Author: Emilie Pine
Publisher: Indiana University Press
ISBN: 0253054982
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
Author: Emilie Pine
Publisher: Indiana University Press
ISBN: 0253049512
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
Author: Tracy Adams
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111211762
Category : Social Science
Languages : en
Pages : 136
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Book Description
Why is the past so dominant in the present? This book conceptualizes collective memory as currency, a medium of exchange, a system in common use, and one that is traded between and within nations. Bringing together contemporary case studies and multidisciplinary scholarship, this volume shows how past events are used and perceived as a commodity and a substantially fungible marketable item produced to satisfy wants or needs, their supply or demand being a part of one universal market. This book provides readers with a broader understanding of the power of the past in the present. Specific past events are incarnated into collective memories that can transform into iconic, almost mythical stories that can be employed to help make sense of the present. Through evoking, constructing and reconstructing, selectively highlighting certain aspects or perspectives of prominent past events, these collective memories become a significant resource that actors and publics turn to in times of need. As currency, these memories provide a service. As currency, they can also relatively easily travel between collectives, since it is commonly understood that the past has value in the present, and that this value is similarly utilized in various countries around the world.
Author: Mira Bartok
Publisher: Simon and Schuster
ISBN: 1439183325
Category : Biography & Autobiography
Languages : en
Pages : 323
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Book Description
A gorgeous memoir about the 17 year estrangement of the author and her homeless schizophrenic mother, and their reunion.
Author: Ksenija Bilbija
Publisher: Duke University Press
ISBN: 0822350424
Category : History
Languages : en
Pages : 424
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Book Description
Offering bold new perspectives on the politics of memory in Latin America, scholars analyze the memory markets in six countries that emerged from authoritarian rule in the 1980s and 1990s.
Author: Molly H. Mullin
Publisher: Duke University Press
ISBN: 0822380609
Category : Social Science
Languages : en
Pages : 241
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Book Description
In the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market—as well as the influence these activities had on them—in order to investigate the social construction of value and the history of American concepts of culture. Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of “culture” and “authenticity” are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art. This book will appeal to audiences in cultural anthropology, art history, American studies, women’s studies, and cultural history.
Author: Patricia Spyer
Publisher: Duke University Press
ISBN: 9780822324416
Category : Business & Economics
Languages : en
Pages : 388
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Book Description
Trade, popular memory and colonialism in Indonesia.
Author:
Publisher:
ISBN:
Category : Competition, International
Languages : en
Pages : 244
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
For more than 40 years, Computerworld has been the leading source of technology news and information for IT influencers worldwide. Computerworld's award-winning Web site (Computerworld.com), twice-monthly publication, focused conference series and custom research form the hub of the world's largest global IT media network.
Author: Ann Marie Leshkowich
Publisher: University of Hawaii Press
ISBN: 0824847865
Category : Business & Economics
Languages : en
Pages : 274
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Book Description
“My husband doesn’t have a head for business,” complained Ngoc, the owner of a children’s clothing stall in Ben Thanh market. “Naturally, it’s because he’s a man.” When the women who sell in Ho Chi Minh City’s iconic marketplace speak, their language suggests that activity in the market is shaped by timeless, essential truths: Vietnamese women are naturally adept at buying and selling, while men are not; Vietnamese prefer to do business with family members or through social contacts; stallholders are by nature superstitious; marketplace trading is by definition a small-scale enterprise. Essential Trade looks through the façade of these “timeless truths” and finds active participants in a political economy of appearances: traders’ words and actions conform to stereotypes of themselves as poor, weak women in order to clinch sales, manage creditors, and protect themselves from accusations of being greedy, corrupt, or “bourgeois” – even as they quietly slip into southern Vietnam’s growing middle class. But Leshkowich argues that we should not dismiss the traders’ self-disparaging words simply because of their essentialist logic. In Ben Thanh market, performing certain styles of femininity, kinship relations, social networks, spirituality, and class allowed traders to portray themselves as particular kinds of people who had the capacity to act in volatile political and economic circumstances. When so much seems to be changing, a claim that certain things or people are inherently or naturally a particular way can be both personally meaningful and strategically advantageous. Based on ethnographic fieldwork and life history interviewing conducted over nearly two decades, Essential Trade explores how women cloth and clothing traders like Ngoc have plied their wares through four decades of political and economic transformation: civil war, postwar economic restructuring, socialist cooperativization, and the frenetic competition of market socialism. With close attention to daily activities and life narratives, this groundbreaking work of critical feminist economic anthropology combines theoretical insight, vivid ethnography, and moving personal stories to illuminate how the interaction between gender and class has shaped people’s lives and created market socialist political economy. It provides a compelling account of postwar southern Vietnam as seen through the eyes of the dynamic women who have navigated forty years of profound change while building their businesses in the stalls of Ben Thanh market.
