyond immigrant traditions to fill important functions in healthcare and healing. Duffin's conclusions provide essential insights into medical history, sociology, anthropology, and popular religion, as well as the current medical debate over spiritual healing. Medical Saints draws on medical history and Roman Catholic traditions, but extends to universal observations about the behaviors of sick people and the formal responses to individual illness from collectivities in religion, medicine, and history.
A Prophet to the Peoples
Author: Jennie Weiss Block
Publisher: Wipf and Stock Publishers
ISBN: 1666765031
Category : Religion
Languages : en
Pages : 408
Book Description
The Global Theological Ethics book series focuses on works that feature authors from around the world, draw on resources from the traditions of Catholic theological ethics, and attend to concrete issues facing the world today. It advances the Journal of Moral Theology's mission of fostering scholarship deeply rooted in traditions of inquiry about the moral life, engaged with contemporary issues, and exploring the interface of Catholic moral theology, philosophy, economics, political philosophy, psychology, and more. This series is sponsored in conjunction with the Catholic Theological Ethics and the World Church. The CTEWC recognizes the need to dialogue from and beyond local cultures and to interconnect within a world church. Its global network of scholars, practitioners, and activists fosters cross-cultural, interdisciplinary conversations--via conferences, symposia, and colloquia, both in-person and virtually--about critical issues in theological ethics, shaped by shared visions of hope.
Publisher: Wipf and Stock Publishers
ISBN: 1666765031
Category : Religion
Languages : en
Pages : 408
Book Description
The Global Theological Ethics book series focuses on works that feature authors from around the world, draw on resources from the traditions of Catholic theological ethics, and attend to concrete issues facing the world today. It advances the Journal of Moral Theology's mission of fostering scholarship deeply rooted in traditions of inquiry about the moral life, engaged with contemporary issues, and exploring the interface of Catholic moral theology, philosophy, economics, political philosophy, psychology, and more. This series is sponsored in conjunction with the Catholic Theological Ethics and the World Church. The CTEWC recognizes the need to dialogue from and beyond local cultures and to interconnect within a world church. Its global network of scholars, practitioners, and activists fosters cross-cultural, interdisciplinary conversations--via conferences, symposia, and colloquia, both in-person and virtually--about critical issues in theological ethics, shaped by shared visions of hope.
Surgery and Selfhood in Early Modern England
Author: Alanna Skuse
Publisher: Cambridge University Press
ISBN: 1108843611
Category : History
Languages : en
Pages : 211
Book Description
Implements stories of surgical alteration to consider how early modern individuals conceived the relationship between body, mind, and self.
Publisher: Cambridge University Press
ISBN: 1108843611
Category : History
Languages : en
Pages : 211
Book Description
Implements stories of surgical alteration to consider how early modern individuals conceived the relationship between body, mind, and self.