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Author: Rebecca J. Conway
Publisher: Sydney University Press
ISBN: 1743327285
Category : Art
Languages : en
Pages : 320
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Book Description
“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
Author: Howard Morphy
Publisher: Routledge
ISBN: 1000515540
Category : Art
Languages : en
Pages : 294
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Book Description
Museums, Societies and the Creation of Value focuses on the ways in which museums and the use of their collections have contributed to, and continue to be engaged with, value creation processes. Including chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers, this volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural differences. The essays engage richly with many of the important issues of contemporary museum discourse and practice. They show how collections exist at the ever-changing point of articulation between the source communities and the people and cultures of the museum and challenge presentist critiques of museums that position them as locked into the time that they emerged. Museums, Societies and the Creation of Value provides examples of the productive outcomes of collaborative work and relationships, showing how they can be mutually beneficial. The book will be of great interest to researchers and students engaged in the study of museums and heritage, anthropology, culture, Indigenous peoples, postcolonialism, history and sociology. It will also be of interest to museum professionals.
Author: Rebecca J. Conway
Publisher: Sydney University Press
ISBN: 1743327285
Category : Art
Languages : en
Pages : 320
Get Book Here
Book Description
“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
Author: Jeremy Russell-Smith
Publisher: CRC Press
ISBN: 0429895585
Category : Nature
Languages : en
Pages : 226
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Book Description
Key Features: Provides clear and authoritative recommendations for managing fire in ecological and social contexts Authors are all international leaders in their fields and include not only academics but also leaders of Indigenous communities Explains Indigenous cultural and knowledge systems to a degree that has rarely been accessible to lay and academic readers outside specialized disciplines like Anthropology Responds to growing need for new approaches to managing human-ecological systems that are in greater sympathy with Australia’s natural environments/climate, and value the knowledge of Indigenous people Timely for scholarly and interest groups intervention, as the Australian government is again looking to ‘develop the north' Sustainable Land Sector Development in Northern Australia sets out a vision for developing North Australia based on a culturally appropriate and ecologically sustainable land sector economy. This vision supports both Indigenous cultural responsibilities and aspirations, as well as enhancing enterprise opportunities for society as a whole. In the past, well-meaning if often misguided policy agendas have failed - and continue to fail - North Australians. This book helps breach that gap by acknowledging and harnessing Indigenous cultural strengths and knowledge systems for looking after the country and its people, as part of a smart, novel and diversified ecosystem services economy.
Author: Cara Pinchbeck
Publisher: Thames & Hudson
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
This book presents - for the first time - the exquisite bark paintings by 15 artists, as well as ceremonial and utilitarian objects, from the small island community of Milingimbi in far northern Australia. Drawn from a unique collection held at the Art Gallery of New South Wales, this book includes 62 bark paintings produced in the 1950s, as well as woven forms, paperbark objects, carved wooden figures and feathered body ornamentation.
Author: Ian Keen
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 456
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Book Description
Drawing on early colonial sources as well as the writing of amateur and professional anthropologists, this book compares the social life and culture of seven regions of Australia as they appear to have been at the threshold of colonization.
Author: Geoffrey Troughton
Publisher: BRILL
ISBN: 9004536795
Category : History
Languages : en
Pages : 223
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Book Description
Pacifying Missions interrogates the variegated and contested ways that missionaries imagined, articulated, and enacted peace, considering its complex entanglements with violence in the British Empire. The volume brings together world leading historical scholarship on issues of increasing contemporary valence.
Author:
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 648
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Book Description
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 526
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Book Description
Author: Vanessa Russ
Publisher: Routledge
ISBN: 1000398684
Category : Art
Languages : en
Pages : 300
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Book Description
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
Author: Djandjay Baker
Publisher: Xlibris Corporation
ISBN:
Category : History
Languages : en
Pages : 476
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Book Description
Why did the Methodist missionaries seek out the full blood tribal yolngu (Aborihinal) of north-east Arnhem Land who fiercely resisted intruders into their practically unknown and untamed country? One answer was the Bible, and another was by the 1920s the plight of the Australian Aboriginee because of contact with Europeans across wide Australia. What did happen to the yolngu who lived by their own laws at the time of the arrival of the first Europeans, the Christian mission balanda in 1923, when they settled onto their land? Yolngu from (law) was enforced by the spear throughout their lands until the missionaries with the Bible and the cross of Jesus arrived. The Australian Police then, although the missionaries were only few in number, began to visit to support new western laws that were being introduced to the yolngu where justice was dealt with by the law courts and enforced by the power of the gun, so when the law was broken there was the possibility of imprisonment, and also in those days there was the most deadliest of all western laws - capital punishment. With the arrival of the Mthodist Overseas Mission with modern conveniences and living conditions for the yolngu, it therefore attracted many other yolngu clans living on the mainland to come and live at Milingimbi, The mission in particular became a buffer between the yolngu and the outside encroaching western dominant society, so our yolngu communities began to grow and prosper which was contrary to many communities down south where Aboriginals from their first contact with mainstream Europeans became disempowered, and as their lands were being fenced and taken from them they bagan to die off in large numbers and by the 1920s they were looked upon as a dying race with the possibility of extinction.
