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Author: C. B. Vasconcelos
Publisher: Trafford Publishing
ISBN: 149073967X
Category : Fiction
Languages : en
Pages : 225
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Book Description
The Melody of Justice By C.B. Vasconcelos Hardcover | 5.5 x 8.5 in | 222 pages | ISBN 9781490739687 Softcover | 5.5 x 8.5 in | 222 pages | ISBN 9781490739663 E-Book | 222 pages | ISBN 9781490739670 Available at Amazon and Barnes & Noble
Author: C. B. Vasconcelos
Publisher: Trafford Publishing
ISBN: 149073967X
Category : Fiction
Languages : en
Pages : 225
Get Book Here
Book Description
The Melody of Justice By C.B. Vasconcelos Hardcover | 5.5 x 8.5 in | 222 pages | ISBN 9781490739687 Softcover | 5.5 x 8.5 in | 222 pages | ISBN 9781490739663 E-Book | 222 pages | ISBN 9781490739670 Available at Amazon and Barnes & Noble
Author: Bre Ashley
Publisher: BA Publishing
ISBN:
Category : Poetry
Languages : en
Pages : 239
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Book Description
The inspiration behind the poetry collection JET BLACK: the prelude. This supplement provides lyrical reflections for poems in SHADED INJUSTICE [BOOK 1], POWER IN THE PUFF [BOOK 2], and BLACK DIAMONDS [BOOK 3] and intimate thoughts on justice, empowerment, and truth. Connect with BRE ASHLEY with this exclusive work of art designed to challenge the reader to explore their own poetic introspection.
Author: Cathy Benedict
Publisher: Oxford University Press
ISBN: 0190062142
Category : Music
Languages : en
Pages : 176
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Book Description
In this book author Cathy Benedict challenges and reframes traditional ways of addressing many of the topics we have come to think of as social justice. Offering practical suggestions for helping both teachers and students think philosophically (and thus critically) about the world around them, each chapter engages with important themes through music making and learning as it presents scenarios, examples of dialogue with students, unit ideas and lesson plans geared toward elementary students (ages 6-14). Taken-for-granted subjects often considered beyond the understanding of elementary students such as friendship, racism, poverty, religion, and class are addressed and interrogated in such a way that honours the voice and critical thinking of the elementary student. Suggestions are given that help both teachers and students to pause, reflect and redirect dialogue with questions that uncover bias, misinformation and misunderstandings that too often stand in the way of coming to know and embracing difference. Guiding questions, which anchor many curricular mandates, are used throughout in order to scaffold critical and reflective thinking beginning in the earliest grades of elementary music education. Where does social justice reside? Whose voice is being heard and whose is being silenced? How do we come to think of and construct poverty? How is it that musics become used the way they are used? What happens to songs initially intended for socially driven purposes when their significance is undermined? These questions and more are explored encouraging music teachers to embrace a path toward socially just engagements at the elementary and middle school levels.
Author: K'NAAN
Publisher: Tundra Books
ISBN: 1770493026
Category : Juvenile Nonfiction
Languages : en
Pages : 34
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Book Description
“Wavin’Flag” has become an international anthem. Its powerful words of hope have crossed generations and borders, and have made K’NAAN an international star. In his first book for children, When I Get Older, Somali-Canadian poet, rapper, singer, and songwriter K’NAAN tells his own story. Born in Somalia, he grew up in Mogadishu. His grandfather was a renowned poet who passed on his love of words to his grandson. When the Somali Civil War began in 1991, K’NAAN was just thirteen. His mother made the difficult decision to move her family so that they could grow up in safety. First in New York and then in Toronto, K’NAAN faced many challenges. Like so many other immigrants, he had to make a place for himself in a world of alien customs, clothes, and language. His road was a hard one: he lost many friends to violence. But K’NAAN’s love of music, and his enormous talent, became a way for him to connect with his past, with his classmates, and eventually, to millions of people around the world. Not only does K’NAAN tell a story that will inspire and encourage young readers, but he provides a brief history of the Somalian conflict. The lyrics of “Wavin’ Flag” are also included. Born Keinan Abdi Warsame, K’NAAN first came to prominence when he performed a spoken word piece before the United Nations High Commissioner for Refugees in 1999. A member of the audience, the singer Youssou N’Dour, was so impressed that he asked K’NAAN to take part in an album and to tour with him. Since then, K’NAAN has performed in more than 86 countries and has received many honors, including three Juno Awards and the BBC Radio 3 Award for World Music. During the Vancouver Olympics, he worked with other Canadian musicians and artists under the name Young Artists for Haiti to produce a charity version of “Wavin’ Flag.” The song was adapted again to become the FIFA World Cup theme song. There are now twenty-two versions of the song, which hit #1 in nineteen countries.
Author: Aaron Golub
Publisher: Routledge
ISBN: 1317362330
Category : Business & Economics
Languages : en
Pages : 294
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Book Description
As bicycle commuting grows in the United States, the profile of the white, middle-class cyclist has emerged. This stereotype evolves just as investments in cycling play an increasingly important role in neighborhood transformations. However, despite stereotypes, the cycling public is actually quite diverse, with the greatest share falling into the lowest income categories. Bicycle Justice and Urban Transformation demonstrates that for those with privilege, bicycling can be liberatory, a lifestyle choice, whereas for those surviving at the margins, cycling is not a choice, but an often oppressive necessity. Ignoring these "invisible" cyclists skews bicycle improvements towards those with choices. This book argues that it is vital to contextualize bicycling within a broader social justice framework if investments are to serve all street users equitably. "Bicycle justice" is an inclusionary social movement based on furthering material equity and the recognition that qualitative differences matter. This book illustrates equitable bicycle advocacy, policy and planning. In synthesizing the projects of critical cultural studies, transportation justice and planning, the book reveals the relevance of social justice to public and community-driven investments in cycling. This book will interest professionals, advocates, academics and students in the fields of transportation planning, urban planning, community development, urban geography, sociology and policy.
Author: Alphonse K. Amewolo
Publisher: Dorrance Publishing
ISBN: 1480909157
Category : Drama
Languages : en
Pages : 46
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Book Description
In Sound of Silence Followed by Beyond the Dream, Alphonse K. Amewolo paints a splendid panorama full of tumultuous and ongoing events, from history to the present, through an amazing dream and to a cruel reality that swallowed Africa, his motherland! And finally, from reality to fiction, this book takes you through a special odyssey beyond the rainbow, where African nations still have a necessary power to believe in a better future, the pursuit of happiness, peace, prosperity, and the right to a life. This pocketbook is an amazing summary of the dark pictures of “La Nuit des long Couteaux” (the night of the long knives) that terrorized Africa since the beginning of time and learnedly shined on the light of hope on her, without forgetting the nostalgia of good old days and hellish fever of resurgence of Africa the beautiful, the cradle of humanity!
Author: Bruce Bastin
Publisher: Univ. Press of Mississippi
ISBN: 1496801237
Category : Music
Languages : en
Pages : 495
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Book Description
Joe Davis (1896–1978), the focus of The Melody Man, enjoyed a fifty-year career in the music industry, which covered nearly every aspect of the business. He hustled sheet music in the 1920s; copyrighted compositions by artists as diverse as Fats Waller, Carson Robison, Otis Blackwell, and Rudy Vallee; oversaw hundreds of recording sessions; and operated several record companies beginning in the 1940s. Davis also worked fearlessly to help ensure that black recording artists and song writers gained equal treatment for their work. Much more than a biography, this book is an investigation of the role played by music publishers during much of the twentieth century. Joe Davis was not a music “great,” but he was one of those individuals who enabled “greats” to emerge. A musician, manager, and publisher, his long career reveals much about the nature of the music industry and offers insight into how the industry changed from the 1920s to the 1970s. By the summer of 1924, when Davis was handling the “race talent” for Ajax records, he had already worked in the music business for most of a decade, and there were more than five decades of musical career ahead of him. The fact that his fascinating life has gone so long underappreciated is remedied by the publication of this book. Originally published in England in 1990 as Never Sell a Copyright: Joe Davis and His Role in the New York Music Scene, 1916–1978, this book was never released in the United States and only made available in a very limited print run in England. The author, noted blues scholar and folklorist Bruce Bastin, has worked with fellow music scholar Kip Lornell to completely update, condense, and improve the book for this first-ever American edition.
Author:
Publisher:
ISBN:
Category : Justices of the peace
Languages : en
Pages : 1010
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Book Description
Author:
Publisher:
ISBN:
Category : Justices of the peace
Languages : en
Pages : 894
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Book Description
Author: Sara Ramshaw
Publisher: Routledge
ISBN: 0415510171
Category : History
Languages : en
Pages : 210
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Book Description
Justice as Improvisation: The Law of the Extempore theorises the relationship between justice and improvisation through the case of the New York City cabaret laws. Discourses around improvisation often imprison it in a quasi-ethical relationship with the authentic, singular 'other'. The same can be said of justice. This book interrogates this relationship by highlighting the parallels between the aporetic conception of justice advanced by the late French philosopher Jacques Derrida and the nuanced approach to improvisation pursued by musicians and theorists alike in the new and emerging interdisciplinary field of Critical Studies in Improvisation (CSI). Justice as Improvisation re-imagines justice as a species of improvisation through the formal structure of the most basic of legal mechanisms, judicial decision-making, offering law and legal theory a richer, more concrete, understanding of justice. Not further mystery or mystique, but a negotiation between abstract notions of justice and the everyday practice of judging. Improvisation in judgment calls for ongoing, practical decision-making as the constant negotiation between the freedom of the judge to take account of the otherness or singularity of the case and the existing laws or rules that both allow for and constrain that freedom. Yes, it is necessary to judge, yes, it is necessary to decide, but to judge well, to decide justly, that is a music lesson perhaps best taught by critical improvisation scholars.
