The Metabolic Melodies Songbook PDF Download
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Author: Kevin Ahern
Publisher: Lulu.com
ISBN: 0557370035
Category : Humor
Languages : en
Pages : 63
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Book Description
A book with all of the lyrics of Kevin Ahern's Metabolic Melodies as of September, 2010. Includes 13 new songs.
Author: Kevin Ahern
Publisher: Lulu.com
ISBN: 0557370035
Category : Humor
Languages : en
Pages : 63
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Book Description
A book with all of the lyrics of Kevin Ahern's Metabolic Melodies as of September, 2010. Includes 13 new songs.
Author: Kevin Ahern
Publisher: Lulu.com
ISBN: 110572994X
Category : Humor
Languages : en
Pages : 121
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Book Description
A complete collection of Kevin Ahern's popular Metabolic Melodies. These are songs written by and used by Dr. Ahern to teach biochemistry at Oregon State University. Recordings of many of the lyrics here can be downloaded from www.davincipress.com/metabmelodies.html
Author: Kevin Ahern
Publisher: Lulu.com
ISBN: 1387398512
Category : Education
Languages : en
Pages : 231
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Book Description
The latest edition of Kevin Ahern's popular Metabolic Melodies mixed with an eclectic collection of relevant, current song topics. Well over 200 song lyrics are included on topics that include biochemistry, science, daily life, life in Oregon, and politics.
Author: Kevin Ahern
Publisher: Lulu.com
ISBN: 1257796453
Category : Education
Languages : en
Pages : 97
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Book Description
A comprehensive collection of lyrics to Kevin Ahern's Metabolic Melodies.
Author: Harold Baum
Publisher: CRC Press
ISBN: 0203482980
Category : Medical
Languages : en
Pages : 107
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Book Description
This songbook presents information on biochemical pathways set to well-known songs, providing students with an easy way to remember often complicated information. The songs should also serve as end-of-term review material.
Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 962
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Book Description
Author: Michael G. Garber
Publisher: Univ. Press of Mississippi
ISBN: 1496834313
Category : Music
Languages : en
Pages : 393
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Book Description
2022 Association for Recorded Sound Collections Awards for Excellence—Certificate of Merit in the category of Best Historical Research in Recorded Rock and Popular Music Ten songs, from “Bill Bailey, Won’t You Please Come Home” (1902) to “You Made Me Love You” (1913), ignited the development of the classic pop ballad. In this exploration of how the style of the Great American Songbook evolved, Michael G. Garber unveils the complicated, often-hidden origins of these enduring, pioneering works. He riffs on colorful stories that amplify the rising of an American folk art composed by innovators both famous and obscure. Songwriters, and also the publishers, arrangers, and performers, achieved together a collective genius that moved hearts worldwide to song. These classic ballads originated all over the nation—Louisiana, Colorado, Illinois, Michigan—and then the Tin Pan Alley industry, centered in New York, made the tunes unforgettable sensations. From ragtime to bop, cabaret to radio, new styles of music and modes for its dissemination invented and reinvented the intimate, personal American love ballad, creating something both swinging and tender. Rendered by Frank Sinatra, Ella Fitzgerald, and a host of others, recordings and movies carried these songs across the globe. Using previously underexamined sources, Garber demonstrates how these songs shaped the music industry and the lives of ordinary Americans. Besides covering famous composers like Irving Berlin, this history also introduces such little-known figures as Maybelle Watson, who had to sue to get credit and royalties for creating the central content of the lyric for “My Melancholy Baby.” African American Frank Williams contributed to the seminal “Some of These Days” but was forgotten for decades. The ten ballads explored here permanently transformed American popular song.
Author: Jane Edwards
Publisher: Oxford University Press
ISBN: 0198817142
Category : Music
Languages : en
Pages : 1009
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Book Description
Music therapy is growing internationally to be one of the leading evidence-based psychosocial allied health professions to meet needs across the lifespan.The Oxford Handbook of Music Therapy is the most comprehensive text on this topic in its history. It presents exhaustive coverage of the topic from international leaders in the field
Author: Lady Gaga
Publisher: punctum books
ISBN: 0692686916
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Thoughtrave is the immediate and most detailed archive of Lady Gaga's emotional, intellectual, philosophical, and spiritual evolution, a reclaiming of her art (and humanity) from within the center of her celebrity during one of the most difficult transitions of her career: Summer 2013-Fall 2014. Lady Gaga: I don't like being used to make money. I feel sad when I am overworked and that I just become a money making machine and that my passion and my creativity take a backseat. That makes me unhappy. So, what did I do? I started to say no. Not doing that. I don't want to do that. I'm not taking that picture. Not going to that event. Not standing by that because that's not what I stand for. Thoughtrave marks perhaps the most important (and unconditional, unpublished, unencumbered) insights into the music industry, the personal battles that accompanied her transition from Stefani to Gaga. "It's one of those rare moments in life when you ask a question of someone you've admired for many years and receive the most honest of answers leading both people into a relationship that was and remains one of the most important of my life," says Baum, a professor, producer, composer, writer, editor, and activist for adjunct professors. As Baum explains to Stefani in one of the many interviews published here for the first time, Robert Craig Baum: It's uncanny for me to look back at 2008-2011 - when I was intensely meditating on the problem "Why is there any being at all?" - to find evidence of your intervention here with me...to find you, back then...before I knew you. It was almost as if I was playing the Bruce Willis character in Twelve Monkeys, overshooting my mark in time/space, aiming for this particular conversation but speaking through Ereignis (life gives) to a moment I (and many others) call "headphones on." As George Elerick writes in his Introduction to the book, "In Hand-to-Hand Battle for the Users," "The book you hold in your hands easily falls into the category of a transgression. It's as though we are breaking into somewhere we are not meant to be (like a rave) and are invited into the mind of one of today's musical geniuses. Maybe we can even equivocate the experience to that of being a member of the paparazzi. Their whole mode of employment is based on breaking social codes and entering into the lives of everyday-people-turned-rock-stars. That's what this book is, a disruptive invitation to break into the life and mind of Lady Gaga, the person, not just the persona."
Author: David Ingram
Publisher: Brill Rodopi
ISBN: 9789042032095
Category : Music
Languages : en
Pages : 276
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Book Description
Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox in the Garden is the first book to survey a wide range of musical styles, including folk, country, blues, rock, jazz, electronica and hip hop, to examine the different ways in which popular music has explored American relationships between nature, technology and environmental politics. It also investigates the growing link between music and philosophical thought, particularly under the influence of both deep ecology and New Age thinking, according to which music, amongst all the arts, has a special affinity with ecological ideas. This book is both an exploration and critique of such speculations on the role that music can play in raising environmental awareness. It combines description and analysis of American popular music made during the era of modern environmentalism with a consideration of its wider social, historical and political contexts. It will be of interest to undergraduates and post-graduates in music, cultural studies and environmental studies, as well as general readers interested in popular music and the environment.
